June 2025

You might be surprised to hear that we have a host of established cinemas in Wales, 80 in fact. Now these come in different shapes and sizes. Some are mixed arts centres offering multi-disciplinary programmes, others are full time independent or commercial cinemas that specialise in film and some have occasional programmes.

We’ve not even got to the community screens yet; there are many more of these to mention (and we’ll come back to that in our next blog) but today we’re expressly talking theatrical.

So, where to begin. Let’s start by explaining that it’s our job at Film Hub Wales to support Welsh cinemas to bring the best UK independent and international films to Welsh communities year-round. We fund, train and advise film exhibitors, offering support where needed. We know a film won’t be seen just because it’s good enough and that’s where cinemas come in. Their job is to think about the audience. Who would enjoy this film, how can they be reached and what impact could the film have on local people.

Take the Magic Lantern Cinema in Tywyn, Mid-West Wales, for instance. Having first screened a silent news reel in 1900 as the town’s Assembly Room, the building has evolved into a much-loved, unique, full-time cinema with house band, secret garden, and cocktail bar. Not only that – they also lead events in the rural community such as opening on Christmas day for local people living alone and create employment opportunities for young people in the town (we’re told their team love it so much, they often don’t want to leave!).

On to the North West of Wales, if you find yourself in Blaenau Ffestiniog, you have to pay a visit to CellB. Based in a converted police station, with two screens and a stunning backdrop of slate mountains, this place is bursting with charisma. Led by Gwallgofiaid, a not-for-profit social enterprise that provides creative training for young people, the site has a hostel, regular gigs and a wood fired pizza oven..

Over in the North East of Wales, we have to mention the impressive renovations at Theatr Clwyd, known as the largest touring theatre provider in Wales. You’ll want to hang out and take in the panoramic views of the town from their new glass-front building, visit their restaurant run by acclaimed chef Bryn Williams and of course, watch a film in their purpose-built cinema opening from July 2025.

We could keep going with this all day… If you’re in South Wales a cinema you can’t miss is The Savoy Theatre in Monmouth.

The oldest working theatre site in Wales, this beautiful grade 2 listed building looks like the cinema that dreams are made of.. Or if you find yourself in Cardiff, there’s Chapter Arts Centre, which has a huge year-round programme of indie film as well as experimental performances, exhibitions and café bar.

Over in West of Wales, there’s Theatr Gwaun in Fishguard. It’s an independent community theatre, supported by a passionate team of volunteers, with cinema, bar and café with a vast selection of events, with the beautiful Pembrokeshire coast just a stone’s throw away.

You could basically map out a journey around Wales, with a cinema on each stop. Sound good? To help with this we’ve put together a full list and a map to help you see where each cinema is. We’ll be highlighting them on our socials, as well as where you can find your nearest festival, film club or community screen.

If you run a cinema and you’re not listed below, this may be because you’re listed as a community screen but if would like to be added (or you would like to be removed from this list), please get in touch with us. We’d love to hear from you. Welsh cinemas can also become a member of Film Hub Wales for free and apply for audience development funding as well as accessing training, networking and advice.

After 10 hugely successful years, the final curtain will soon fall on much loved community cinema Monico Movies.

In 2015, a group of local movie enthusiasts were invited by filmmakers Viv and Harley Jones to discuss the idea of opening a community cinema, screening a variety of films. Rhiwbina Community Cinema – a not for profit, volunteer led cinema – was born. It was named Monico Movies as a tribute to the much missed local cinema ‘The Monico’ which opened in Rhiwbina in 1936 and closed in 2003.

Monico Movies started from scratch with no equipment. However, screening films was initially made possible through the loan of equipment from Film Hub Wales and, after the first year as a community cinema group, funding was secured from the Big Lottery to buy a projector and screen.

Monico Movies hosted its first screening, The Grand Budapest Hotel, in October 2015 at Canolfan Beulah. Since then, shows have been held on the 2nd Saturday of each month for ten years. More than 200 films have been screened, attracting a loyal audience, with up to 80 people attending
each month. Five local shops – Serenade, Victoria Fearn Gallery, Ginger Whites, Deri Stores and the Honey Pot – have also supported Monico Movies, by selling tickets. This continued support by the audience and ticket outlets has ensured the community cinema’s ongoing success.

In volunteering to plan and host an annual film programme, the dedicated crew have contributed time and skills, including web and poster design, social media publicity, film research, administration and projection. The volunteer group curated a varied programme across a range of different film genres. These included world cinema, independent films, old favourites, forgotten classics and new releases. One memorable highlight was screening Buster Keaton’s silent movie, The General, with live piano accompaniment. Monico Movies has also been proud to showcase local film makers.

Monico Movies revived the tradition of a regular, local cinema experience for the community in Rhiwbina. Having achieved the milestone of 10 years, the group members have decided the time is right to retire – to hang up the film reels, put away the usherette’s tray and dim the lights one last time.

The final Monico Movies show will take place at 7.30pm on Saturday 12th July 2025, when the Welsh made film ‘Mr Burton’, about the early life of actor Richard Burton, will be screened and the audience of Monico Movies will celebrate their love of cinema one last time.

Contact: Harley Jones

May 2025

Did you know that Wales is home to 40 festivals of all shapes and sizes? Many of these are dedicated to film, or have regular film offers. Whether you’re an emerging filmmaker looking for a place to launch your next short, or you’re an avid cinema goer seeking out the best new films, our Welsh festivals have you covered.

At Film Hub Wales, we work with film festivals, helping them to bring the best UK independent and international films to Welsh communities year-round. Festivals play a crucial role in film chain. They showcase new talent, often helping them to secure sales agents and distribution deals – reaching new audiences at home and across the world. They’re also known for special events, unique and bold film choices that audiences might not see elsewhere and a place for industry and the public to come together.

So what festivals are waiting to be discovered on your doorstep in Wales? Well, there are at least 40 (that we know of) and this doesn’t include the many more touring events that pop-up in cinemas during the year and wider arts festivals that occasionally screen films. 34 of these are specifically Welsh events and 6 are UK or international events that tour to Wales.

Many of the festivals have unique themes (20 that we count) such as the SeeMôr Film Festival which explores all things coast and sea in Anglesey, there’s Cardiff Animation Festival and Kotatsu Japanese Animation festival, or for the thrill seekers there’s Abertoir International Horror Festival – which is about to celebrate its 20th year in 2025.

Various festivals offer dedicated support for new talent such as Carmarthen Bay Film Festival, Cardiff Mini Film Festival and Focus Wales. For young audiences there’s Wicked Wales and The Children’s International Film Festival of Wales. Phew, we can keep going? For the best new local and global films there’s Wales One World, for a taste of Africa there’s the Watch-Africa Film Festival, Hijinx Unity Festival celebrates disabled, learning disabled and/or autistic artists and our largest film festival in Wales, Iris Prize LGBTQ+ Film Festival is home to the largest short film prize in the world. We’re spoilt for choice, right?

As well as a great place to discover new films, if you’re starting out in the film industry and looking for volunteering opportunities, festivals are a brilliant place to learn new skills and make contacts.

Around 50% of the festivals currently take place in the South East of Wales, with the other 50% in North, East and West of the country. Many offer online events alongside their in-person programmes, as we know getting there can be a challenge.

To help with this we’ve put together a full list and a map to help you see exactly where and when each festival takes place. We’ll also be highlighting upcoming festivals monthly on our socials, in case you need a reminder, as well as where you can find your nearest cinema, film club or community screen.

If you run a film festival and you’re not listed below and would like to be added (or you would like to be removed from this list), please get in touch with us. Film Festivals in Wales can also become a member of Film Hub Wales for free and apply for audience development funding as well as accessing training, networking and advice.

Download the Press Release

Diffwys Criafol is the pen-name of a Cardiff based writer with a deep interest in social class. The themes around her work centre around this subject usually in relation to her own life experience. Find her on Linktree / Instagram

Translated into Welsh by Mair Lannen

This is a film reckoning not only with the story of one family, but with the dizzying speed of change that has occurred in Wales over the 20th century. Haunted by the past, bewildered by the present and looking to the future with a careful hope.

“Do not go Gentle” was released in 2001 but was set in the period running up to the 1997 UK general election – the climax of the film coinciding with the election results night when “New” Labour won after 16 years of Tory rule. However, this is not just a historic-political film, or a film about the problems of aging in an increasingly individualistic neoliberal society. It goes much deeper. Its portrayal of the family dynamic, speaks to the fundamentals of our psychology as a colonised people. Torn between assimilation into joining and participating in a system of impersonal brutality versus the counter struggle to this – the impulse to hold on to our culture, language, class and place.

For me, the characters are an allegory of the class tensions and directions in the context of Welsh speaking Wales – known in Welsh as ‘Y Fro Gymraeg’. William Davies, the Father, appears to have Alzheimer’s disease and needs to be looked after – but who is going to take responsibility for his care? William Davies, a former quarryman and Elder (Blaenor) in the Chapel is a classic depiction of the traditional Welsh working class man of the 20th Century.

The ensuing conflict between his children on the subject of William’s care becomes a personification of the class tension arising from fluctuating class mobility in families. The eldest son – John Meredydd –  who is upwardly socially mobile, Maureen – a single mother, meanwhile, is relegated downwards. Alun Cledwyn, the third sibling is at a crossroads, struggling to hold on to the middle class life he has built while contending with his chronic illness of alcoholism.

John Meredydd, who has physically and mentally distanced himself from the family to make his fortune, now looks down upon his (working class) family with disdain. Maureen is expected to do the unpaid caring labour, raising her three children alone and juggling two jobs. Alun Cledwyn is torn between ‘Y Fro Gymraeg’ and the world, his middle-class aspirations in contradiction to his connection to home, his ‘etifeddiaeth’. The amalgamation of land, community, language, family and Welshness itself – at one point in the film described as a noose around his neck. These are the contradictions of Welshness distilled to its clearest form.

The title of this film in Welsh is “Oed yr Addewid” which literally means “The Promised Age”. In Welsh language culture (but originating from the Bible) this saying means that we are “only promised to live to 70” –  everything after that is just a bonus apparently! The opening of the film is Willam’s 70th birthday. It feels significant to me that since this film was first released, these precious few years of retirement before our “promised time” is now spent working. Since the Millenium, the one sided class war against us has gone into overdrive. We can no longer expect to look forward to a few years of rest and family time in retirement while we still have their health. Now, many people (my own father being one of them) are working physically demanding jobs well into their 70’s while contending with a range of health conditions.

The depictions of class throughout the film are beautifully thoughtful and nuanced. This is a rare cultural artifact that I feel succeeds in honoring the complexity of class in the Welsh speaking context. This is especially interesting today after what feels like an age of endless austerity since the 2008 crash that has plunged 22% of adults and a third of children into poverty in Wales, with much of this concentrated in the Welsh speaking heartlands.

This is a film that has retained its relevance to our contemporary lives. The simultaneous crises co-occurring within one family, their relationships to one another, and its bravery in dealing with subjects that many of us would frankly rather not face. Death, insanity, class, identity, the loss of meaning. The intensity and existential angst of Welsh speaking communities. Addiction, gender roles and how we treat our elderly are all themes raised in this film. There are plenty of challenging subjects, however, for me, it felt cathartic to watch.

A new scan of Oed Yr Addewid is coming to cinemas in 2025 from The National Library of Wales Screen and Sound Archive in partnership with Film Hub Wales.

This article was commissioned by Film Hub Wales as part of our Made in Wales strategy, which celebrates films with Welsh connections, thanks to funding from Creative Wales and the National Lottery via the BFI.

It was first published in Buzz Magazine.

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23rd April 2025

A new scan of Oed Yr Addewid (Do Not Go Gentle), a BAFTA winning, politically relevant Welsh language film from 2000 will be re-released in cinemas from March 2025.

From Welsh Director Emlyn Williams, Oed yr Addewid is set in 1997, as Britain reaches a political crossroads following 18 years of Conservative Government rule. The film stars Welsh acting giants, Stewart Jones, Arwel Gruffydd, Gwenno Elis Hodgkins and Gwyn Vaughan. The story follows William Davies, a widower, socialist and retired quarryman, who feels angry and bitter towards a government that has more or less forgotten him in his old age, so he puts a desperate and absurd plan into action. Twenty-five years since its release, the film’s themes of social care, aging and the British state will resonate with audiences today.

Actor Arwel Gruffydd, who plays Alun in the film, reacted to news of the re-release:

The Screen and Sound Archive of the National Library of Wales and Film Hub Wales, part of the BFI Film Audience Network, have worked together to bring the Welsh classic back to the big screen, which launched at the Llynfi Valley Film Festival at Maesteg Town Hall in March.

The original 35mm film has been re-scanned to 2K quality by R3store Studios, then digitally restored by Gorilla Post Production and prepared for cinema screenings. With the support of Matchbox Cine, English and Welsh descriptive subtitles will also be added for the first time, making the film accessible to a wider audience.

Nia Edwards-Behi, Audiovisual Cataloguer at the Screen and Sound Archive of The National Library of Wales explains:

Hana Lewis, Head of Film Hub Wales adds:

The film is available to cinemas to book for screenings in from late March onwards, with screening dates across Wales to be confirmed.

The project is supported by Film Hub Wales, which is part of the BFI Film Audience Network (FAN) made possible thanks to National Lottery funding, to ensure the greatest choice of cinema is available to everyone across the UK. Funds in Wales are administered by FHW via Chapter as the Film Hub Lead Organisation.

More than £30M is raised each week for good causes across the UK by the National Lottery.

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We’re delighted to partner with Media Cymru and Ffilm Cymru Wales for the first time, to support two Welsh trainees to participate in the Film Distributors’ Association’s (FDA) 9 month paid London based trainee scheme, gaining hands on experience in film distribution and international sales.

Exhibition and distribution are essential parts of the film chain. Understanding who the audience is and how to reach them. The scheme will support the aims our Made in Wales project, which celebrates films with Welsh connections.

Find the full course details from the FDA and Media Cymru below:

15th January 2025

From the extravagant lifestyle of an eccentric Anglesey Marquess to adventures in the lush landscapes of Laos, eclectic stories with Welsh connections await audiences on the big screen in 2025.

Journey across Wales and beyond this year with local and global stories coming to cinemas, all of which have Welsh connections from locations, to cast and behind the scenes talent. Releasing in spring, Powys-born Joshua Trigg’s debut feature Satu – Year of the Rabbit will transport audiences to Laos as they follow two children on a stunning coming-of-age quest to find their families, friendship and the beauty of everyday life. Set to premiere at Sundance Film Festival 2025 is ie ie Productions’ newest feature film Brides, in which two teenage girls search for freedom, friendship, and belonging when they run away from their lives in the UK with a dangerous plan of travelling to Syria.

Producer Alice Lusher explains how Brides was filmed in Wales as part of an international collaboration:

Thrill seeking viewers are in luck as a string of action-packed, psychological dramas and horror films are also set to release. The eagerly awaited Havoc from Welsh director of The Raid Gareth Evans, which was filmed in Cardiff sees Tom Hardy and Forest Whitaker fight their way through a criminal underworld, unravelling corruption and conspiracy along the way. Following this is the mysterious The Man in My Basement starring Willem Dafoe, which is based on Walter Mosley’s novel of the same name. It was filmed in Carmarthenshire, with Welsh producer John Giwa-Amu attached. There are also high hopes for The Scurry, from Welsh director Craig Roberts and Cliff Edge Pictures, which follows the surreal story of two pest controllers who encounter an avalanche of deranged squirrels, wreaking revenge and mayhem on the staff and visitors at an eco-country park.

John Giwa-Amu comments on The Man in My Basement and it’s links to Wales:

There are also plenty of films brimming with Welsh heritage. Film Hub Wales is partnering with the National Library of Wales Screen and Sound Archive to re-release a new scan of the 2002 BAFTA-winner Oed yr Addewid. This poignant look at political disillusionment, social care and aging is all the more relevant 25 years after its initial release. A ninety-minute shorts package will also be available from the Archive’s year-long Cymru Anabl (‘Disabled Wales’) project which focused on improving the accessibility of their film and video collections, as well as improving the representation of disabled and Deaf filmmakers in them.

For biography fans, the stories of two iconic Welsh figures hit screens in 2025. Mad as Birds’ new feature film Madfabulous depicts the life of the eccentric Henry Cyril Paget, the 5th Marquess of Anglesey and stars Welsh actor Callum Scott Howells (It’s A Sin) alongside Rupert Everett and Siobhán McSweeney. From Welsh production company Severn Screen, and director Marc Evans, Mr Burton follows the origin story of actor Richard Burton, and stars Welsh talent Aneurin Barnard and Aimee-Ffion Edwards, alongside Toby Jones and Lesley Manville. This is just a snapshot of the films set for release in 2025, with many more to come.

Toki Allison, Made in Wales Project Manager explains how Film Hub Wales’ Made in Wales project supports releases such as these:

Joedi Langley, Interim Head of Creative Wales, added:

Film Hub Wales’ Made in Wales (MIW) project celebrates films with Welsh connections. It offers a host of year-round activities in partnership with Welsh exhibitors, including a film catalogue, which hosts information on over 1000 shorts and feature films. Audiences can keep up to date with news of upcoming Welsh releases and the latest interviews by following Made in Wales on Instagram, Facebook, TikTok, the Made in Wales podcast, YouTube and Letterboxd.

MIW is made possible thanks to funding from Creative Wales and the BFI Film Audience Network (FAN), awarding funds from the National Lottery. BFI FAN offers support to exhibitors across the whole of the UK, to boost cultural programming and engage diverse audiences. In Wales, activity is led by Film Hub Wales, managed by Chapter.

– ENDS –

9th October 2024

If you’re looking to fill your calendar with Welsh films this winter and settle into a cosy cinema seat, in front of the big screen, we have the list for you.

It’s already been a busy year for films with Welsh connections in 2024 with dramatic features such as The Almond and the Seahorse, Unicorns and Chuck Chuck Baby, plus the epic animation; Kensuke’s Kingdom, all of which had special Made in Wales interviews to introduce audiences to the Welsh links. 

We have even more to look forward to, starting with Timestalker, which releases October 11th. Director Alice Lowe creates a karmic, hilarious and sometimes violent journey that sees the hapless heroine Agnes reincarnated every time she makes the same mistake: falling in love with the wrong man. The film has a host of Welsh connections from producer Vaughan Sivell to actor Aneurin Barnard, who Made in Wales interviewed this week. It was also filmed in Cardiff and Penpont House in Brecon. 

Welsh Producer Vaughan Sivell explains:

Moving on to November, we have two documentaries with globally significant themes. First up is India’s 1st Best Trans Model Agency, from Pembrokeshire based director Ila Mehrotra, releasing November 11th during Transgender Awareness Week. This emotionally charged journey, filmed over seven years, follows the extraordinary story of Rudrani Chettri, her friends and the transgender community of Delhi as they create India’s first ever trans modelling agency. The film explores the complex world of India’s ‘third gender’ (Hijra), where traditional values clash with human rights. The film brings identifiable stories of love and loss, hope and poverty, beauty, glamour and catwalk glory. 

On November 22nd, the multi award winning O R Tambo’s Comrade Tambo’s London Recruits will be launched to a wider cinema going public via what the organisers are calling a ‘People’s Release’. The film, hailed by Variety as an ‘edge of your seats documentary thriller‘, is set at the height of apartheid in the late sixties / early seventies as a group of working-class, anti-racist activists living in London answer Oliver Tambo’s secret call for undercover agents to bring hope to his embattled people inside South Africa. The release is being organised in partnership with the Trade Union movement and solidarity with Southern Africa organisation, ACTSA, in response to nationwide race riots across the UK. A key component will be post-screening panel discussions on how we can all contribute to an anti-racist Britain.   

Welsh Director Gordon Main explains why releases like Comrade Tambo’s London Recruits are so significant:

Also highly anticipated is the second feature from Zambian Welsh Director Rungano Nyoni: On Becoming a Guinea Fowl. The film follows Shula as she drives on an empty road in the middle of the night, stumbling across the body of her beloved uncle Fred. As funeral proceedings begin around them, she and her cousins bring to light the buried secrets of their middle-class Zambian family. Keep your eye out for the release date, coming soon.  

Fans of all things gory, can also look out for ambitious low-budget slasher film Scopohobia from Welsh director and writer Aled Owen this autumn, as well as Protein about a gym obsessed serial killer, coming soon from a team of Welsh producers Craig Russell, Tom Gripper and Dan Bailey. Both films were made in and around Swansea. Audiences can still also catch screenings of creepy British folk horror, Starve Acre, starring Welsh actors Morfydd Clark and Erin Richards.  

Hana Lewis, Film Hub Wales’ Manager on how the Made in Wales project will support these releases: 

Film Hub Wales’ Made in Wales (MIW) project celebrates films with Welsh connections. It offers a host of year-round activities in partnership with Welsh exhibitors, including a film catalogue, which hosts information on over 1000 shorts and feature films and Made in Wales podcast. Audiences can keep up to date with news of upcoming Welsh releases and the latest interviews by following @Madeinwales_ on social media. 

MIW is made possible thanks to funding from Creative Wales and the BFI Film Audience Network (FAN), awarding funds from the National Lottery. BFI FAN offers support to exhibitors across the whole of the UK, to boost cultural programming and engage diverse audiences. In Wales, activity is led by Film Hub Wales, managed by Chapter. 

Download the Press Release

– ENDS –

29th July 2024

The season will be presented by the BFI Film Audience Network at venues UK-wide from October-December 2024, with highlights including:

• BFI Distribution re-release of Kathryn Bigelow’s POINT BREAK (1991), in cinemas UK-wide on 8 November
• UK-wide screenings and events presented in partnership with the BFI Film Audience Network, including the ninth edition of the Fighting Spirit Film Festival, a celebration of women of colour working in action cinema and screenings dedicated to the ‘original Hollywood action hero’ Buster Keaton
• Major season at BFI Southbank and BFI IMAX featuring focuses on John Woo and Bollywood action
• BFI 4K UHD release of SEVEN SAMURAI on 21 October, with screenings at selected cinemas from 27 September, including a premiere event at BFI IMAX on 26 September
• A collection of films to stream on demand on BFI Player

The BFI today announces a new season celebrating the artistry of real action choreography, that has kept film audiences on the edge of their seats since the early days of cinema. Presented by the BFI Film Audience Network (BFI FAN) using funds from the National Lottery, ART OF ACTION will take place at cinemas across the UK from October-December 2024, with the chance to get behind-the-scenes insights from those working in the action and stunt communities, via special events, demonstrations, talks and screenings throughout the season. ART OF ACTION will spotlight the genre through the ages, with films ranging from cult classics to lesser-known gems from around the world. It will illuminate the work of female stunt performers and their struggle for recognition, and champion the new wave of action stars and filmmakers who are building upon the legacy of those who have fallen, crashed, smashed and picked themselves up before them.

From the jaw-dropping stunts of the silent era to the intricate dynamic choreography of today’s biggest action films, via the daredevil ethos of Hong Kong filmmaking, ART OF ACTION will feature screenings of THE GENERAL (1926), THE TRAIN (1964), THE WILD BUNCH (1969), the POLICE STORY TRILOGY (1985-1992), RUN LOLA RUN (1998), CROUCHING TIGER, HIDDEN DRAGON (2000), POLITE SOCIETY (2023) and many more. The centrepiece of ART OF ACTION will be a BFI re-release of Kathryn Bigelow’s POINT BREAK (1991) starring Keanu Reeves as FBI agent Johnny Utah, who goes undercover with a gang of surfers, led by Patrick Swayze’s Bodhi, who are suspects in a series of bank robberies. Bigelow’s kinetic masterpiece, which has rarely been seen on big screens in the UK in recent years, will be released in selected cinemas UK-wide by BFI Distribution on 8 November, with the film also available on BFI Player on the same date.

Timon Singh, BFI FAN Producer and programmer of ART OF ACTION, said:

Jason Wood, BFI Director of Public Programme & Audiences, said:

The season will be programmed around three key themes, with the first dedicated to spotlighting action through the ages – from the early visual gags of silent gems like THE GENERAL (1926) to influential classics such as THE ADVENTURES OF ROBIN HOOD (1938) and THE TRAIN (1964), through to the intricate and dynamic wuxia choreography of CROUCHING TIGER, HIDDEN DRAGON (2000). ART OF ACTION will also bust the myth that action is just by and for men; celebrating the plethora of female talent in front of and behind the camera, as well as shedding a light on under-represented voices in the action community, from YES MADAM (1985) to POLITE SOCIETY (2023) via RUN LOLA RUN (1998). Finally, the season will explore how action films became a global phenomenon as both Eastern and Western filmmakers were inspired by each other, and the impact of such cross-cultural influences on cinema today – from SEVEN SAMURAI (1954) and THE WILD BUNCH (1969) to the POLICE STORY TRILOGY (1985-1992).

More than 50 venues UK-wide will host events and screenings supported by the BFI Film Audience Network, with some of the highlights set to include:

• Broadway Cinema’s action mini season designed for Under-25s and marginalised audiences, which will include a day of Robin Hood screenings to mark Nottingham’s Robin Hood Marathon.
• Call to Action, a programme curated by Reclaim the Frame that centres women of colour working in front of and behind the camera in the action genre, from the 90s to the present day. Comprising special events with guests including stunt performer Ayesha Hussian, panel conversations, demos and screenings, Call to Action will tour venues including Hackney Picturehouse, Dukes at Komedia, Picturehouse (Brighton), Glasgow Film Theatre and Midlands Art Centre (Birmingham).
• Cromarty Kicks Ass, a tightly packed season of films run by Cromarty Community Cinema in the Highlands, Scotland, will address themes of justice, revenge, honour and the global desire to have the cinema shake with action, alongside parkour and capoeira demonstrations and workshops, and a free outdoor screening of a Jackie Chan classic accompanied by a live musician and torchlight lion dance.
• Exeter Phoenix: Smash The Glass, which will celebrate the women who have advanced action cinema both on and off-screen, delivered in partnership with Girls on Film critic and broadcaster Anna Smith, with collaborations from Plymouth Art Cinema.
• Fabrica in Brighton will deliver Creative Action, a weekend-long festival empowering young people aged 16-25, women and people of marginalized genders by repositioning the cultural significance of action films for audiences. The festival will engage these groups through partnerships with women, non-binary and queer-friendly martial arts clubs, a programme of shorts from local and international animators and a collaboration with their young film programmers’ group, Fresh Perspectives.
• The ninth edition of Fighting Spirit Film Festival, with martial arts shorts and features presented alongside martial arts and weapons demonstrations, a martial arts workshop and seminars on choreographing a short action sequence.
• Hyde Park Picture House Leeds’s programme exploring the history of car races and chases in global cinema, featuring talks and Q&As with academics, car enthusiasts and stuntwomen, plus a day-long educational session as part of Hyde Park Picture House’s Film School strand.
• The Magic Lantern screening POINT BREAK alongside the local surf community in Tywyn with entertainment including a live band and a party; THE GENERAL with live musical accompaniment and trips on the Talyllyn steam railway; martial arts demos, a free sword fighting workshop and Welsh filmmaker Garth Evans’ RAID II.
• MilkTea’s ESEA In Action, at Brixton Ritzy in London and City Screen in York, which will showcase a program of East and Southeast Asian (ESEA) cinema with their programme theme, Black x Asian cultural crossover, in partnership with Dark Matter.
• Mitchell Arts Centre’s celebration of the ‘original Hollywood action hero’, Buster Keaton, with enhanced screenings featuring live musical accompaniment from musician Meg Morley and an introduction from local film historian Ray Johnson.
• Queen’s Film Theatre Belfast’s programme spanning the breadth of the genre with special events including a celebration of women in action with film journalist Helen O’Hara, a stage combat demonstration by fight director Philip Rafferty, and an action all-nighter curated by QFT’s LUMI programmers.

The full UK-wide line-up of screenings, events and touring programmes will be announced soon.

BFI Southbank will play host to a major season from 21 October – 30 November, concentrating on several themes alongside stunts; the women of action, the master John Woo and the influence of Bollywood, as well as serving a plotted guide through the history of action cinema with a special all action-themed edition of Big Screen Classics, where BFI Southbank shows classic films on a daily basis for just £9. Special events confirmed for the season so far include Stunt Saturday on 16 November, a special day of talks, panel events, screenings and workshops all celebrating the art of stunts. BFI Southbank will welcome Nida Manzoor for a Q&A on 17 November, following a screening of her hilarious and exhilarating action/comedy POLITE SOCIETY (2023), which follows 16-year-old Ria, an aspiring stuntwoman, who is alarmed when her sister Lena is swept up by a charming suitor and starts heading towards marriage at speed. Also on 17 November, The Art of the Action Trailer will present some of the best and worst action trailers through time, pondering the iconic trailer voiceover and decide whether it’s better to reveal or conceal the big stunts.

BFI IMAX, the UK’s largest screen, is one of the best places to watch an action blockbuster with its immersive, unmatched scale. The cinema will host a number of events during the season, including all-nighters dedicated to JOHN WICK and MISSION: IMPOSSIBLE, and the premiere of a new 4K restoration of Akira Kurosawa’s SEVEN SAMURAI (1954) on 26 September. SEVEN SAMURAI will also be released by the BFI on 4K UHD on 21 October, with the new restoration playing in further selected cinemas as part of the season. More information about the 4K UHD release will be revealed soon.

Audiences will also be able to stream films from the season at home on BFI Player, with a selection of titles set to include FIST OF FURY (1972), THE STREET FIGHTER (1974), ARMOUR OF GOD (1986), HEROES SHED NO TEARS (1986), POINT BREAK (1991), RUN LOLA RUN (1998), LEONOR WILL NEVER DIE (2022) and many more to be announced soon.

Ends.

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23rd July 2024

Film Hub Wales (FHW) has awarded over £100,000 of BFI National Lottery funding to nineteen independent Welsh cinemas and film festivals, through its Film Exhibition Fund. 

Funds will enable Welsh audiences to watch the latest UK independent and international films in their local communities, at affordable prices. From relaxed, family friendly films to eco cinema strands and the latest Welsh releases, there’s plenty to choose from.  

Audiences in Bridgend and Blaenau Ffestiniog will even get to watch the films in exciting new cinema spaces. Awen Cultural Trust is launching its Llynfi Valley Cinema Project alongside at Maesteg Town Hall following its multi-million-pound redevelopment. At Cellb, their new ‘Sgrin Emyr Ankst’, opens in memory of Welsh music and cinema pioneer Emyr Glyn Williams – his legacy is set to inspire the young people of Wales for many years to come.  

Rhys Roberts from Cellb explains the importance of their new screen to the community: 

At the Torch Theatre in Milford Haven, they’re building relationships with their audiences and local partners, exploring global themes of intersectional identity through their film programme. They’re opening up the space to new communities by celebrating important awareness dates such as Black History Month, LGBTQIA+ History Month and the International Day of Persons with Disabilities.  

Chelsey Gillard, The Torch’s Artistic Director explains:

Other highlights include youth-led activities at Taliesin Arts Centre in Swansea and Theatr Gwaun in Fishguard, works screened from neurodivergent filmmakers at both Hijinx Unity Festival and through Cardiff Animation Festival’s Different Voices strand, as well as a nature/ecology in horror strand at Abertoir International Horror Festival – think disgusting real-life parasites and ‘nature fights back’. 

Hana Lewis, Head of Film Hub Wales adds:

The projects are supported by Film Hub Wales, which is part of the BFI Film Audience Network (FAN) using funds from the National Lottery to ensure the greatest choice of cinema is available to everyone across the UK. Funds in Wales are administered by FHW via Chapter as the Film Hub Lead Organisation. 

More than £30M is raised each week for good causes across the UK by the National Lottery.  

Ends.

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The programme will see investment in eight local areas across the UK to boost audience choice and improve access to screenings of independent film.