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Iris Prize LGBT+ Festival Announces 2020 Winners

Short Calf Muscle, directed by Victoria Warmerdam, has been announced the winner of the Iris Prize 2020, Cardiff’s International LGBT+ Short Film Prize, supported by The Michael Bishop Foundation. This was the first time in the festival’s 14-year history that a film from the Netherlands has won. The £30,000 prize enables Victoria to make a new short film in Wales, becoming the thirteenth Iris production.  Better, directed by Michael J. Ferns, wins Best British Award.

The winners of all Awards categories were announced at a special awards ceremony on Saturday night marking the successful end to the unique virtual festival that has attracted a UK wide audience to watching film screenings and talks online for free, which included the UK premiere on opening night of Lloyd Eyre-Morgan and Neil Ely’s S.A.M. 


The awards show included performances by Welsh singer Casi Wyn and pop legend Heather Small.  

THE WINNERS 

IRIS PRIZE

The international winner of Iris Prize is Victoria Warmerdam for SHORT CALF MUSCLE from the Netherlands.

Philip Guttman, from the Iris Prize jury says,

Short Calf Muscle captures a universal sense of being misunderstood in an hilarious yet absurd comic tone, setting it apart in a class of its own. Piquant dialogue, accomplished storytelling and tongue in cheek acting are distilled into a potent black comedy, where Anders, a gay man, suddenly finds himself labelled to be a “gnome” by everyone around him, harkening to our own society that all too often misgenders or misidentifies others. Filmmaker Victoria Warmerdam masterfully tackles themes of prejudice and societal authoritarianism, captured through an impeccable Stepford style lens which contrasts the loss of control in a world gone mad. Ms. Warmerdam reveals herself to be a singular, exciting and rising comedy director.

The film was the chosen nomination of Iris partner festival Roze Filmdagen; Amsterdam LGBTQ Film Festival. Werner Borkes, the festival’s Director, said of Victoria’s win,

as a festival we are already extremely honored that we have been a nominating festival for years, but we are all the more proud that our nominee actually takes the prize home. (Eight times is a charm). It is great to see how very ‘Dutch’ the film is in tone and style, but still connects with an international audience through its original but still universal relatable story about whether or not to be different.

The shortlisted finalists also included Runner Up Victoria, as well as Boys ac On My Way.

Of Victoria, jury members and previous Iris Prize winners Lara Zeidan and Sarah Smith say,

A brilliant setting for a simple and touching story perfectly contained within one scene. The shifting of perspectives deftly executed in the writing and directing gives voice to both characters’ complicated emotions. The performances, the pacing, the compositions, the colour palette, and the use of the Victoria Amazónica as metaphor, all work in harmony leading towards a beautifully poetic ending, and demonstrate a remarkable command of the craft of filmmaking.

Of Boys, Mikael Bundsen and Philip Guttman, say,

In Banim (Boys), filmmaker Lior Soroka, draws us into an aching coming of age story depicting one teen’s fight for independence and his mother’s struggle to let go, while simultaneously evoking questions about gender norms in contemporary society. With its riveting performances, the striking complexity in the character’s relationships, and for what is left unsaid, but deeply felt, Soroka has captured our hearts and our imaginations.

Of On My Way, Mikael Bundsen says, “Filmmaker Sonam Larcin crafts an intimate story potent with questions to reflect on long after the film’s running time. Complex characters navigating the conditions of a vulnerable migrant to a clandestine gay relationship teetering on the edge are masterfully brought to life by a stellar cast. It’s beautiful, accomplished and it leaves us passionate to see more”.

BEST BRITISH AWARD

The winner of Best of British short films is Scottish-born Michael J. Ferns for BETTER. The other films that made the final shortlist are Runner Up Queens, as well as The Passing ac Wings.

Tim Highsted, Senior Editor, Acquired Feature Films for Film4, who chaired the jury for Best British Short, commented:

The quality and range of this year’s Best British Short film contenders has been excellent – so much so that the jury was spoiled in having to choose a winner. Michael J Fern’s short film Better was distinctive for its quietly controlled and beautifully orchestrated examination of gender as a young mother tries to cope with the bullying of her young son at school. Our other shortlisted titles, Queens, The Passing and Wings raised the bar in their unique portrayals and studies of LGBT+ lives and stories.

Additionally, cementing the first of a three-year sponsorship deal with Film4, all 15 films in Best British programmes will be available for free streaming on All 4 from 11th October.

INTERNATIONAL FEATURE FILM AWARDS

Best Performance in a Male Role in a Feature Film, sponsored by Attitude, was awarded to Leandro Faria Lelo from DRY WIND, directed by Daniel Nolasco and distributed by TLA Releasing.

Lewis Bayley, chair of Best Feature jury made up of film students from Bournemouth Film School, says,

The award for Best Performance in a Male Role is awarded to Leandro Faria Lelo in Dry Wind, whose compelling performance of sexual desire captivates the audience and explores the intensity of yearning in the monotonous confines of an oppressive system.

He adds,

an honourable mention to Oscar Chiu’s performance in The Teacher, where his gentle and tender performance exposes the audience to the realities of life in Taiwan as a queer teacher through his vulnerability, and spark that commands attention to this quiet protagonist.

Best Performance in a Female Role in a Feature Film, sponsored by Diva, was awarded to Lena Urzendowsy for COCOON. The winner was announced pop legend Heather Small.

Of Lena’s performance, Lewis says,

The award for Best Performance in a Female role goes to Lena Urzendowsky. Lena’s honest and raw portrayal of Nora in Cocoon captures a teenager in a time of self-discovery, complicated by the dramas and vices of those closest to her. In this beautiful coming-of-age story, Lena holds the attention in each frame she appears with quiet nuance and vulnerability.

“The jury would also like to draw attention to recognise the performance of Alexandra Grey in Gossamer Folds, whose warmth and determination to live authentically serve as a beacon of hope in a film where so many characters exist in a state of such uncertainty. Although the film is based in 1986, the relevance to the world today are particularly poignant and a reminder of work yet to be done, and Alexandra’s performance is nothing short of essential.

The Best International Feature Film Award, sponsored by Bad Wolf, is won by COCOON, directed by Leonie Krippendorff and is distributed in UK by Peccadillo Pictures.

Of Cocoon, Lewis Bayley says,

The winning film is an honest and open coming of age story, addressing its lead’s sexuality with delicacy and heart that speaks directly to personal experiences. The innocence of self-discovery, in the midst of the complexities of the lives of those around us are explored with nuance and authenticity. The supporting visages are dreamlike, relatable and beautifully rendered.

YOUTH JURY

The winner of the Youth Jury Award is WINGS from UK director Jamie Weston, and the runner-up is Luca Padrini’s When In Rome (Paese Che Vai).

The four short-listed films, chosen from 35 nominees for the main Iris Prize, were Wings, My God I’m Queer, When In Rome (Paese Che Vai) and Snake, which had been specially programmed by a group of young people from Into Film and Pride Cymru and then voted for by young people from schools across Wales.

AUDIENCE AWARD

One of the additional innovations for this year is the introduction of the Co-op Audience Award, the natural next step in the strong relationship with the Iris Prize, started by Co-op Respect. This year Co-op shoppers will be encouraged to watch the 35 short films – and vote for their favourite.

Those who votes will be eligible to win a trip to attend the 2021 Iris Prize LGBT+ Film Festival in Cardiff, the prize will include train travel within the UK, hotel accommodation and a full VIP Pass for two people. Other prizes include luxury Co-op Hampers, just in time for Christmas! When can I vote? Voting for the Co-op Audience Award opens on Wednesday 7 October and closes on Saturday 31 October 2020.

Lord Glendonbrook said during his address:

The Iris Prize continues to be the world’s largest short film prize and I’m delighted that through The Michael Bishop Foundation we have been able to support the winners, to create new short films. These Iris Productions are wonderful opportunities for the film makers to be given the freedom to share our stories to a world that sometimes ignore us and sometimes hate us.

Andrew Pierce, Iris Prize Chair says “Against the odds, film makers, sponsors and our UK audience have come together this week to celebrate our stories through film. As David Llewellyn mentioned duringIris Live!,“We may be watching these films in separate rooms, but we’re still watching them together.”

The main festival sponsors are: The Michael Bishop Foundation, Welsh Government, the BFI awarding funds from the National Lottery, Ffilm Cymru Wales, Film 4, University of South Wales, Co-op Respect, Bad Wolf, Gorilla Group, Peccadillo Pictures, Pinewood Studios, Attitude Magazine, Diva Magazine and The Ministry of Sound.

Mae'r ŵyl hefyd yn gweithio mewn partneriaeth â BAFTA Cymru, Pride Cymru a Stonewall Cymru.

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CAF ONLINE POSTER
Rhaglen lawn wedi’i gyhoeddi ar gyfer Gŵyl Animeiddio Caerdydd 2020 Ar-lein!

Mae Gŵyl Animeiddio Caerdydd wedi cyhoeddi ei rhaglen ŵyl ar-lein llawn. Mae’r ŵyl wedi ychwanegu mwy o gyhoeddiadau i’w rhaglen 2020 gyffrous, gan gynnwys dosbarthiadau meistr a sesiynau holi ac ateb gyda thalent allweddol tu ôl i The Rubbish World of Dave Spud, Strike a The Adventures of Paddington™. Bydd y dathliad animeiddio ar-lein i bawb yn arddangos rhai o’r animeiddiadau gorau o dros y byd i oedolion, teuluoedd a gwneuthurwyr ffilm.

Bydd aildrefniad gŵyl gwanwyn 2020 nawr yn cael ei gynnal ar-lein, gyda digwyddiadau yn dechrau ar Hydref 17eg, gan adeiladu tuag at brif wythnos yr ŵyl ar Hydref 24ain - Tachwedd 1af. Mae tocynnau am ddigwyddiadau unigol ar werth nawr, a phasiau cyntaf-i’r-felin ar gael am £15 y pas.

Dywed Cyfarwyddwr yr ŵyl, Lauren Orme:

Rydym mor falch o’r rhaglen ac wedi ein cyffroi i fedru dod â fe o’r diwedd i gynulleidfaoedd! Mae wedi bod yn flwyddyn anodd i bawb ac roedd e’n bwysig i ni fedru cynnig pasiau am ostyngiad mor sylweddol a thocynnau unigol ar sail talwch-beth-y-gallwch, er mwyn i gymaint o bobol â phosib yn gallu cael mynediad i’r ŵyl. Mae’r fformat ar-lein hefyd wedi ein galluogi ni i is-deitlo ein holl ddigwyddiadau er mwyn sicrhau bod popeth yn fwy hygyrch, sy’n gyffrous iawn.

Bydd amrediad o ddigwyddiadau i’r teulu yn rhedeg drwy gydol yr ŵyl, gan gynnwys cyfle anhygoel i weld tu-ôl-i’r-llen ar gyfres CGI newydd sbon The Adventures of Paddington™ gan Blue Zoo Animation i StudioCanal a Nickelodeon, wedi’i gyflwyno gan Gynhyrchydd Simon Quinn.

Bydd Ed Foster, creawdwr animeiddiad gomedi Illuminated Films i CITV The Rubbish World of Dave Spud, yn rhannu stori ei siwrnai 16-mlynedd, o ffilm myfyriwr i gyfarwyddo cyfres ei hun, a tharddiad ‘underdog’, arwr annhebygol a chreawdwr heb ymwybod anrhefn Dave Spud a’i deulu. Gyda chast o leisiau sy’n cynnwys Gina Yashere a Johnny Vegas, ac animeiddio gan Cloth Cat Animation, Caerdydd, mae maint cynulleidfa’r sioe ym mhell o fod yn ‘rubbish’ ers ei lansiad mis Medi diwethaf ac erbyn hyn mewn cynhyrchiad am ei hail gyfres.

Mae’r rhaglen yn cynnwys ffilm nodwedd stop-symudiad Brydeinig STRIKE, stori am wahadden ifanc, yn ceisio cyflawni ei freuddwyd amhosib o fod yn bêl-droediwr er mwyn achub ei dref wrth arch-elyn barus. Ffilm nodwedd gyntaf Trevor Hardy o Sussex yw hwn, wedi’i gynhyrchu gan Gigglefish Studios. Ar ôl dangosiad y ffilm, bydd cynulleidfaoedd yn cael cip tu-ôl-i’r-llen gyda sesiwn holi ac ateb deniadol gyda chyfarwyddwr y ffilm: Trevor Hardy, yr actor llais Lizzie Waterworth a’r cynhyrchydd Neil James gan archwilio’r ffordd unigryw wnaeth ailgylchu helpu ddod â’r ffilm yn fyw, wedi’i gadeirio gan Suraya Raja.

Mae’r ŵyl yn cydweithio gyda Visible in Visuals, platfform sy’n anelu i wneud animeiddio a VFX yn fwy cynhwysol, mewn panel a sesiwn holi ac ateb bydd yn ffocysu ar wahanol yrfaoedd mewn animeiddio ac ar gyngor i fyfyrwyr a rheini sydd yn meddwl i ddod mewn i’r diwydiant.

Mae’r digwyddiadau yma a llawer mwy yn ychwanegu at raglen ysblennydd eisoes, gan gynnwys dosbarthiadau meistr ar gyfarwyddo Bob’s Burgers gyda’r animeiddiwr Gymraeg Simon Chong, Moominvalley gyda chyfarwyddwr pennod Avgousta Zourelidi, y ffilm nodwedd gyntaf yn y byd wedi’i hanimeiddio â thywod, sydd wrthi’n cael ei greu yng Nghymru gan gyfarwyddwr Gerald Conn.

Gall mynychwyr yr ŵyl ddod at ei gilydd ar gyfer partïon gwylio byw o’r saith rhaglen thematig ar ffilmiau byrion wedi’u hanimeiddio o bedwar ban byd, gan newid cymeradwyo yn y sinema am emojis curo dwylo yn y sgwrs fyw, a phleidleisio am eu ffefrynnau i ennill Gwobr CAF y gynulleidfa. Bydd cyfle i gwrdd â rhai o’r gwneuthurwyr ffilm annibynnol gwych tu ôl i’r ffilmiau yn y gystadleuaeth yn yr ‘Animators Brunch’, sesiwn holi ac ateb byw gyda Ben Mitchell a Laura-Beth Cowley o Skwigly ar ddydd Sul Hydref 25ain a dydd Sul Tachwedd 1af.

Noddir Cardiff Animation Festival gan Gyngor Celfyddydau Cymru, Ffilm Cymru Wales, a Canolfan Ffilm Cymru fel rhan o Rwydwaith Cynulleidfa’r BFI Film (FAN), BFI NETWORK Wales, ac Ymddiried drwy Gronfa Ysgoloriaeth Owen Edwards, gyda nawdd ychwanegol gan Cloth Cat Animation, Picl Animation, Creative Europe Desk UK – Cymru, Prifysgol De Cyrmu, Prifysgol Fetropolitan Caerdydd, Jammy Custard Animation, Gwobrau Animeiddio Prydain, S4C a Chronfa Sgiliau Animeiddio ScreenSkills gyda chyfraniadau gan gynyrchiadau animeiddio o’r DU.

Bydd Gŵyl Animeiddio Caerdydd ar-lein 2020 yn rhedeg o ddydd Sadwrn Hydref 17eg tan ddydd Sul Tachwedd 1af. Mae pasiau a thocynnau unigol Gŵyl Animeiddio Caerdydd ar werth nawr, gyda nifer cyfyngedig o basiau cyntaf-i’r-felin am pris gostyngol ar gael yma -  https://watch.eventive.org/caf2020 ac https://caf2020.eventive.org/passes/buy

Am y wybodaeth ddiweddaraf, dilynwch Cardiff Animation Festival ar Twitter, Facebook ac Instagram a chofrestru i dderbyn ein cylchlythyr e-bost.

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cinema-for-all
Applications are now open for Sustain Lift – Autumn 2020!
  • Want to re-evaluate after lockdown? 
  • Looking to develop skills or polish existing ones? 
  • Want to connect more as a team and start working towards your next big project?

As part of the Cinema For All LIFT package helping community cinemas return to screening films after lockdown, we are running another round of our BFI funded coaching programme, Sustain! 

This autumn we have places on all three strands of Sustain available. Find out more about each below:

Sustain Shine – for existing community cinemas to reflect on what they have achieved and where they want to go next. This programme will follow our previous and popular Sustain format, providing groups with three coaching sessions and a £200 bursary to build on and explore the sustainability of their community cinema.

Sustain Develop – a new programme for community cinemas with a clear idea of their next stage of development with a specific project. The programme will consist of three bespoke coaching sessions tailored to your group, along with a £600 bursary to help realise, plan and achieve your community cinema’s next ambition.

Sustain Collaborate – This programme will support groups with ideas for an interesting collaboration with other community cinemas. It provides a bursary of £1000 to help cover the costs of making your in person or online collaborative project happen. 

Deadline for applications is 15 October 2020. To find out more about Sustain and how to apply, please visit Cinema For All’s website yma, or contact Ellie at ellie@cinemaforall.org.uk

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UK’s five biggest festivals of African film team up to present online showcase

The UK’s five biggest festivals of African film – Africa in Motion in Edinburgh/Glasgow, Afrika Eye in Bristol, the Cambridge African Film Festival (CAFF), Film Africa in London, and Watch-Africa Cymru (Wales) – are teaming up online for the first time this October to present “We Are Tano”, showcasing ten of the best examples of African cinema from the past decade.

The season, which draws its title from the Swahili word ‘tano’, meaning five, will run online from 1st October to 20th Hydref as part of Black History Month, giving UK-wide audiences pay-what-you-want access to a choice of 10 stand-out African films.

The initiative is being co-ordinated by Sheila Ruiz, Director of London’s Film Africa and Deputy Director at the Royal African Society, who says:

COVID-19 has presented major challenges to many film festivals this year. But, as with all crises, the current pandemic has also presented an opportunity to do things differently.

All five festivals in the TANO network felt it important to carry on giving UK audiences access to the broad range of films coming out of Africa. Hence the decision to contribute to Black History Month with a jointly curated online showcase, drawing on some of the most popular titles shown by TANO festivals since 2010.

Christine Patterson, the festival producer for Watch-Africa film festival, added:

The purpose of this season is to continue our mission to highlight the vibrancy and rich diversity of African film-making and story-telling.We are passionate about expanding people’s understanding and appreciation of African film and cultures across the UK, and we aim to reach as wide an audience as possible, especially audiences that have not been able to attend our festivals in person.

Among the films chosen for the showcase are:

  1. ‘Un homme qui cri’ (Chad/France, 2010) by Cannes Jury Prize winner Mahomet Saleh Haroun; Alain Gomis’s
  2. ‘Tey/ Aujourd’hui,’ (France/Senegal), voted best international film at Berlin in 2012;
  3. ‘As I open my eyes’ (Tunisia, 2015) , directed by Venice prize-winner Leyla Bouzid, and the mischievously comic docu-drama
  4. ‘Film festival film’ (Namibia, South Africa, 2019).

Full details of the “We Are Tano” selections and streaming calendar will be available shortly from www.wearetano.org.  In return for a pay-what-you-can-afford donation, attendees will have up to 48 hours to view their choices, alone or with family/friends.

Meanwhile, further information about the Tano network and its previous collaborations can be accessed now via https://www.africa-in-motion.org.uk/we-are-tano/.

Other celebrations of African cinema taking place this autumn/winter by TANO network members include:
Africa in Motion (Scotland): www.africa-in-motion.org.uk | 30 October – 29 November 2020 and
Film Africa (London): www.filmafrica.org | 30 October – 8 November 2020

For news about the other TANO network festivals, please visit:

WE ARE TANO is supported by the BFI Audience Fund.

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Fusako Yusaki Introduction 1024×576
Kotatsu Festival 10th Anniversary Celebration

Kotatsu Festival 10th Anniversary Celebration

Held virtually on October 24th & 25th in Partnership with The Japan Foundation London.

The Kotatsu Japanese Animation Festival started in 2010 in Cardiff, and has been held every year as a showcase for Japanese animation and culture. Celebrating its 10th anniversary however comes in the midst of a global pandemic and so the decision was taken to hold the festival fully online. One of the goals since the festival’s inception has been to act as a gateway into the diverse world of Japanese animation. To achieve this, they showcase emerging talent and important but overshadowed animators who work in a wide variety of styles, from 2D to stop-motion. The 2020 festival will be the biggest celebration of this talent yet. 

On October 24th and 25th, viewers will be able to participate in the full line-up of screenings and events, all of which will be free to access via their YouTube channel and through various Zoom sessions. In total, they will be screening 37 films, including 28 works from students studying at 5 different Japanese universities, and 9 works from 5 award-winning animators, including Oscar nominated Koji Yamamura and Shin Hosokawa. Furthermore, these works will be introduced by the creators themselves as the festival aims to continue in its mission to connect animators with audiences. 

A very exciting series of Zoom workshops will also be hosted by veteran animators who are bringing their very latest works to the festival. The workshops will cover a range of fun activities such as one dedicated to the art of creating the Kotatsu Festival mascot design by Chie Arai, while world famous Fusako Yusaki talks about her career in claymation animation with a Q&A Session. There is also a talk with animator/director Miho Yata and musician Takeshi Yoda. 

People will be able to participate in the full line-up of the screenings and events, all of which will be free, via our YouTube channel and through Zoom sessions. 

This will also be the first time that Kotatsu collaborates with F-Rated, an organisation dedicated to supporting women in film by working with cinemas and film festivals to give moviegoers a way to identify films and events that fairly represent women on screen and behind the camera. We have secured an F-Rating for our ongoing campaign to show the works of female film makers and also for this event where more than half of the films were directed by women. 

Here is the full line-up of events: 

Kotatsu Japanese Animation Festival 10th Anniversary Timetable 

(All times are UK/GMT – Japan +7 hours ahead) 

24th October 

11:00 YouTube Screening – Films by Koji Yamamura, Shin Hosokawa, Miho Yata, Chie Arai, Makiko Sukikara 

13:00 Zoom Event – Miho Yata / Takeshi Yoda – Director & Musician Q&A 

18:00 YouTube Screening – Student Work (Part 1) 

25th October 

12:00 Zoom Event – Chie Arai Animation Workshop 

14:00 Zoom Event – Fusako Yusaki Director Q&A and Clay Animation Workshop 

16:00 YouTube Screening – Student Work (Part 2) 

18:00 YouTube Screening – Films by Koji Yamamura, Shin Hosokawa, Miho Yata, Chie Arai, Makiko Sukikara 

We will reveal the full line-up of the titles and events on the festival’s website soon.

The Animators and Musician 

Yamamura Koji (山村 浩二

After graduating from Tokyo Zokei University in 1987, he founded Yamamura Animation, Inc. in 1993 and has worked steadily, refining his style while making films for children. His most famous work is the short “Mount Head” (2002) which was nominated for an Oscar for Best Animated Short. Other titles include “Franz Kafka’s A Country Doctor” (2007) and “Muybridge’s Strings” (2011). His films have been awarded more than 90 prizes including the grand prizes of major international animation festivals such as Annecy, Ottawa and Hiroshima. He has also received the Medal with Purple Ribbon from the Japanese government in 2019. He is member of the Academy of Motion Picture Arts and Sciences and a professor of Tokyo University of the Arts. 

Yusaki Fusako (湯崎 夫沙子

Yusaki is an award-winning claymation pioneer who emerged in the 1960s after moving to Milan and establishing her own independent studio, Studio Yusaki. Her works consist of commercials, films, and children’s television programmes which were made for public broadcasters such as RAI and NHK. Yusaki’s famous works include claymation advertisements for the liqueur Fernet-Branca, and “Peo the Blue Dog”, a popular TV character in Switzerland. Yusaki will lead a claymation workshop and do a Q&A with Kotatsu. 

Yata Miho (やた みほ

Born 1974, Yata studied Children’s Literature and Children’s Culture at university. While studying, she was inspired by “Wallace and Gromit” and started to have an interest on stop motion animation. In 1999 she started knit-animation and creating picture books. Since then, she has become famous for “Wool Fairies Knit and Wool”(NHK・NEP)and the picture books “Sakasa mo Sakasa” (Demadosha Co.,Ltd.) “What is This Yan?”(CHILD HONSHA Co.,Ltd.). She is currently a member of the Japan Animation Association and she is teaching at Shirayuri University Department of Children’s Culture. 

Hosokawa Shin (細川 晋

A graduate of Tama Art University’s Master’s Program Design Course, he now works as a writer, director, animator and is an assistant professor at Tokyo Polytechnic University. His latest work, “Dino!”, a stop motion animation, has been programmed by Kotatsu. Arai Chie (荒井 知恵

A graduate from the Department of Fine Arts, Northern Arizona University, after working at an animation studio, Arai has been a freelancer since 2002. Her techniques include hand-drawn animation and illustration and she creates books and animation videos including “Dreams” (2008), which has been programmed by Kotatsu. Since 2006, she has been orchestrating “Flip Book Manga Cafe Exhibition”, a collective of writers and artists who love to make wonderfully varied flip books. Their exhibitions have been held in many places. As well as creating her own art, she guides others and works as an associate professor at Bunka Gakuen University Department of Art and Design. 

Sukikara Makiko (鋤柄真希子

Born in 1982, Sukikara studied at the Film School Zlin in the Czech Republic. Since 2010, she has been animating and has created works by multiplane camera, many of which have been screened at international festivals. She creates stories with animals as the main characters with titles like “While the Crow Weeps” (2013) and “Deep Sea’s Rainbow” (2019). The latter has been programmed for Kotatsu’s forthcoming stream. 

Yoda Takeshi (ヨダタケシ

Yoda is a composer who plays an electronic instrument known as a theremin, a device that makes sound without the musician touching it. He is active across genres and creates music for video works as well as for live events. He will be in a Q&A with Miho Yata during a Kotatsu Zoom session. 

The Kotatsu Japanese Animation Festival relies on sponsors and donors to help us deliver screenings. If you would like to show your support, you can do so with a voluntary contribution at the festival’s Patreon page. Alternatively you can support the festival without paying extra money by signing up to Easyfundrasing and choosing to support Kotatsu. When you shop via Easyfundrasing website, a percentage of your purchase will be automatically donated to the festival. If you are shy, you can choose a setting that allows you to be an anonymous supporter. 

Download the press release here

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IMS Open Now
It’s My Shout: New Voices from Wales – Documentary CALL OUT

It’s My Shout and BBC Cymru Wales are on the lookout for 4 unique and unheard stories from across the country that relate to the rich and diverse culture in Wales. They want New Voices from Wales. Could it be yours?

The 4 successful candidates will be mentored and have their stories produced into 1 of our 4 documentaries, that will be broadcast on BBC Cymru Wales and iPlayer.

Age and experience isn’t a barrier and they are keen to hear voices that are often not heard in the mainstream media. It’s Your Voice. Your Story. Your Way!

If you have an interesting story and would like to apply for this opportunity, visit: www.itsmyshout.co.uk/docs

Current Deadline : Friday 2nd October (Extension may be considered)

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CAF ONLINE POSTER
Gŵyl Animeiddio Caerdydd 2020 yn teithio’r byd!

Mae Cardiff Animation Festival wedi bod yn cynnal gweithgareddau ar-lein i gynulleidfa o bedwar ban byd ers mis Mawrth eleni, pan fu’n rhaid gohirio yr ŵyl ym mis Ebrill o ganlyniad i bandemig COVID-19. Bellach bydd y cyfan yn cael ei gynnal ar-lein am weddill y flwyddyn, gan ddangos y gwaith animeiddio newydd gorau o Gymru a’r byd i gynulleidfaoedd yng Nghaerdydd a thu hwnt. 

Dywedodd Lauren Orme, Cyfarwyddwr Cardiff Animation Festival:

Roedd hi’n siom fawr gorfod gohirio’r ŵyl nôl ym mis Mawrth, ond mae cynnal gweithgareddau ar-lein wedi rhoi ail wynt i ni, a’n galluogi i ddod ȃ’n cynulleidfa ynghŷd a’i diddanu er win bod ni methu cyfarfod wyneb yn wyneb. Rydyn ni wrth ein bodd gallu aildrefnu digwyddiadau Cardiff Animation Festival 2020 ar-lein ar gyfer oedolion, teuluoedd, animeiddwyr a gwylwyr weddill y flwyddyn.

Bydd Cardiff Animation Festival yn dangos rhaglen lawn o ffilmiau byr ar-lein rhwng dydd Sadwrn 24 Hydref a dydd Sul 1 Tachwedd. Caiff 118 ffilm fer o safon rhyngwladol eu dangos mewn saith rhaglen thematig i oedolion, a dwy raglen i blant. O’r myrdd o straeon unigryw gan leisiau o gefndiroedd amrywiol o bedwar ban byd dewisir enillwyr gwobrau Cardiff Animation Festival, fydd yn cael eu cyflwyno ar-lein ar ddydd Sul 1 Tachwedd. A bdd yr ŵyl hefyd yn rhoi llwyfan i rai o ffilmiau animeiddio byr gorau Cymru mewn rhaglen Gymreig ar y cyd ȃ Chapter Moviemaker. 

Ar ddydd Sadwrn 24 Hydref bydd yr animeiddiwr Simon Chong yn ymuno yn fyw o LA lle mae heddiw’n byw a gweithio fel Cyfarwyddwr ar Bob’s Burgers. Ar ôl i awdur y sioe, Loren Bouchard, weld ei fersiwn gartref yn plethu Bob’s Burgers ac Archer cafodd cynnig swydd ar un o hoff raglenni animeiddio’r byd. Bydd Simon yn datgelu mwy am ei siwrnai anghyffredin, ac yn ymuno â Melin Edomwonyi o Creative Mornings Cardiff am sesiwn gwestiwn ac ateb fyw i esbonio sut beth yw gweithio ar eich hoff sioe.

Bydd yr ŵyl yn gwahodd cynulleidfaoedd i brydferthwch Moominvalley gyda’r Cyfarwyddwr Pennodau Avgousta Zoureldi gan roi cyfle i bobl o bob oed ddysgu sut y daeth Gutsy Animations ȃ byd hudolus Tove Jansson a’r Moomins yn fyw ar y sgrîn fach. Gall gwylwyr hefyd fynd gamu i ganol tywyllwch Heart of Darkness. Mae’r ffilm animeiddio tywod hir gyntaf erioed yn cael ei ffilmio ar hyn o bryd yng Nghaerdydd a bydd y Cyfarwyddwr, Gerald Conn, yn rhoi cip tu ôl i’r llenni ar yr addasiad o nofel gignoeth Joseph Conrad.

Ymhlith y paneli diwydiant bydd Adrodd Stori ar gyfer Animeiddio, gyda thrawstoriad o weithwyr y byd animeiddio yn trafod beth sy’n gwneud stori dda dan gadeiryddiaeth yr awdur a’r cyfarwyddwr gwobrwyog Evgenia Golubeva. Bydd yr ŵyl yn meithrin, ac yn rhoi llwyfan i animeiddwyr niwroamrywiol ar y cyd ȃ Biggerhouse Film, ac ar ddydd Gwener 30 Hydref bydd cyfle i gynulleidfaoedd weld gwaith newydd sbon a chyfrannu at drafodaeth ar niwroamrywiaeth yn y byd animeiddio. Caiff animeiddwyr hefyd gyfle i gael adborth proffesiynol ar eu gwaith mewn Animation Grill ar-lein sy’n cael ei adfywio gan Gareth Cavanagh ar gyfer Cardiff Animation Festival 2020 ar-lein.

Yn agor y rhaglen o ffilmiau byr ar nos wener 23 Hydref bydd fersiwn arbennig o Cardiff Animation Nights - y noson bob deufis lle dechreuodd y cyfan. Dangosir y ffilmiau fel arfer ym mar Kongs yng Nghaerdydd, ond ers mis Ebrill mae Cardiff Animation Nights wedi eu cynnal ar-lein gyda dros 1000 o Gaerdydd ac ar draws y byd yn tiwnio i mewn i wylio ffilmiau animeiddio annibynnol a mwynhau’r holl emojist yn y chat!

Mae’r tîm wedi bod yn cynnal diwgyddiadau ar-lein ers Ebrill 2020 diolch i nawdd Cronfa Loteri Genedlaethol Cyngor Celfyddydau Cymru, Film Hub Wales fel rhan o Rwydwaith Cynulleidfa Ffilm (FAN) y BFI, y Loteri Genedlaethol, a FilmFeelsConnected, tymor sinema ar draws y DU a gefnogir gan y Loteri Genedaethol a BFI (FAN). 

Cefnogwyd Cardiff Animation Festival Climate Assembly ym mis Ebrill gan Clwstwr, lle ymunodd cynrychiolwyr y diwydiant o bedwar ban byd i drafod sut i wneud y diwydiant yn fwy gwyrdd. Cydweithiodd yr ŵyl gyda ScreenSkills i gynnig dosbarth meistr Sgwrs gyda Lorraine Lordan gan godi’r llen ar yrfa yn cyfarwyddo animeiddio, a thrafodaeth banel Cynhwysiad mewn Animeiddio i weld sut allwn ni greu diwydiant tecach a mwy amrywiol. Cynhaliwyd gweithdai creadigol ar-lein gan gynnwys cyflwyniad Cymraeg i fodelu gyda’r animeiddiwr Laura Tofarides, a gweithdau darlunio gyda’r artist o Gaerdydd Kyle Legall mewn partneriaeth gyda Cinema Golau. Mae’r Cardiff Animation Nights misol wedi dod â ffilmiau byr annibynnol ii gynulleidfaoedd hen a newydd, gyda dros 300 o enwau newydd yn tanysgrifio i sianel YouTube Cardiff Animation, tra bod Cardiff Animation Kids ar fore Sadwrn wedi bod yn cyflwyno plant i animeiddio annibynnol.

Noddir Cardiff Animation Festival gan Gyngor Celfyddydau Cymru, Ffilm Cymru Wales, a Canolfan Ffilm Cymru fel rhan o Rwydwaith Cynulleidfa’r BFI Film (FAN), BFI NETWORK Wales, ac Ymddiried drwy Gronfa Ysgoloriaeth Owen Edwards, gyda nawdd ychwanegol gan Cloth Cat Animation, Picl Animation, Creative Europe Desk UK – Cymru, Prifysgol De Cyrmu, Prifysgol Fetropolitan Caerdydd, Jammy Custard Animation, Gwobrau Animeiddio Prydain, S4C a Chronfa Sgiliau Animeiddio ScreenSkills gyda chyfraniadau gan gynyrchiadau animeiddio o’r DU.

Am y wybodaeth ddiweddaraf, dilynwch Cardiff Animation Festival ar Twitter, Facebook ac Instagram a chofrestru i dderbyn ein cylchlythyr e-bost.

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35 International Shorts Celebrating the Diversity Of LGBT+ Lives Across the World Compete For Prestigious £30,000 Iris Prize 2020

Thirty five international filmmakers are set to compete for £30,000 prize money as the organisers of Cardiff’s International LGBT+ Short Film Prize, Supported by The Michael Bishop Foundation have today announced the shortlisted films in competition for the world’s largest international LGBT+ short film prize. The Iris Prize LGBT+ Film Festival runs 6th to 11th October. 

Iris Prize has 25 international partner festivals who nominate films each year for the Iris Prize shortlist, with the rest being chosen by a pre-selection jury from a record number of films entered through open submissions.

UK audiences can join in the experience for the first time in the festival’s history, by watching all the nominated shorts for free online, ensuring it reaches a wider audience than ever.

Directors from India, China, Brazil and Macedonia compete with counterparts from the UK and around the world, offering dramatically diverse representations within the global LGBT+ community.   Filmmakers share personal family expectations and the intimacy of relationships alongside the transformative impacts of meeting the right person at the right time. They stand alongside sobering stories of cultural, political or even family restraints that mean fighting for the freedom to be true to self, overcoming fear, hostility and alienation.  We encounter characters who are tentatively exploring their sexuality for the first time or breaking free of their past to embrace unique identities and genders.  Plus, at a time when we need it most, there are reminders that there is plenty to be joyful about, and reason to laugh out loud.

The one uniting factor in all 35 films is an exhilarating celebration of lives of LGBT+ people across the world.

This year’s shortlisted films in alphabetical order are:

1-1 (Sweden, 2020)   –  directed by Naures Sager
ALL GOOD THINGS  (Australia, 2019)  –  directed by Simon Croker
BABY  (USA, 2019)  –  directed by Jessie Levandov
BATHROOM TROLL (USA, 2018)  –  directed by Aaron Immediato
BLACK LIPS (Australia, 2018)  –  directed by Adrian Chiarella
BLACKN3SS (Brazil , 2018)  –  directed by  Diego Paulino
BOYS (BANIM) (Israel, 2020) –  directed by Lior Soroka
BREAK IN (USA, 2020) –  directed by Alyssa Lerner
CICADA (Czech Republic , 2020)  – Piaoyu Xie
DIRTY (USA, 2020)  –   Matthew Puccini
DOWN DOG (USA, 2020)  – directed by Shae Xu
DRIFTING (China, USA, 2019)  –  directed by Hanxiong Bo
HIS NAME (HANN)  (Iceland, 2018) –  directed by  Runar Thor
OCTOBER (USA, 2019) –  directed by  Mae Mann
ON MY WAY (Belgium, 2020) –  directed by Sonam Larcin
ORVILLE + BOB (USA, 2019) –  directed by Alan Griswold
PEACH (Australia, 2020) –  Rowan Devereux & Sophie Saville
PRETTY GIRL (CAILÍN ÁLAINN) (Ireland, 2019) –  directed by Megan K Fox)
QUEENS (UK, 2020) –  directed by  Nick Bechman
SAVING CHINTU (India, 2020) –  directed by Tushar Tyagi
SELMA AFTER THE RAIN (Brazil, 2019)  –  directed by Loli Menezes
SHEAR AVORY: TO BE CONTINUED  (USA, 2020)  –  directed by Abram Cerda
SHHH! (HYSJ!) (Norway, 2019)  directed by Nini Kjeldner
SHORT CALF MUSCLE (Netherlands, 2019)  –  directed by Victoria Warmerdam
SNAKE (Macedonia, 2020)  –  directed by Andrey Volkashin
THE CYPHER  (USA, 2020)  –  directed by Letia Solomon
THE PASSING (UK,  2020) –  directed by Nichola Wong
THE SHAWL  (USA, 2020) –  directed by Sara Kiener
THE WAY WE ARE (Canada, 2020)  –  directed by Amanda Ann-Min Wong
THRIVE (UK, 2019) –  directed by Jamie Di Spirito
UNTITLED SEQUENCE OF GAPS (Germany, 2020) – directed by  Vika Kirchenbauer
VICTORIA (Spain, 2020 –  directed by Daniel Toledo Saura)
WE NEED TO TALK ABOUT THE RING (Taiwan, 2020) –  directed by Yichi Chen
WHEN IN ROME (PAESE CHE VAI) (Italy, 2020)  –  directed by Luca Padrini
WINGS (UK, 2020)  –  Jamie Weston

Acknowledging the challenges that this year’s event have presented, Andrew Pierce, Iris Prize chair says:

Back in April we watched everything around us change as life here in the UK and the rest of the world became a frightening journey into the unknown. Almost everything that we knew for certain was taken away from us. During the height of the pandemic the entertainment sector became a lifeline, sharing stories to entertain millions during the lockdown. It also became a victim as the need to protect people from Covid-19 meant we had to stop filming.

  He continues,

The Iris Prize could quite easily have become a victim to this unprecedented pandemic. Luckily our dear friend Lord Glendonbrook was determined to offer some hope to the LGBT+ film sector and early on committed the Michael Bishop Foundation to present the 2020 Iris Prize whatever happened. Together with the support of our sponsors and funders team Iris have been working on our most ambitious festival ever, but more about this later.

This is why I’m delighted to share with you the Class of 2020. The 35 short films in competition are the best of the best. They represent excellence in storytelling, taking us the viewer to places that only film can. Pointing a bright spotlight on the lives of lgbt+ people making sure that we are seen in all our colourful diversity.

With Iris making its programme available online, Andrew Pierce says, “2020 is the year we take the Iris Prize LGBT+ Film Festival online, making it available to everybody in the UK and from 6 – 11 October all screenings will be free. These 35 short films are what I believe to be the perfect way to engage a new audience and keep our traditional audience happy.”

The trailer of the 35 films competing for the 2020 Iris Prize is available here: youtu.be/tmRHc6DtLBg

The organisers have also confirmed the names of the 15 short films competing for the Iris Prize Best British short award, supported by Film4 and Pinewood Studios Group.

The festival opens on Tuesday 6th October and close on Sunday 11th October, with all screenings, talks and events available online for free. There will also be a pay-per-view catch-up service which will run until the end of October.

The main festival sponsors are: The Michael Bishop Foundation, Welsh Government, the BFI awarding funds from the National Lottery, Ffilm Cymru Wales, Film 4, University of South Wales, Co-op Respect, Bad Wolf, Gorilla Group, Peccadillo Pictures, Pinewood Studios, Attitude Magazine, Diva Magazine and The Ministry of Sound.

Mae'r ŵyl hefyd yn gweithio mewn partneriaeth â BAFTA Cymru, Pride Cymru a Stonewall Cymru.

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Divide And Rule Never!
Opening Up the Archives to Young Filmmakers symposium – September 11th

There are two weeks left to register for Opening Up the Archives to Young Filmmakers, a free one-day online symposium on September 11th: www.archivesforeducation.com/symposium

The symposium explores the creative and learning opportunities archive material can offer to young filmmakers, including the launch of the new Make Film History project, funded by AHRC and the Irish Research Council, which makes available archive films from the BFI, BBC Archive, the IFI Irish Film Archive and Northern Ireland Screen for creative reuse by young filmmakers. 

The day will include case studies of working with archive material in education and the community, a session on copyright and creative reuse, and a masterclass with Rubika Shah, director of the acclaimed archive-driven documentary White Riot, which documents the Rock against Racism movement in the 1970s.

Registration is free through Eventbrite and you can follow the project on Twitter.

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Cinema First Invites Everyone to Fall in Love with the Big Screen All Over Again
Cinema First Invites Everyone to Fall in Love with the Big Screen All Over Again

London – August 20, 2020: Cinema First, the industry body charged with the promotion of UK cinemagoing, has today launched #LoveCinema, a nationwide campaign designed to capture the attention of audiences across the country and remind them of the unique experience that only the big screen can offer. 

After months of being closed due to lockdown, cinemas are back, rolling out the red carpet for audiences to experience the sheer joy of escaping for a couple of hours, leaving their everyday lives behind and enjoying a film in all its technicolour glory, asserting that now more than ever, stories need to be seen on the big screen. 

The #LoveCinema campaign celebrates the nation’s love of cinema, a central part of our community and the most accessible and popular form of ticketed cultural entertainment in the UK. 

At the heart of the campaign is a cinematic montage created by Empire Design which celebrates the wonder of cinema, stories that have captured our imaginations, shaped memories, moved us to tears, made us laugh, and opened our eyes to alternative worlds. 

The montage featuring over 50 films pays tribute to some of the most memorable moments from cinema history including the ground-breaking cultural treasure The Wizard of Oz, winner of 11 Oscars Ben Hur, number one on the IMDb poll of greatest films ever made The Shawshank Redemption, the timeless musical classic My Fair Lady and the iconic underdog crowd-pleaser Rocky

It also teases the most anticipated films hitting screens this year, including Christopher Nolan’s espionage thriller Tenet, Daniel Craig in his final outing as James Bond in No Time to Die, Gal Gadot reprising her iconic superhero role in Wonder Woman 1984, Marvel’s Black Widow starring Scarlett Johansson and Denis Villeneuve’s hotly awaited adaptation of the evolutionary sci-fi epic Dune starring Timothée Chalamet. 

The music to the montage, ‘This Little Light of Mine’, was chosen for its beauty and the metaphorical connection between light and the cinema projector. Originally penned by Harry Dixon Loes in the 1920’s as a children’s gospel song, there have been many famous versions created. The campaign features three versions; by the Rend Collective, Dionne Warwick and one created specifically for this film. 

The trailer will play out on film distributors’ and cinema operators’ own websites and social channels, as well as being supported by a ‘paid for’ multimedia campaign. 

The campaign follows on from the industry-wide safer cinema initiative, with cinemas following a comprehensive set of government guidelines, produced by the UK Cinema Association in consultation with a range of government agencies and industry partners, to ensure that cinemagoers feel as comfortable and safe as possible. 

In a regular audience survey undertaken on behalf of the industry by MetrixLab, cinemagoing has been repeatedly highlighted as the third most missed out-of-home activity during the lockdown, with audiences favouring the unique big-screen spectacle and wonderfully immersive experience that only cinema can offer. 

A wide slate of films is on offer for film fans of all ages, including new releases, all-time classics, franchise favourites, independent gems, animations and event cinema, plus a broad range of genres such as comedy, documentary, musical, horror, romance and sci-fi from the UK and beyond. 

Iain Jacob, Cinema First Chair explained: 

The #LoveCinema campaign has been launched to encourage audiences to return to the cinema to fall in love all over again with the unparalleled experience that only the big screen can deliver. The global pandemic has had a colossal impact on the film industry, presenting cinemas across the UK with unprecedented challenges. As an industry that employs over 20,000 dedicated people, of which 40% of are under the age of 30, they need our support. Cinemas are ready to welcome audiences back, and we are calling on the great British film-loving public to escape back to the cinema and enjoy a safer big screen experience.

Watch the trailer for #LoveCinema here

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BFI FAN announces new Film Exhibition Fund to bring UK audiences back to communal film experiences

BFI FAN Film Exhibition Fund

BFI FAN announces new Film Exhibition Fund to bring UK audiences back to communal film experiences

 

The BFI has announced the BFI FAN Film Exhibition Fund is now open, with National Lottery funding available to exhibitors across the UK. The new Fund will support activity to re-engage audiences with collective, big screen film experiences at film festivals, mixed arts venues, and both community and traditional cinemas. As part of a comprehensive package of support for film exhibitors – including the Government’s £30m Culture Recovery Fund for Independent Cinemas in England launched last week – the Film Exhibition Fund will support dynamic cultural programming and activities to engage diverse audiences.

Ben Luxford, BFI’s Head of UK Audiences, said:

“We know the best place to watch film is on the big screen, but the UK’s many indie venues and smaller exhibitors also serve as vital cultural spaces where audiences can connect with their local community, make new and surprising discoveries and be inspired by this most accessible art form in a communal setting. With the generous support of Government and National Lottery, our wealth of film exhibitors are in a position to restart activity, and this funding is there to support them – to continue being brave with their programming choices and to best serve audiences wherever they live in the UK.”

How to apply for the BFI FAN Film Exhibition Fund

BFI FAN is a unique collaboration of eight Film Hubs managed by leading film organisations across the UK, who will each distribute the funding in their region or nation. 

This BFI FAN Film Exhibition Fund will enable FAN Members to deliver a broad range of programming once they restart, ensuring excellent British and international independent cinema is available to audiences all over the UK. Other priorities of the Fund are incentivising exhibitors to embed inclusion and environmental sustainability into their approach to reopening, post shut down.

Key dates:
Applications open: Mon 17 August 2020
Applications close: Wed 30 Sept 2020
Ffenestr gweithgarwch: Mid Oct 20 – March 21

Activity can vary in length, scale and format. Members can apply for up to £10,000 (note that there are slight regional variations on this) and support can cover programming, marketing and associated costs. 

All proposals must also be able to set out how they will address the BFI Diversity Standards and sign up to the BFI Anti-Bullying and Harassment Principles, as well as demonstrate how they will operate safely during Covid-19, reference can be made to the UKCA’s Cinemas – keeping workers and customers safe during Covid-19 Guidelines.    

Due to the limited resources available, and FAN’s commitment to environmental sustainability, drive-ins will not be supported through this fund. Online activity will only be a priority when accompanied by ‘in venue’ work.

Vital support for UK exhibitors impacted by COVID-19

The BFI FAN Film Exhibition is part of a package of support from the UK Government and the BFI, awarding National Lottery funding, to enable many independent cinemas to survive the shutdown which hit arts and cultural venues badly and with immediate impact. 

The BFI FAN Resilience Fund opened in April offering £1.3m in emergency funding to exhibitors in critical need as they continued to face months of closure and uncertainty, awarding 130 FAN Members grants ranging from £415 to £23,000 each. The Government’s £30m Culture Recovery Fund for Independent Cinemas in England is now open, providing funding to cover COVID-related health and safety costs, and grants to support independent cinemas operate under the restricted conditions and at limited capacity due to social distancing measures. The UK Government has also provided funding to support cinemas in Scotland, Wales and Northern Ireland, which will be managed by the devolved Government administrations. Funding available to Film Hub Scotland members includes funding from Screen Scotland.

As part of the industry-wide BFI Screen Sector Task Force, the UK Cinema Association led on publishing guidance on the safe operation of cinemas and mobile cinemas. Working safely during COVID-19 in cinemas, which is regularly updated to meet the latest government guidance, is produced in consultation with the Department for Digital, Culture, Media, Public Health England (PHE) and the Health and Safety Executive (HSE).

BFI’s support and recovery strategy for the screen industries

The BFI put in place a package of support for individuals, organisations and businesses across the sector that have been most impacted by COVID-19 (including the BFI FAN COVID-19 Resilience Fund, Production Continuation Fund, Sales Company Organisational Fund and COVID-19 Emergency Relief Fund with The Film & TV Charity for freelancers) and through the BFI Screen Sector Task Force, it continues to work with industry and Government to develop and implement a robust, sector-wide strategy for recovery.

A number of significant initiatives have resulted from the work of the Screen Sector Task Force, including the Culture Recovery Fund for Independent Cinemas in England; a Government funded scheme to support independent film and television production struggling to get coronavirus-related insurance; creating guidance for film and television production to restart and cinemas to reopen, both given the green-light by Government and Public Health England; and the quarantine exemption for film and high-end television cast and crew.

Download the full press release here.

 

Film Hub Members can apply for the Film Exhibition Fund yma.

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Three Films Festival

Watch The Three Films Festival online Friday 31st July – 2nd August

In this period of challenge and uncertainty for the creative industries, film Festivals in Wales have responded by coming together to promote the importance of Festivals in our communities and provide a new national and international platform to celebrate young talent in Wales. This initiative has been led by the Wicked Wales International Youth Film Festival in Rhyl and supported by Film Hub Wales as part of the BFI Film Audience Network (FAN), made possible by the National Lottery.

First Minister for Wales Mark Drakeford MS/AS says:

“At a challenging time for the arts, it is inspiring to see Welsh film festivals coming together to give young film makers this opportunity to share their creativity.

“The creative industries sector is one of the fastest growing in Wales and we are very proud our country is recognised as a centre for film and TV production. Innovative events like this will help to nurture the incredible pool of future talent we have, even in the most difficult circumstances.

“I would like to wish the Three Film Festival the very best of luck and congratulate Wicked Wales and everyone who has brought this to life.”  

Festivals from all corners of Wales have joined together in a new Wales Youth Festival Network WYFN. The WYFN Network is being launched with a new national ‘Three Films Festival’. The Festival will screen up to three films from each of the many established film festivals in Wales and has also welcomed films from S4C, Hijinx and Into Film. The films screened have all been made by or for young audiences aged approximately 15-25. 

The Festival this year will be online and will take place between Friday 31st July and Sunday 2nd August. The programme will include film screenings and an industry programme supported by Film Feels Connected on aspects of filmmaking.

Lorraine Mahoney, WYFN Coordinator says:

“Three Films Festival demonstrates the commitment by film festivals across Wales to want to help support and develop the next generation of cinema goers and filmmakers with this inspiring online showcase of films and events. It is a coming together and a celebration of the work begun by WYFN and its film festival partners, who are all working together to screen a wider range of films to young audiences in Wales.”

Rhiannon Hughes, Director of Wicked Wales Festival adds: 

“Wicked Wales Festival has benefited enormously from belonging to an international youth film festival network ‘Youth Cinema Network’ (YCN) in terms of sharing ideas and best practice, collaborating on projects and raising funds together. It was this experience which we wanted to introduce to Wales to strengthen support for Festivals in Wales. We are grateful for the support of Film Hub Wales who have worked with us for a number of years to develop the new network.”

Mark Williams, Iris Prize Outreach and Education Manager:

“We’re delighted to be sharing some of the films we have made with young people. We’ve been inspired by the creative talent we have here in Wales, as our next generation of filmmakers begin their journey. We hope people enjoy watching these films as much as we’ve enjoyed making them.”


The full festival programme is available on the www.wickedwales.com website and WYFN Facebook page.

Follow twitter @wales_youth for regular updates and subscribe to the YouTube festival channel to watch the free online film festival. And visit their facebook Wales Youth Festival Network neu Wicked Cinema

Read/download the full Press Release here

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