Select a news category to view

Blog
General
Jobs
Latest News
TNL CINEMA Facebook Twitter 1200×630
200,000+ Free cinema tickets available for film fans this weekend

The National Lottery welcomes back film fans with free tickets to over 500 cinemas across the UK on Saturday 19 and Sunday 20 June for National Lottery Cinema Weekend 

Edith Bowman and directors Dexter Fletcher and Prano Bailey-Bond share their excitement for this support for cinema as anyone who plays The National Lottery  can claim a free pair of tickets at www.cinemaweekend.co.uk

Wednesday 16 June 2021: Over 200,000 free cinema tickets are available to film fans this weekend (Saturday 19 and Sunday 20 June), as a thank you to National Lottery players for their vital contribution  to film.  

The National Lottery Cinema Weekend, in partnership with the British Film Institute (BFI), will take place  at more than 500 cinema sites across the UK, including Cineworld, Odeon, Vue and other chains and  independent cinemas from Thurso to Penzance, and from Coleraine to Cardiff. 

Players can use any National Lottery ticket, instant win game or scratchcard bought online or in retail (T&Cs apply) to claim a free pair of tickets to use at participating cinemas at www.cinemaweekend.co.uk

This National Lottery Cinema Weekend, there’s something for everyone to see; from BFI National Lottery  funded independent films like After Love starring Joanna Scanlan and British Independent Film Awards (BIFA) winning documentary The Reason I Jump, to blockbusters like the musical In the Heights, Disney’s  Cruella and horror A Quiet Place Part II, as well as BAFTA and Oscar® winning drama The Father starring  Sir Anthony Hopkins. 

Edith Bowman, broadcaster and spokesperson for the campaign, said:

As someone who loves the  experience of watching films with other people, I’ve missed going to the cinema massively over this past  year. Once the lights go down and the film starts playing on the big screen, everything else fades and  you’re immersed into the beautiful world of that particular story, the filmmaker’s vision, the characters,  the music – the communal experience is escapism in its purest form and provokes such wonderful  conversation. I’m so excited about this amazing initiative from The National Lottery and the BFI and really  hope film fans across the UK embrace this wonderful opportunity to support their local cinema.

Dexter Fletcher, director of films such as Eddie The Eagle and the BAFTA-nominated Elton John biopic  Rocketman, received National Lottery support through the BFI earlier in his career for the Scottish musical  Sunshine On Leith. Dexter said: “I’ll always be grateful and appreciative to the BFI and the National Lottery  players for the support and funding they gave to the making of Sunshine On Leith. Low budget films are  the launch pad for aspiring film makers and enable new and experimental visionaries to come through,  get their start and make their mark on a larger stage. Sunshine On Leith was an important stepping stone  in my own journey as a director and the BFI and National Lottery helped make that possible. “

Welsh director Prano-Bailey Bond has experienced the benefits of the impact of National Lottery funding  directly. Prano, who makes psychological horrors, was one of the emerging filmmakers chosen to be part  of a BFI professional development programme that runs alongside with the BFI London Film Festival in  2017. Her debut feature film, Censor, which was backed by the BFI and Ffilm Cymru Wales using funds  from the National Lottery, will be in cinemas later this year. Prano said:

The BFI has been incredibly  supportive and I couldn’t have made Censor without their support. Having watched filmmakers I hugely  admire come up through the BFI, such as Lynne Ramsay (the acclaimed Scottish director of films such as  Morvern Callar and We Need to Talk About Kevin) and Sarah Gavron (director of recent BAFTA winner  Rocks), it’s a dream to have had this backing for my debut feature. Thank you to all National Lottery  players!”

Chapter Arts Centre in Cardiff is one of the venues taking part in National Lottery Cinema Weekend and  knows first-hand the support the National Lottery gives to cinemas all year round. Claire Vaughan,  Cinema Programme Manager at Chapter Arts Centre, said: “The past year has been particularly  challenging for independent cinemas as we had to close the doors and sometimes repurpose our venues  for other types of essential community work. As one of the lead organisations for the BFI’s UK-wide Film  Audience Network, the wonderful team here at Film Hub Wales was able to support venues with  emergency funding at the start of the pandemic and offer additional support to engage a diverse range  of audiences as restrictions began to ease. It’s wonderful to be able to repay National Lottery players for  their generosity this weekend and give them a chance to see some fantastic films. We look forward to  welcoming them!” 

Ben Roberts, Chief Executive at the BFI, said: “Thanks to the generosity of National Lottery players we’re  able to support bold filmmakers, film education and training, the cinemas that mean so much to local  communities, and enable UK audiences to see a wide range of films. Over the past year so many of us  have missed that special communal experience of watching film on the big screen, so what better way to  say ‘thank you’ than a free trip to the cinema! ” 

The National Lottery has funded the making of more than 600 films, including award-winning and  commercial hits across the years such as Bend it Like Beckham, The King’s Speech and, more recently,  seven-time BAFTA nominee Rocks. The funded films combined have won 15 Oscars®, 109 BAFTAs and 29  awards at the prestigious Cannes Film Festival.  

As a result of the money raised by The National Lottery for good causes, the BFI invests over £50 million  a year to develop and support authentic UK filmmakers and films, enriching independent film culture with  their original voices.  

The National Lottery Cinema Weekend is part of a wealth of activity in June to thank National Lottery  players for contributing over £30 million each week to good causes across the UK. 

Players of all National Lottery games must be aged 18 or over.  

Participating cinemas in Wales: 

Maxime Blackwood 

Odeon Bridgend 

Brynamman Public Hall

Chapter Arts Centre 

Odeon Cardiff 

Showcase Cardiff Nantgarw 

Vue Cardiff 

Vue Carmarthen 

Vue Cwmbran 

Odeon Llanelli 

Vue Merthyr 

Reel Port Talbot 

Scala Cinema, Prestatyn 

Vue Rhyl 

Odeon Swansea 

Vue Swansea 

Odeon Wrexham Eagles Meadow 

-ENDS 

Download the full press release

Read More
Cheltenham FF
Cheltenham International Film Festival 24 May – 04 June Virtual Screening Partner Offer
Information from Cheltenham International Film Festival

Tickets to Cheltenham International Film Festival 2021 (online) are now on sale via our streaming partner YourScreen. Once again, we are working with exhibitor partners to reach audiences across the UK using our Virtual Cinema model and hope that you will join us once more to share our programme with your audiences.

We will provide you with a discount code entitling your audience to 25% off tickets. This year we are also offering Festival Passes for any five films at an early bird price of only £25 up until midnight on 23 May.

For all sales made using your code we will pay you 30% of all revenue received. Existing YourScreen 25% codes will still be valid for individual ticket purchases. We also have a new affiliate scheme for selling passes which means all you need to do is share a link and revenue will automatically be tracked.

Please click here to register as a Virtual Screening Partner.

If you require any further information, please email: patrick@yourscreen.net

The full festival programme can be browsed at: https://cheltfilm.com/

About the Festival

Opening with a preview of the multi-Oscar winning film, The Father, and closing with a preview of an adaptation of Steven Berkoff’s comedy play Brighton, the festival presents 33 films from around the world, including 17 UK premieres and 11 previews. The official film festival competition to select BEST FILM, EMERGING DIRECTOR will be judged by a respected jury of film and media personalities chaired by Anna Smith, who, most recently, was Chair of the London Film Critics’ Circle.

This year we acknowledge the 50th anniversary of the release of Stephen Frears’ debut feature film Gumshoe. In an exclusive interview with Tim Robey of The Daily Telegraph, Stephen talks about Gumshoe and his long and prolific career as one of the UK’s most respected filmmakers. Other interviews during the festival include Aneil Karia, director of the exhilarating thriller Surge, the Cannes Camera D’Or winning director of Wet Season , Anthony ChenMichael Bentham, director of topical Australian drama Disclosure and the Director of BrightonStephen Cookson along with cast members Larry Lamb and Marion Bailey.  More Q&A events will be announced in the coming week.

This year, we have had more interest than ever in the festival programme with ticket sales already taking off and each film has a limited number of tickets. Therefore, we recommend you start promoting asap so that your audience doesn’t miss the opportunity to watch these wonderful films. Better yet, they can buy a pass for excellent value.

The full programme is now on sale at https://cheltfilm.com/ with tickets available at Early Bird prices until midnight on 23 May.

Further information: Patrick Bliss, patrick@yourscreen.net

Read More
Magic Lantern © Mathieu Gasquet
Welsh Cinema Reopening Dates

From May 17th, cinemas in Wales and across the UK are beginning to open their doors to audiences again. Reconnect with the best  British and international films on the big screen. 

Check back in for more updates as cinemas confirm their reopening dates in the coming weeks and months.

Read More
Dyddiau Rhangddangos Ffilmiau Cymreig Ar Lein (1)
National Lottery Environmental Campaign: #PlanetaryPromises

Climate emergency is the defining issue of our time. We can’t afford to look away. We’re working with cinemas and festivals Wales wide to develop our #PlanetaryPromise by ensuring that the projects we support, consider their impact on the environment.

We also recently released a biodiverse big screen programming pack, a free film resource available UK wide to raise awareness through environmental film programming.

We’re also considering the impact we make in our office. We’ve switched to recyclable tape, refillable bamboo pens, note books from Born Free Foundation and we refill our liquids in glass bottles. We’re committed to making a difference on a local and national level.

The National Lottery Environmental Campaign

Since 2011, The National Lottery has invested more than £2.2bn in green projects and initiatives across heritage, art, community and sport. Everything from community groups preserving natural habitats to art installations educating young people on climate change. 

Between the 19th and 23rd April, The National Lottery is inviting distributors, projects, volunteers, fundraisers, athletes and players to make a #PlanetaryPromise on social media as part of a campaign promoting environmental good causes.

The #PlanetaryPromise is a chance for you to do your bit for the environment by making a conscious commitment to either start or stop something that could be helping or harming our planet. 

Campaign summary  FAQ’s

 

Read More
The Welfare
National Lottery Cinema Weekend 2021

To celebrate the National Lottery’s support for film, and to provide support for UK cinemas, National Lottery Cinema Weekend (NLCW) will be returning.

Looking forward to brighter times, BFI and Camelot are planning the next National Lottery Cinema Weekend (NLCW) for 19 and 20 June 2021, by which time it is hoped that as many venues as possible across the UK will be able to participate. Players of The National Lottery can claim a pair of free adult cinema tickets at participating venues, which are then reimbursed by Camelot up to the agreed maximum value.

To get involved click here to register.

The Independent Cinema Office in its capacity as Film Hub South East will be the co-ordinating body on behalf of the Film Audience Network and the central contact point for cinemas. They will be following up with registered venues in April with regular updates, and a press and marketing toolkit will be available in May.

Registration is open until the 31st of May and the official microsite will go live with venue listings at the end of April.

For more information, please see the campaign summary and FAQs.

If you have any questions, please contact: cinemaweekend@independentcinemaoffice.org.uk

Register now

Read More
Dyddiau Rhangddangos Ffilmiau Cymreig Ar Lein (2)
The National Library of Wales Screen and Sound Archive launch new App celebrating Welsh filmmaking History

Picturing our Past / Fframio’n Gorffennol is a remarkable app launching online on 4 May 2021 at a special event featuring Cornish – Welsh musician Gwenno, feminist filmmaker Michele Ryan and punk rocker turned S4C presenter Aled Samuel.

The app encapsulates the milestones of Welsh filmmaking history, which respected historian Dave Berry, once referred to as “That fertile legacy”. The National Library of Wales Screen and Sound Archive has played a crucial role in the preservation of Welsh films and sound recordings and has now backed a bi-lingual product that breaks out of a book’s boundary, which is a unique combination of words and moving image.

Award-winning director Colin Thomas and film archivist Iola Baines have selected twenty-five film clips from Wales’ filmic past linked by text to tell a compelling story. This enhanced eBook was put together by Cardiff-based Thud Media with the support of the Books Council of Wales and Film Hub Wales.

Pedr ap Llwyd, Chief Executive and Librarian of the National Library of Wales, said:

“This new e-book is an exciting and innovative way of presenting the National Library’s rich audiovisual collections, offering users a fresh and contemporary pathway to engage with this inspiring heritage. I look forward greatly to our launch on 4th May, when our lively panel will undoubtedly whet appetites to download the app, with its fresh insights into Welsh cinema.”

Iola Baines, Moving Image Curator, The National Library of Wales Screen and Sound Archive said:

“Picturing Our Past will argue that films shot in Wales not only reflect Welsh history – unemployed miners scrabbling on a coal tip in Today We Live became a symbol of the Depression – but also affect Welsh history – for example the film The Citadel helped to further the momentum towards the creation of a National Health Service.

Colin Thomas, added:

“Whilst honouring outstanding examples of Welsh filmic achievements like Hedd Wyn, it will aim to ensure that unsung masterpieces like David and Un Nos Ola Leuad are not overlooked. And though acknowledging the patriotic popularity of films like Zulu, the app will also discuss films with a more controversial perspective on Wales – such as Twin Town and Human Traffic.”

Hana Lewis, Strategic Manager at Film Hub Wales said:

“Seeing our stories on screen can have a huge impact on how we see ourselves and screen archives play an essential part in this. Picturing our Past will combine history with digital technology, giving audiences exciting new ways to discover Welsh films. We’re delighted to support the project through our Made in Wales strand, which champions films with Welsh connections year-round.”

Is there a distinctive Welsh film legacy? Following a short film introduction, that is the question that will be debated at the launch of the app by feminist filmmaker Michele Ryan, Punk rocker turned broadcaster Aled Samuel and Welsh musician and sound artist Gwenno.

**Mae’r datganiad yma hefyd ar gael yn y Gymraeg**

–ENDS–

Read More
Screenshot 2021 03 28 At 20.27.24 (1)
Women’s History Month: Sara Sugarman

Biography

Sara Sugarman was born in Rhyl, Denbighshire, Wales. She is an actress and director, known for Sid and Nancy (1986), Very Annie Mary (2001), Disney‘s Confessions of a Teenage Drama Queen (2004) and Vinyl (2012). In 1994 she won a place at Bournemouth Film School, scripted and directed three short films, nominated for a BAFTA, BAFTA CYMRU and won twenty three International film festivals.

When was the first time you realised you wanted to make films?

I sent away for a super 8 kit from the classified section of my dad’s newspaper when I was 11. It was plastic. I still have the camera and it was so so exciting! I wanted to remake JAWS on Rhyl beach and this was the time I realised I could make my imagination have a place telling stories.

What was the last project you worked on / made?

Just finished shooting SAVE THE CINEMA for Sky cinema.

What are you up to now? What is the next project you’re working on?

I am editing the film now. I feel very lucky in a time of a pandemic to be making a movie.

Read More
Female Film Makers Pauline
Women’s History Month: Pauline Williams

Biography

Producer, writer and former co-director of Gaucho production company. Producer of award winning feature films One Full Moon, Leaving Lenin and The Making of Maps. Multi BAFTA award winner as producer of numerous TV drama series & film. Mentor & producer of short film projects nurturing new directors & writers. Project manager for Off y Grid, a Film Hub Wales initiative. Currently producing short films in a pilot project between Wales and Nepal and developing a TV drama series for young people.

When was the first time you realised you wanted to make films?

As a child, cinema was a regular feature on a Saturday morning & over the years the more films I saw the more I fell in love with the big screen. However I always thought that working in films was an impossible dream for a girl from the sticks. After a brief mindset detour – when I thought I would become a surgeon- I realised that this was definitely not for me. Throughout adolescence, university & the early days of my career film has always fired my imagination & has transported me to other worlds & cultures.

What was the last project you worked on / made?

I wrote & produced a 3 part drama series for S4C, filmed in Wales & Majorca.

What are you up to now? What is the next project you’re working on?

Mentoring a filmmaking course for young people + waiting for venues to open to rekindle Off y Grid activities as a project manager/co-ordinator and producing a 6 part drama series for young people. Also I’m considering potential film projects. I have just accepted an invitation to produce/mentor 3 short films with young filmmakers from Wales as part of the International Youth Media Summit. This is a collaboration between Nepal & Wales. I’m also a producer/mentor on a forthcoming filmmaking course for young people in North Wales.

Useful links:

Read More
Female Film Makers Claire Fowler
Women’s History Month: Claire Fowler

Biography

Claire Fowler is a writer-director from Wales who is based both in the US and UK. Her latest short, Salam, was the first Welsh short film to premiere at the Tribeca Film Festival, and was one of ten shorts selected for the Short Film Award at the BFI London Film Festival. It has since screened at more than one hundred festivals and won over ten awards including the BAFTA Cymru award for best short in 2020.

When was the first time you realised you wanted to make films?

I’ve always been attracted to the idea of filmmaking, and I’ve always loved narrative in the form of reading books, drawing, and watching films. But being from a small village in North Wales it didn’t really occur to me that directing was even an option for me– which sounds ridiculous when you consider that I studied Fine Art at University. I guess my naive teenage brain thought I could be a teacher and an artist, but never a director because only posh people did that- which just goes to show that representation matters. But at University I began to make little experimental films and I became completely absorbed in the process. There was this palpable magnetic pull towards filmmaking, but there was also a huge amount of resistance from me (and my family) in the form of very practical questions such as: How do I even begin to do this? Where will I find the money for each film? How can I make a living? But I had to give in to the gradual realisation that I would not be happy unless I pursued it. To be completely honest, it still feels very far away because I don’t yet make a full-time living from directing. Sometimes I manage to for months at a time, but right now I still need a back-up for the dry periods. What we do not talk about is the fact that most people who succeed in this business have independent wealth. To make even a short film a director has to not only raise the funds for the film itself, but also factor in lost earnings for all of the days spent casting, in prepro, on-set and then in post.  If you don’t have all of the resources on hand, you still have to pay rent and bills, eat and travel and maintain other employment. It’s a real juggling act when you’re not wealthy and no one is ever going to give you extra credit for that. 

What was the last project you worked on / made?

The last project I worked on as director was actually as a director-for-hire and it was unfortunately not an enjoyable experience. The writers were great, the scripts had a lot of potential and the cast and crew were lovely, but it was low budget, corners were cut, and certain directorial decisions were taken out of my hands by the producers. It only served to weaken the end result and make the process painful. A director’s job is to bring their vision to a project. One person takes on that responsibility because design by committee is disastrous. A director-for-hire has the additional responsibility of pleasing various people– execs, writers, producers. In this situation, there is a process that should be followed to ensure that everyone is happy– for example, casting and other creative decisions (such as hiring key crew) should be made in consultation, there should be in-depth concept and tone meetings for every episode, a post-production schedule, time set aside for a director’s cut. It should be a collaboration, but one that supports the director as the creative helmer of the project. This job did not follow the usual professional process, and it did not respect my role as director. Compromise is always possible when there is respect present in a relationship, but if someone insists on imposing their vision over the director’s, then there is going to be discord on-screen and off.

What are you up to now? What is the next project you’re working on?

I am developing a feature script with BBC Films and Sorcha Bacon of Try Hard productions. It has taken pretty much the whole of the pandemic to get the contract to a place where we are all happy, but I am really excited to be working with Sorcha, and Claudia and Eva of the BBC.

Useful links:

Read More
Untitled Design (1)
The Torch Theatre Puts Young Film Ambassadors in the Picture

Following months of development and an extensive recruitment campaign, the Torch Theatre’s Young Film Ambassadors scheme launched this Wednesday (25 March) with its first online session, as the Torch Theatre’s Alex Lloyd and James Gent welcomed aboard its first intake of new members at the start of what promises to be an unmissable opportunity for young people in Pembrokeshire who are interested in film and cinema to experience film in a fun and educational way.

The Torch Theatre Young Film Ambassadors is a new scheme for those aged 14-18 in Pembrokeshire that will give opportunities for young people to watch, discuss and review the latest independent, UK & International, and blockbuster films. The scheme will give the young ambassadors the opportunity to get their reviews seen, and, to find out more about cinema and filmmaking in focused workshop sessions for aspiring reviewers with special guest speakers.

For the first session, the new recruits were joined by Keiron Self, the film editor for Buzz Magazine, who is also an actor, script writer and filmmaker in his own right. Keiron led an engaging, wide-ranging discussion on film, film genres, making your opinion count as a viewer or critic, and his own experiences writing, performing, and developing scripts for film & TV. 

Also present was Hywel Roberts of young people’s film network Into Film Cymru, whose Into Film Festival is the world’s largest free annual film festival, to share with the group just some of the opportunities available for young people to engage with great filmmaking and to develop a critical viewpoint so that they can learn and grow from those experiences.

Due to current COVID restrictions, the Young Film Ambassadors workshops and film screenings are taking place online. Conditions permitting, once the Torch Theatre is fully reopened and operating with a full cinema programme the Torch Theatre looks forward to welcoming its Ambassadors in person to take full advantage of the unique experience of enjoying films on the big screen.

Alex Lloyd, Senior Manager – Marketing, Press & Communications at the Torch Theatre said:

“It was brilliant to meet so many young people from across Pembrokeshire that share a common passion for film and cinema. This is the start of the journey for the Young Film Ambassadors scheme, we have a number of great workshops and films planned over the forthcoming months that will give a great insight into the film industry. There are certainly a few Marvel film fans here in Pembrokeshire, but we will be embracing the very best of independent and UK cinema as part of the ambassadors’ experience.”

The Torch Theatre’s Young Film Ambassadors scheme has been made possible by National Lottery funding distributed by Film Hub Wales, through the BFI FAN Film Exhibition Fund which was awarded to the Torch in the Autumn of 2020.

Ends.
Read More
ExKaMTVWUAUz386
Wales/Nepal: Our Lives, Our Stories, Our Countries

The project is a collaboration between Wicked Wales Film and the International Youth Media Summit organisation based in Nepal. Wicked Wales Film runs the Wicked Wales International Youth Film Festival and IYMS brings together young filmmakers from all over the world to their annual summit meeting. 

This year these two organisations have formed a partnership to run a pilot project to create 3 webisodes from each partner. The 10 minute webisodes will be a celebration of each country,  promoting their diverse cultures & languages. The films will be screened at a number of  international events and uploaded onto the websites of the two partners. 

IYMS work on a global stage as partners with the United Nations UN, UNICEF and UNESCO so we are  delighted to be a part of this collaboration. Many of their previous films look at the global issues  facing future generations. Their current webisode series is available for viewing at  https://sanatione.iyms.org 

This project has been made possible with financial support from Wales Arts International and Wicked Wales Film funds. 

Read More
Lost
BFI, BAFTA & The Film and TV Charity: Screen Industries Unite To Reinvigorate Action Against Bullying, Harassment and Racism

LONDON – Wednesday 17 March 2021: The BFI and BAFTA today announce the next stage of ground breaking work to tackle bullying, harassment and racism in the workplace with a new employer Action List for the film and television industry, as The Film and TV Charity launches new services, providing immediate support for workers. The announcement comes as Equality and Human Rights Commission (EHRC) guidance on harassment at work is expected to become a statutory code of practice in the coming months, and filming restrictions and remote working during the pandemic have created additional pressures. 

The Action List is part of a wider industry mobilisation and call for employers to commit to following the latest advice to meet their legal and ethical responsibilities and signpost workers to available support. It includes a set of resources designed to assist employers to meet those responsibilities and is endorsed by producers such as Faye Ward and Hannah Farrell of Fable Pictures (the recently BAFTA-nominated Rocks, Stan & Ollie, Wild Rose and the forthcoming TV series Anne Boleyn). 

Research commissioned by The Film and TV Charity, published in February 2020, which collected data on more than 9,000 workers, revealed that bullying remains highly prevalent – across all sub-sectors, 84% had experienced or witnessed bullying or harassment, with even higher figures in some sub-sectors. Those who had experienced bullying were twice as likely to want to leave the industry and highly likely to have had mental health problems. The charity’s new bullying support services have been developed in direct response to this need. 

The State of Play survey on unscripted TV undertaken in the wake of the pandemic and published in January 2021 by Bectu, Bournemouth University and Viva La PD, found that over 93% of respondents have experienced bullying or harassment in the TV industry, with only 11% who reported incidents considering that the matter was satisfactorily resolved. The report suggests that the vulnerability of the workforce over the last year has spotlighted a whole range of systemic employment-related concerns, including the need to ensure that incidents can be reported without fear of reprisal, and that procedures are in place to address reports. 

The new Action List is based on the Set of Principles and Guidance published in 2018 developed by the BFI in partnership with BAFTA and in consultation with organisations across the film, games and television

industries in response to urgent and systemic issues around bullying and harassment exposed so shockingly through cases such as the Harvey Weinstein allegations and subsequent conviction. In July 2020 the Principles and Guidance were updated with a specific commitment to anti-racism in recognition of widespread failings highlighted by the Black Lives Matter movement. 

The Guidance outlines the law around bullying, harassment and racism, and also includes sexism, ableism, homophobia and other forms of discrimination. It sets out the responsibilities of employers, and provides advice for employees and freelancers. A supporting Dignity at Work Policy, developed in partnership with Bectu, provides a template for companies, productions and festivals to complement the Guidance and Principles to tackle workplace bullying and harassment. 

The new Action List for film and television launched today, which joins one for the games industry already in place, outlines simple yet effective actions that all employers can take to prevent and tackle workplace bullying, harassment and racism and demonstrate their commitment to tackling the issue. The Action List makes further recommendations including taking the new ScreenSkills online training module on bullying and harassment, and ensuring all employees and freelancers are aware of the new suite of bullying support services launched today by The Film and TV Charity. The Action List can be downloaded here.

The Film and TV Charity has today launched a suite of new services to provide more support for individuals who have experienced or witnessed bullying including: the Bullying Pathway Service, accessible via the charity’s existing free and confidential 24-hour Film and TV Support Line 0800 054 00 00, offering free, confidential and independent industry-specific legal, HR and mental health advice; and digital incident recording tool Spot, accessible via the charity’s website, which can be used by anyone to create a confidential private record of something they’ve experienced of witnessed. The new services have been created as part of the Whole Picture Programme, the pan-industry movement for better mental health. More information can be found at www.filmtvcharity.org.uk/bullying 

The Principles and Guidance have now been endorsed by over 40 screen sector organisations with The Casting Directors’ Guild the most recent to formally endorse them. A number of below-the-line talent agents, including Sara Putt Associates, have committed to requiring employers to agree to adhere to the Guidance as part of their deal memos with talent, and producers such as Fable Pictures require workers to sign up to the Principles. 

The BFI has hired Morgana Melvin as Production Inclusion Manager to work across the BFI Film Fund, Inclusion and Skills teams and other partners such as ScreenSkills, BBC Films, and Film4 to identify the challenges and coordinate strategies that can result in real change for employment opportunities for underrepresented groups in the production sector across the UK. By reaching out to producers, Head of Departments and the wider industry, Morgana will work with BFI teams on strategies that can support job progression and retention in the industry. This will include support for the prevention of bullying, harassment and racism on set. 

As previously announced by BAFTA, entrants for the 2021 BAFTA Games Awards have been asked to provide information on their companies’ anti-bullying and harassment guidelines. This year, along with the adoption of the BFI Diversity Standards, is a pilot year for the BAFTA Games Awards and joins existing requirements for BAFTA’s Awards across Film and Television. BAFTA will be using the data collected to

enable them to see where support, guidance and training can be offered, if necessary. The move is part of a renewed commitment from BAFTA following the 2020 Review which marks the beginning of a significant cultural shift in BAFTA, challenging the industry to address the serious lack of opportunity and equality. 

Jen Smith, Head of Inclusion at the BFI, said:

“We’re delighted that so many organisations across the screen industries have already adopted the Guidance and Principles, but we know from our conversations with industry that more structured support needs to be within every workplace to prevent and reduce instances of bullying, harassment and racism. The Guidance, Principles, Dignity at Work policy and the Action List are working documents that we will continue to refine, as well as building even more complementary resources. 

“We have demonstrated our dexterity and adaptability as an industry in the face of a pandemic; as production begins to increase again, in the face of the visceral inequality that the pandemic has laid bare, the BFI and BAFTA want to share these resources widely as we believe they can immediately improve that lived experience for our workers and act as a very useful point of reference for employers.” 

Tim Hunter, Director of Learning, Policy and Inclusion at BAFTA, said: “The nature of our industries can make it more challenging to put in place policies and procedures which might be more achievable in other sectors. The Action List and accompanying training and resources suggest solutions for the kinds of workplaces common in the industries which we will continue to improve in the coming years. It’s so important that so many industry bodies are coming together with a united strategy to tackle this issue supporting both employers via the Action List, and workers via the fantastic services offered by The Film and TV Charity. Our shared aim is to create workplace cultures where everyone can contribute to the best of their abilities.” 

Caroline Waters, Deputy Chair of the Equality and Human Rights Commission, said: “We’re pleased to see the BFI and BAFTA taking clear action to ensure that bullying and harassment and racism issues across UK screen industries are dealt with. The Action list will help to minimise the possibility of incidents and ensure legal compliance which will protect both employers and workers.” 

Dame Heather Rabbatts, Chair of TIME’S UP UK, said: “It was just over three years ago when TIME’S UP UK, in collaboration with BFI and BAFTA, launched the Bullying, Harassment and Racism Principles and Guidance for industry calling out unacceptable behaviour. Three years on, whilst awareness has been heightened, we need these resources more than ever and so we welcome the Action List released today to bolster our armoury to help eradicate these toxic practices. At TIME’S UP UK we are soon to release a series of safety guides for people working in the entertainment industry, free resources to empower arts and entertainment workers with information about their rights, industry-specific norms, and practical ways they can advocate for themselves and their safety and help people understand that no matter your situation, you have options.” 

Lucy Tallon, Head of Mental Health and Wellbeing at The Film and TV Charity, said:

The Film and TV Charity is pleased to be part of this pioneering pan-industry commitment to end bullying and harassment.  Our research identified bullying as one of the leading causes of poor mental health in our industry. The personal testimonies we heard and continued to hear are shocking. We must do better as an industry. 

The Film and TV Charity is launching a suite of services to help those experiencing or witnessing bullying navigate their options. Individuals can come to us for self-help resources, for professional advice, and for access to a safe digital space to record experiences in private. These services are part of our strategy to make sure everyone working in film and TV has better support and better mental health.” 

Adeel Amini, Chair of the pan-industry Coalition for Change, and Founder of the TV Mindset, said: “The Coalition for Change is focused on raising awareness of the urgent need to improve working conditions for everyone in our industry and we continue to push for widespread cultural change. Bullying, harassment, racism, ableism and other forms of discrimination have no place in what should be a supportive, creative environment, so we’re happy to be supporting the BFI and BAFTA as they step forward with practical advice on how to combat a pernicious culture, and to have been involved in creating new services to support workers with The Film and TV Charity.” 

Philippa Childs, Head of Bectu, said: “Bectu has worked with BFI and BAFTA over many years to develop practical solutions to tackle bullying and harassment in the workplace. The guidance being re-issued today includes a simple template policy to help employers deliver on their legal responsibilities to all workers on-set. 

“We want to see employers deliver more for their workers than the legal bare minimum, which is why we are pleased that the guidance also includes Bectu’s recommendation that all productions have a designated individual who can take reports of bullying and harassment. We will be working with BFI, BAFTA and ScreenSkills to draw up a template of responsibilities for this role. 

“The industry quickly came together to agree Covid supervisor roles last year, and we hope to be met with a similar can-do attitude to tackling bullying and harassment.” 

Seetha Kumar, CEO, ScreenSkills, said: “It is so positive that the industry has come together to create a better, fairer working environment by addressing unacceptable behaviours that have no place in it. We at ScreenSkills already provide a range of training, e-learning and resources – including some supported by the BFI with National Lottery funds – to help the industry identify and tackle bullying and harassment and racism so companies and productions as well as individual freelancers can play their part in creating safe and welcoming workplaces for everyone.” 

Victor Jenkins, Chair of the Casting Director’s Guild, said: “The Casting Directors’ Guild wholeheartedly supports these principles and actively promotes equality, diversity and inclusion within our own practices and the work of our members. Through a shared commitment across the industry, we can ensure there is no place for bullying and harassment.” 

Andy Harrower, CEO of Directors UK, said: “It is vital that as an industry we create an urgent and meaningful response to the systemic issues of bullying, harassment and racism. Ensuring everyone is treated fairly, professionally and with respect should be the first priority of every production. This additional tool to support the industry principles and guidance makes the advice accessible to all productions and empowers them to take action regardless of their size or budget. We are pleased to support this work today and will continue to work with our colleagues to prevent unacceptable behaviour in the workplace.”

Faye Ward and Hannah Farrell, Creative Directors of Fable Pictures, said: “Fable Pictures strive to offer an inclusive environment on all our productions where everyone is treated with dignity and respect. The Principles against bullying, harassment and racism have really helped us set the tone on set and create a welcoming and inclusive working environment. This new Action List has made it even easier for us to understand what steps we can take to prevent and deal with unacceptable behaviour and support all our employees.” 

Sara Putt of Sara Putt Associates, said: “Sara Putt Associates are proud and excited to support this work.  We, as many other talent agents, include adherence to the BFI/BAFTA Principles and Guidance for the prevention of Bullying, and Harassment and Racism in our deal memos, and this clear and comprehensive Action List offers great practical guidance enabling all productions to create a safe workplace for everyone. Through my role as a BAFTA Trustee I have witnessed at first hand the huge amount of hard work put in by the BFI and BAFTA to create the original guidance and principles and now to have honed the information into an effective practical toolkit for all of the industry to use. As we strive to create a better environment for everyone who works in film and TV the importance of this Action List and the associated resources cannot be underestimated.” 

Jo Twist, CEO of Ukie, said: “The games industry has worked closely with our colleagues in film and television, through BAFTA and the BFI, to ensure that there is a clear and coherent set of principles and guidance across the screen industries. The industry’s Action List for employers in games, which launched in July 2020, has drawn on that best practice to help games studios of all sizes to help create, foster and maintain healthy work environments for their employees and freelance workers.” 

Download the press release 

Read More
1 2 3 4 24
^
EN