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VACANCY: Made in Wales Officer (part time)
  • Made in Wales Officer (part time) – 32 hours per week
  • 12 month fixed term contract
  • Salary scale: £25,399 pro-rata

Film Hub Wales (FHW) aims to bring more films, to more people, in more places around Wales. Along with its independent member venues, FHW regularly develops inventive ways for people in Wales to go to the cinema. FHW is one of nine UK wide ‘hubs’ funded by the British Film Institute (BFI) to form the Film Audience Network (FAN), with Chapter appointed as the Film Hub Lead Organisation (FHLO) in Wales. The aim is to develop the exhibition sector through dedicated research, training and audience development project support. Since Film Hub Wales set up in 2013, its supported over 225 exciting cinema projects, reaching over 465,000 audience members.

Purpose of the Role

To develop audience and industry awareness of films with Welsh connections. The post holder will work with the screen sector in Wales to develop new and sustainable audiences for Welsh film, exploring film performance data, marketing techniques and events which add value to the film’s release. This role is supported by funding from Creative Wales.

  • Application forms and job description available to download below. If you have any queries about the application process, please contact apply@chapter.org
  • Closing date for applications: 9am Monday 14th December
  • Interviews to be held: Friday 18th December via Zoom

Made in Wales Officer Job Description .pdf
Made in Wales Officer Job Description .Word


Application Form


Equal Opportunities Form


These documents have been optimised for accessibility.

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Film Hub Wales awards £52,000 in Covid-19 recovery funds to Welsh cinemas and festivals

Media Release:

Film Hub Wales awards £52,000 in Covid-19 recovery funds to Welsh cinemas and festivals

Film venues put wellbeing at the forefront of their post-Covid-19 reopening programmes.

Film Hub Wales (FHW) has awarded £52,000 in National Lottery funding, through the BFI FAN Film Exhibition Fund, to 15 Welsh independent cinemas and film festivals as they plan for reopening.

Funds will be used to aid recovery, enabling venues to safely restart British and international film screenings, including through cabaret style seating and ‘big screen bubbles’, so that they can reconnect with the most isolated Welsh communities affected by lockdown.

Socially-distanced film activities will take place Wales-wide, creating safe spaces where people can still travel the world via the big screen, at affordable prices. Audiences will be at the heart of decision making, with their feedback valued by venues as they rebuild.

For example, TAPE in Old Colwyn is reinstating Sofa Cinema and will screen Sanctuary in partnership with a new local dating agency for people with learning disabilities. In Barry, the Memo Arts Centre will create ‘big screen Bub-L’ activities with digital and take-away crafts, and in Tywyn the Magic Lantern will ‘re-light the magic lantern’, positioning the cinema as a bold, brave beacon for the future.

Since the pandemic began, many sites have been unable to open their doors to the public. With an uncertain future still ahead, they have been working to diversify their business models, develop robust health and safety procedures and secure critical alternative sources of income.

Hana Lewis, Strategic Manager of Film Hub Wales explains:

We need to recognise the impact of cinemas in our communities and the potential loss we will all face if they close as a result of the pandemic. From Neuadd Ogwen, which provided food to 600 people via its foodbank, to the Magic Lantern and Theatr Gwaun, which both delivered medical supplies and mental health support to vulnerable patrons, independent venues have gone above and beyond to help those in most need. They have done this whilst also planning for their own uncertain futures, interrogating their business plans, reviewing their approaches to access and equality and exploring environmental sustainability. These funds will help them to restart crucial social, economic and cultural provision through on-screen activity.

Annie Grundy, Co-Director of The Magic Lantern:

Getting this funding enables us to wrap a big ball of cotton wool around the British, independent and foreign language films in our programme which in the old days before the corona-coaster we underwrote ourselves. It ensures that even with a much reduced capacity (we have gone from 280 to 36 available seats due to social distancing) our audience can rock up to see an eclectic mix of fantastic films on screen at the Magic Lantern.

Sue Whitbread, CEO of Theatr Gwaun adds:  

Film Hub Wales’ support means we can move ahead with our new film strategy. Theatr Gwaun will now focus on diverse, independent films refreshing interest and developing new audiences in our community.  Funding is essential, but equally the expert advice, mentoring and enthusiasm of the Hub team has given us a tremendous boost.

Blanche Giacci lives a few streets away from Theatr Gwaun and in normal times would attend screenings at least once a week:

Theatr Gwaun is an essential part of our community, providing cinema, culture and entertainment for all age groups and interests. It is a social hub which improves the community’s well-being.

Ben Luxford, Head of UK Audiences at the BFI adds: 

This year has shown the absolute importance and need of programming beyond the mainstream, and we’re pleased to be able to support exhibitors in Wales continue to do that.

The BFI FAN Film Exhibition Fund is made possible thanks to National Lottery funding, repurposed by the British Film Institute (BFI) via its Film Audience Network (FAN). The fund offers critical relief and business continuity to exhibitors across the whole of the UK. Funds in Wales are administered by FHW via Chapter as the Film Hub Lead Organisation.

Ends
Download the Press Release

Left to right: Galeri Caernarfon, Memo Arts Centre Barry © Jon Pountney, Theatr Gwaun, The Magic Lantern © Mathieu Gasquet, WOW Women’s Film Club © Jon Pountney, Wicked Wales Tir Morfa Awards, Memo Arts Centre Barry WAM © Jon Pountney, Monmouth Savoy © David Broadbent

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Yourscreen
Don’t Let Lockdown Beat You – Screen Films Throughout on YourScreen

‘Open your doors’ during lockdown and let your audience watch films – mostly new and unavailable on other digital platforms – on YourScreen.

By promoting YourScreen, you will be earning revenue now and well into the future.


What is it?

YourScreen
is your virtual cinema, a short-term solution to keep you going during the pandemic.  It also provides a long-term opportunity to add an extra screen to your film programme – to appeal to new audiences and to generate additional revenue without the overheads.

How does it work?
Your audience buys “virtual” tickets on
YourScreen, receiving a special 25% ‘lockdown’ discount on published prices and we share box office revenue with you.

Contact:
Please get in touch to learn more: patrick.yourscreen@gmail.com or visit their website.

Current deal:
Find out more about current titles Lillian And The Best Of Dorien B. now playing on YourScreen Virtual Cinema until Sun 06 Dec.

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Four Film Festivals join forces to present AMPLIFY!

A brand new virtual film festival streaming this November

Four of the UK’s top film festivals have joined forces in response to the Covid-19 pandemic to deliver a brand new collaborative online film festival this November.

Unprecedented times call for an unprecedented response!

AMPLIFY! Film Festival is the most ambitious collaboration between UK film festivals ever undertaken and will see a truly diverse programme of films, many of them UK premieres, available to audiences across the entire UK.

AMPLIFY! will bring together over 100 years of film festival experience, to create a 17-day online event which will amplify the voices of diverse storytellers from the UK and around the world. 

For the very first time an exciting programme of films is being co-curated by four festivals — Bath, Brighton (Cinecity), Cambridge, and Cornwall — and promoted across the UK, opening up this unique festival to an audience of millions and allowing people to access these incredible films — over 50% of which are directed by women — from the comfort of their own homes.

AMPLIFY! will stream online 6–22 November, with the full programme of films, Q&As, masterclasses, and industry events to be announced in October. 

Full of dazzling debuts and spectacular previews, the online programme of AMPLIFY! offers a feast of movie viewing for audiences of every taste. Winner of Best Film at San Sebastián International Film Festival & nominated at TIFF in Viggo Mortensen’s directorial debut, Falling, he directs himself in a powerful family drama about a son’s traumatic relationship with his father. With 5 wins and 11 International festival nominations Patrick (De Patrick) is a brilliant Belgian black comedy about a nudist camp; Patrick, the camp’s handyman, has lost his hammer, and nothing will make him happy until he finds it.

Travelling back 90 years, you can see the silent masterpiece Waxworks starring Jack the Ripper, Ivan the Terrible, and Harun al-Rashid, brought back to life by the great Emil Jannings introduced by the much loved BBC radio & TV presenter and pianist Neil Brand. The Audition stars one of Europe’s greatest actors, Nina Hoss, as an obsessive music teacher determined that her pupil will succeed. Piotr Domalewski picked up a new directors nomination at San Sebastián International Film Festival 2020 for his stunning debut Jak najdalej stąd (I Never Cry) which premieres at AMPLIFY.

There are lots of hot docs too: The Mole Agent is the unforgettable account of how a care home is infiltrated by an elderly gent who has been hired to find out what goes on behind closed doors. While Caught in the Net is the compelling story of a virtual flytrap set for online paedophiles, using women pretending to be younger. My Mexican Bretzel is a cracker — the winner of the Found Footage Award in Rotterdam last year, on a par with Sarah Polley’s stunning Stories We Tell.

Since 2011, Camera Catalonia has been an important and popular strand of the Cambridge Film Festival, presenting the interesting and creative work from new and experienced directors.  AMPLIFY! Includes a great selection of new films from Catalonia such as UK premiers of  La inocència (The innocence) , Keith Haring 1989 Barcelona & My Mexican Bretzel.

Six short programmes will be free to view, including the prestigious IMDb Awards from FilmBath, Cornwall’s International short programme & South West best regional shorts, as well as CINECITY’s New Voices — regional shorts made by 16 to 25-year-olds, supported by Screen and Film School Brighton. The UK Premiere of I Still Breathe by London-based filmmaker Alfred George Bailey’s response to the death of George Floyd with score from composer Nicky Brown and Academy Award-winning sound designer John Warhurst.

The Young People’s Jury Programme seeks to nurture visual literacy, criticism & decision making in the next generation and will culminate in the Young People’s Jury Prize awarded to one of the eight nominated features in competition.

As well as the diverse programme of feature and short films, AMPLIFY! will also deliver a range of director Q&As, workshops, and network events. 

Industry focused events include a BFI NETWORK breakthrough filmmaker event, a casting panel hosted by Backstage, a LIM (Less Is More) script development talk supported by Creative Europe.  A round table event ‘Distribution in uncertain times’ with Charles Gant. Q&A with German director-producer Jens Meurer for the UK Premiere of An Impossible Project hosted by Bill Lawrence, former Creative Director at Showroom Cinema, and Head of Film at the National Museum of Photography. Filmmaker networking events. 

AMPLIFY! Film Festival has received praise from across the UK film festival community. Among others, London Film Festival Director Tricia Tuttle offered her support:

AMPLIFY! is a fantastic initiative by some of the country’s top regional film festivals. We’ve all been keeping in close contact over the last months, sharing information on the challenges and strategies for planning film festivals in a pandemic. These festivals do such important work in getting independent films to audiences, championing underrepresented voices — films from female and LGBQI+ filmmakers, film and filmmakers from around the world and from diverse backgrounds. This year has seen so much great collaboration between festivals and it’s an absolute pleasure to see them combining forces for the good of audiences and filmmakers. I will be settling down after my own festival to watch some great work on the AMPLIFY! platform.

The teams behind the four AMPLIFY! partner festivals are excited to be collaborating on such an innovative project. 

Holly Tarquini & Philip Raby, the co-directors of FilmBath, stated:

The COVID crisis has threatened all of our organisations, so it’s an absolute joy to be able to work together and put on such a juicy online festival — with tons of Q&As and special events.” Tim Brown from Cinecity Brighton added, “Working with new partners in a completely new way is the best response to events and an exciting way to take audiences on new adventures in world cinema.

Director of Cornwall Film Festival, Louise Fox believes AMPLIFY! will be a celebration.

The joy of film sits at the heart of this year’s celebratory festival programme, a great example of how we can come together whilst being apart to be engaged and inspire our local and national audiences.”

And while Cambridge Film Festival’s 40th edition may be on hold, Tony Jones & Matthew Webb from Cambridge Film Trust are confident AMPLIFY! can more than fill the void, stating:

2020 would have marked the 40th Cambridge Film Festival and it is only right that during these times we are working, side by side, with our friends FilmBath, Brighton CINECITY, Cornwall Film Festival to offer an exciting film experience for you all. We hope to see you at AMPLIFY!

THE FULL PROGRAMME, AND BOOKINGS ARE AVAILABLE VIA WWW.AMPLIFYFILM.ORG.UK AND THE FOUR PARTNER WEBSITES NOW.

AMPLIFY! WILL BE AVAILABLE TO STREAM FROM 6–22 NOVEMBER

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Iris Prize LGBT+ Festival Announces 2020 Winners

Short Calf Muscle, directed by Victoria Warmerdam, has been announced the winner of the Iris Prize 2020, Cardiff’s International LGBT+ Short Film Prize, supported by The Michael Bishop Foundation. This was the first time in the festival’s 14-year history that a film from the Netherlands has won. The £30,000 prize enables Victoria to make a new short film in Wales, becoming the thirteenth Iris production.  Better, directed by Michael J. Ferns, wins Best British Award.

The winners of all Awards categories were announced at a special awards ceremony on Saturday night marking the successful end to the unique virtual festival that has attracted a UK wide audience to watching film screenings and talks online for free, which included the UK premiere on opening night of Lloyd Eyre-Morgan and Neil Ely’s S.A.M.

The awards show included performances by Welsh singer Casi Wyn and pop legend Heather Small.

THE WINNERS 

IRIS PRIZE

The international winner of Iris Prize is Victoria Warmerdam for SHORT CALF MUSCLE from the Netherlands.

Philip Guttman, from the Iris Prize jury says,

Short Calf Muscle captures a universal sense of being misunderstood in an hilarious yet absurd comic tone, setting it apart in a class of its own. Piquant dialogue, accomplished storytelling and tongue in cheek acting are distilled into a potent black comedy, where Anders, a gay man, suddenly finds himself labelled to be a “gnome” by everyone around him, harkening to our own society that all too often misgenders or misidentifies others. Filmmaker Victoria Warmerdam masterfully tackles themes of prejudice and societal authoritarianism, captured through an impeccable Stepford style lens which contrasts the loss of control in a world gone mad. Ms. Warmerdam reveals herself to be a singular, exciting and rising comedy director.

The film was the chosen nomination of Iris partner festival Roze Filmdagen; Amsterdam LGBTQ Film Festival. Werner Borkes, the festival’s Director, said of Victoria’s win,

as a festival we are already extremely honored that we have been a nominating festival for years, but we are all the more proud that our nominee actually takes the prize home. (Eight times is a charm). It is great to see how very ‘Dutch’ the film is in tone and style, but still connects with an international audience through its original but still universal relatable story about whether or not to be different.

The shortlisted finalists also included Runner Up Victoria, as well as Boys and On My Way.

Of Victoria, jury members and previous Iris Prize winners Lara Zeidan and Sarah Smith say,

A brilliant setting for a simple and touching story perfectly contained within one scene. The shifting of perspectives deftly executed in the writing and directing gives voice to both characters’ complicated emotions. The performances, the pacing, the compositions, the colour palette, and the use of the Victoria Amazónica as metaphor, all work in harmony leading towards a beautifully poetic ending, and demonstrate a remarkable command of the craft of filmmaking.

Of Boys, Mikael Bundsen and Philip Guttman, say,

In Banim (Boys), filmmaker Lior Soroka, draws us into an aching coming of age story depicting one teen’s fight for independence and his mother’s struggle to let go, while simultaneously evoking questions about gender norms in contemporary society. With its riveting performances, the striking complexity in the character’s relationships, and for what is left unsaid, but deeply felt, Soroka has captured our hearts and our imaginations.

Of On My Way, Mikael Bundsen says, “Filmmaker Sonam Larcin crafts an intimate story potent with questions to reflect on long after the film’s running time. Complex characters navigating the conditions of a vulnerable migrant to a clandestine gay relationship teetering on the edge are masterfully brought to life by a stellar cast. It’s beautiful, accomplished and it leaves us passionate to see more”.

BEST BRITISH AWARD

The winner of Best of British short films is Scottish-born Michael J. Ferns for BETTER. The other films that made the final shortlist are Runner Up Queens, as well as The Passing and Wings.

Tim Highsted, Senior Editor, Acquired Feature Films for Film4, who chaired the jury for Best British Short, commented:

The quality and range of this year’s Best British Short film contenders has been excellent – so much so that the jury was spoiled in having to choose a winner. Michael J Fern’s short film Better was distinctive for its quietly controlled and beautifully orchestrated examination of gender as a young mother tries to cope with the bullying of her young son at school. Our other shortlisted titles, Queens, The Passing and Wings raised the bar in their unique portrayals and studies of LGBT+ lives and stories.

Additionally, cementing the first of a three-year sponsorship deal with Film4, all 15 films in Best British programmes will be available for free streaming on All 4 from 11th October.

INTERNATIONAL FEATURE FILM AWARDS

Best Performance in a Male Role in a Feature Film, sponsored by Attitude, was awarded to Leandro Faria Lelo from DRY WIND, directed by Daniel Nolasco and distributed by TLA Releasing.

Lewis Bayley, chair of Best Feature jury made up of film students from Bournemouth Film School, says,

The award for Best Performance in a Male Role is awarded to Leandro Faria Lelo in Dry Wind, whose compelling performance of sexual desire captivates the audience and explores the intensity of yearning in the monotonous confines of an oppressive system.

He adds,

an honourable mention to Oscar Chiu’s performance in The Teacher, where his gentle and tender performance exposes the audience to the realities of life in Taiwan as a queer teacher through his vulnerability, and spark that commands attention to this quiet protagonist.

Best Performance in a Female Role in a Feature Film, sponsored by Diva, was awarded to Lena Urzendowsy for COCOON. The winner was announced pop legend Heather Small.

Of Lena’s performance, Lewis says,

The award for Best Performance in a Female role goes to Lena Urzendowsky. Lena’s honest and raw portrayal of Nora in Cocoon captures a teenager in a time of self-discovery, complicated by the dramas and vices of those closest to her. In this beautiful coming-of-age story, Lena holds the attention in each frame she appears with quiet nuance and vulnerability.

“The jury would also like to draw attention to recognise the performance of Alexandra Grey in Gossamer Folds, whose warmth and determination to live authentically serve as a beacon of hope in a film where so many characters exist in a state of such uncertainty. Although the film is based in 1986, the relevance to the world today are particularly poignant and a reminder of work yet to be done, and Alexandra’s performance is nothing short of essential.

The Best International Feature Film Award, sponsored by Bad Wolf, is won by COCOON, directed by Leonie Krippendorff and is distributed in UK by Peccadillo Pictures.

Of Cocoon, Lewis Bayley says,

The winning film is an honest and open coming of age story, addressing its lead’s sexuality with delicacy and heart that speaks directly to personal experiences. The innocence of self-discovery, in the midst of the complexities of the lives of those around us are explored with nuance and authenticity. The supporting visages are dreamlike, relatable and beautifully rendered.

YOUTH JURY

The winner of the Youth Jury Award is WINGS from UK director Jamie Weston, and the runner-up is Luca Padrini’s When In Rome (Paese Che Vai).

The four short-listed films, chosen from 35 nominees for the main Iris Prize, were Wings, My God I’m Queer, When In Rome (Paese Che Vai) and Snake, which had been specially programmed by a group of young people from Into Film and Pride Cymru and then voted for by young people from schools across Wales.

AUDIENCE AWARD

One of the additional innovations for this year is the introduction of the Co-op Audience Award, the natural next step in the strong relationship with the Iris Prize, started by Co-op Respect. This year Co-op shoppers will be encouraged to watch the 35 short films – and vote for their favourite.

Those who votes will be eligible to win a trip to attend the 2021 Iris Prize LGBT+ Film Festival in Cardiff, the prize will include train travel within the UK, hotel accommodation and a full VIP Pass for two people. Other prizes include luxury Co-op Hampers, just in time for Christmas! When can I vote? Voting for the Co-op Audience Award opens on Wednesday 7 October and closes on Saturday 31 October 2020.

Lord Glendonbrook said during his address:

The Iris Prize continues to be the world’s largest short film prize and I’m delighted that through The Michael Bishop Foundation we have been able to support the winners, to create new short films. These Iris Productions are wonderful opportunities for the film makers to be given the freedom to share our stories to a world that sometimes ignore us and sometimes hate us.

Andrew Pierce, Iris Prize Chair says “Against the odds, film makers, sponsors and our UK audience have come together this week to celebrate our stories through film. As David Llewellyn mentioned duringIris Live!,“We may be watching these films in separate rooms, but we’re still watching them together.”

The main festival sponsors are: The Michael Bishop Foundation, Welsh Government, the BFI awarding funds from the National Lottery, Ffilm Cymru Wales, Film 4, University of South Wales, Co-op Respect, Bad Wolf, Gorilla Group, Peccadillo Pictures, Pinewood Studios, Attitude Magazine, Diva Magazine and The Ministry of Sound.

The festival also works in partnership with BAFTA Cymru, Pride Cymru and Stonewall Cymru.

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Dial F For Freelancer Launches Online, Making Space for Valuable Voices in Film Exhibition and Distribution

Thursday 8th October 2020: A network boasting over 250 members has unveiled their dedicated space celebrating the massive talents represented by the freelance cohort of the UK’s film exhibition and distribution sectors. Dial F for Freelancer is led by film freelancers for their peers, sharing past projects and reaching potential clients. Dial F for Freelancer is the first of its kind and the only dedicated space for freelancers working in film distribution and exhibition.

The current unfolding news regarding the future of film exhibition highlights the pressing need for this platform to exist. Whilst the film industry relies on freelancers, there are currently no formal structures to support them collectively:

“…more than half of the industry workforce are freelancers or mix freelance work with periods of employment. Freelancers are the lifeblood of our industry, yet they don’t have access to the benefits, security or workplace support of permanent employees.” – The Whole Picture Programme Report – The Film and TV Charity, 2020

The Dial F for Freelancer platform has been developed with the needs of freelancers at the forefront to celebrate the sector’s unique skills. The founding members are looking to reduce the barriers and labour to finding paid work by creating an ever-growing network of freelancers.

The grassroots-led project places the platform in the hands of the users rather than a third party. Users control their pitch and profile, choosing the projects of which they’re proudest to showcase. Members of Dial F for Freelancer are also supported with resources, contacts and opportunities to collaborate.

The origins of this concept began during discussions at This Way Up 2019 (the UK’s film exhibition industry conference), a sidebar talk for freelancers led by Toki Allison spoke about the need for an informal network to be created to provide peer to peer support and reduce the feelings of isolation which are prevalent in freelancing. In March 2020 as freelancers began to lose work due to the pandemic, Allison, along with Moira McVean and Jo Taylor-Hitchinson decided to make the network a reality.

Initially a Facebook group set up to support freelancers affected by the onset of the lockdown attracted over 250 members and the trio realised a more formal platform was needed. They were awarded a Community Grant from The Film and TV Charity and have gained further industry support which has allowed them to create the Dial F for Freelancer platform.

The Dial F for Freelancer Steering Group, comprising eight freelancers working in the sector, have worked with a developer to design and launch Dial F For Freelancer to the industry.

This project has been supported by The Film and TV Charity’s Community Grants, a fund from the Film Distributors’ Association, and with further contributions from film distributors, including Altitude Film Distribution, Bohemia Media and eOne. The new platform endeavours to celebrate the wealth of talent and expertise represented across the network, whilst also creating a warm and welcoming space for freelancers working in exhibition and distribution to build their profiles and networks in an effective and easy way. They also plan to build a collective public presence and signpost available support for members.

Jo Taylor, co-founder of Dial F for Freelancer said:

My freelance career has been powered by collaboration and with the invaluable support of my peers. Creating a network such as this has been an aspiration of mine for a long time and so it’s gratifying to be working with colleagues and supporters who feel the same. It is so exciting to see Dial F for Freelancer come to fruition giving our sector the spotlight it deserves.

Andy Leyshon, Chief Executive, Film Distributors’ Association said:

The varied nature of the films FDA members distribute are often reliant upon project-focused freelance expertise across film booking, marketing and publicity specialities. Freelancers have been hit especially hard across the film ecosystem lately and we are pleased to support this worthwhile initiative during these challenging times.

Mark Jones, Head of Publicity, Altitude Media Group said:

Freelancers have played an integral role in several of Altitude’s releases and it’s been brilliant for us to be able to collaborate with a range of dynamic individuals. We know one of the greatest challenges of freelancing is the absence of close knit ‘colleagues’ to introduce new ways of thinking, building skills and further opportunities. Dial F for Freelancer is the perfect dedicated platform to offer that expanded network to those in the industry and also give distributors such as ourselves the opportunity to discover new talent to work with us on our releases.

Timon Singh, Campaigns Manager, Film Hub South West said:

For the BFI FAN New Release scheme, freelancers have been invaluable both to venues and distributors. Venues are often short-staffed, so having someone available to help with social media marketing and promoting the film has been incredibly useful for many. For distributors, freelancers also help to give their titles a fighting chance in an increasingly populated marketplace by promoting their films in more rural venues and organising events around screenings that make them stand-out from the crowd.

Anthony & Teanne Andrews, co-founders, We Are Parable said:

The need for a platform that can bring together freelancers who work in either film exhibition and/or distribution is absolutely essential. It provides the industry with a key place to seek out a wide variety of talented people, enabling opportunities to be visible for all, as well as offering freelancers a network to keep informed of an ever changing sector.

Anna Navas, Director and Programmer, Plymouth Arts Centre said:

Here at PAC we really value the work that freelancers do and have worked with many on different projects over the years. What they bring is new energy, insights and a whole world of different experiences and ways of working. What that does is invigorate organisations in a way that should be celebrated. The work they do is invaluable to the independent exhibition sector.

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CAF ONLINE POSTER
Full programme announced for Cardiff Animation Festival 2020 Online!

Cardiff Animation Festival has announced their full online festival programme. The festival has added further announcements to their exciting 2020 line-up, including masterclasses and Q+As with key talent behind The Rubbish World of Dave Spud, Strike and The Adventures of Paddington™. The online celebration of animation for everyone will showcase some of the best animation from all over the world for adults, families and filmmakers.

The rescheduled spring 2020 festival will now run online, with events starting 17th October, building towards the main festival week 24th October – 1st November. Tickets for individual events are now on sale, and Early Bird passes are available for £15 per pass.

Festival Director Lauren Orme says:

We’re so proud of this programme and thrilled to finally be bringing it to audiences! This has been a difficult year for everyone and it was really important to us to be able to offer passes at such a reduced price and individual tickets on a pay-what-you-can basis, so as many people as possible can access the festival. The online format has also enabled us to subtitle all our events to make everything even more accessible which is really exciting.

A range of family-friendly events will run throughout the festival, including an incredible chance to see behind-the-scenes of the brand new CGI series The Adventures of Paddington™ by Blue Zoo Animation for StudioCanal & Nickelodeon, presented by Producer Simon Quinn.

Ed Foster, creator of Illuminated Films’ hit animated CITV comedy The Rubbish World of Dave Spud, will tell the story of his 16-year journey from student film to directing his own series, and the origins of underdog, unlikely hero and unwitting creator of chaos Dave Spud and his family. With a voice cast featuring Gina Yashere and Johnny Vegas, and animation by Cardiff’s Cloth Cat Animation, the show’s ratings have been far from rubbish since its launch last September and it’s now in production for its second series.

The programme includes British stop-motion feature film STRIKE, a story of a young mole trying to achieve his impossible dream of becoming a footballer to save his hometown from a greedy supervillain. The film is Sussex-based Trevor Hardy’s first feature, produced by Gigglefish Studios. After the film screening audiences can go behind-the-scenes with an engaging Q+A with the film’s director Trevor Hardy, voice actor Lizzie Waterworth and producer Neil James exploring the unique way recycling helped to bring the film to life, chaired by Suraya Raja.

The festival is teaming up with Visible in Visuals, a platform aiming to make animation and VFX more inclusive, for a panel and Q+A focusing on different careers in animation and advice for students and those looking to get into the industry.

These events and many more add to an already spectacular line-up, including masterclasses on directing Bob’s Burgers with Welsh animator Simon Chong, Moominvalley with episode director Avgousta Zourelidi, the world’s first sand animated feature film Heart of Darkness currently being made in Wales by director Gerald Conn.

Festival-goers will be able to come together for live watch parties of the seven themed programmes of the festival’s favourite new animated shorts from around the world, swapping rounds of applause in the cinema for clapping emojis in the live chat, and voting for their favourites to win the CAF Audience Award. There will be a chance to meet some of the brilliant independent filmmakers behind the films in competition at Animators Brunch, live Q+As hosted by Skwigly’s Ben Mitchell and Laura-Beth Cowley on Sunday 25th October and Sunday 1st November.

Cardiff Animation Festival is funded by Arts Council Wales, Ffilm Cymru Wales, Film Hub Wales as part of the BFI Film Audience Network (FAN), BFI NETWORK Wales, and Ymddiried through the Owen Edwards Scholarship Fund, and sponsored by Cloth Cat Animation, Picl Animation, Creative Europe Desk UK – Wales, the University of South Wales, Cardiff Metropolitan University, Jammy Custard Animation, the British Animation Awards, S4C and by the ScreenSkills Animation Skills Fund with contributions from UK animation productions.

Cardiff Animation Festival 2020 online will run from Saturday 17th October to Sunday 1st November online. Cardiff Animation Festival passes and individual tickets are on sale now, with a limited number of reduced-price Early Bird passes available at  https://watch.eventive.org/caf2020 and https://caf2020.eventive.org/passes/buy

To keep up to date, follow Cardiff Animation Festival on Twitter, Facebook and Instagram and sign up to our mailing list for more updates and announcements as they are released.

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Applications are now open for Sustain Lift – Autumn 2020!
  • Want to re-evaluate after lockdown? 
  • Looking to develop skills or polish existing ones? 
  • Want to connect more as a team and start working towards your next big project?

As part of the Cinema For All LIFT package helping community cinemas return to screening films after lockdown, we are running another round of our BFI funded coaching programme, Sustain! 

This autumn we have places on all three strands of Sustain available. Find out more about each below:

Sustain Shine – for existing community cinemas to reflect on what they have achieved and where they want to go next. This programme will follow our previous and popular Sustain format, providing groups with three coaching sessions and a £200 bursary to build on and explore the sustainability of their community cinema.

Sustain Develop – a new programme for community cinemas with a clear idea of their next stage of development with a specific project. The programme will consist of three bespoke coaching sessions tailored to your group, along with a £600 bursary to help realise, plan and achieve your community cinema’s next ambition.

Sustain Collaborate – This programme will support groups with ideas for an interesting collaboration with other community cinemas. It provides a bursary of £1000 to help cover the costs of making your in person or online collaborative project happen. 

Deadline for applications is 15 October 2020. To find out more about Sustain and how to apply, please visit Cinema For All’s website here, or contact Ellie at ellie@cinemaforall.org.uk

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UK’s five biggest festivals of African film team up to present online showcase

The UK’s five biggest festivals of African film – Africa in Motion in Edinburgh/Glasgow, Afrika Eye in Bristol, the Cambridge African Film Festival (CAFF), Film Africa in London, and Watch-Africa Cymru (Wales) – are teaming up online for the first time this October to present “We Are Tano”, showcasing ten of the best examples of African cinema from the past decade.

The season, which draws its title from the Swahili word ‘tano’, meaning five, will run online from 1st October to 20th October, as part of Black History Month, giving UK-wide audiences pay-what-you-want access to a choice of 10 stand-out African films.

The initiative is being co-ordinated by Sheila Ruiz, Director of London’s Film Africa and Deputy Director at the Royal African Society, who says:

COVID-19 has presented major challenges to many film festivals this year. But, as with all crises, the current pandemic has also presented an opportunity to do things differently.

All five festivals in the TANO network felt it important to carry on giving UK audiences access to the broad range of films coming out of Africa. Hence the decision to contribute to Black History Month with a jointly curated online showcase, drawing on some of the most popular titles shown by TANO festivals since 2010.

Christine Patterson, the festival producer for Watch-Africa film festival, added:

The purpose of this season is to continue our mission to highlight the vibrancy and rich diversity of African film-making and story-telling.We are passionate about expanding people’s understanding and appreciation of African film and cultures across the UK, and we aim to reach as wide an audience as possible, especially audiences that have not been able to attend our festivals in person.

Among the films chosen for the showcase are:

  1. ‘Un homme qui cri’ (Chad/France, 2010) by Cannes Jury Prize winner Mahomet Saleh Haroun; Alain Gomis’s
  2. ‘Tey/ Aujourd’hui,’ (France/Senegal), voted best international film at Berlin in 2012;
  3. ‘As I open my eyes’ (Tunisia, 2015) , directed by Venice prize-winner Leyla Bouzid, and the mischievously comic docu-drama
  4. ‘Film festival film’ (Namibia, South Africa, 2019).

Full details of the “We Are Tano” selections and streaming calendar will be available shortly from www.wearetano.org.  In return for a pay-what-you-can-afford donation, attendees will have up to 48 hours to view their choices, alone or with family/friends.

Meanwhile, further information about the Tano network and its previous collaborations can be accessed now via https://www.africa-in-motion.org.uk/we-are-tano/.

Other celebrations of African cinema taking place this autumn/winter by TANO network members include:
Africa in Motion (Scotland): www.africa-in-motion.org.uk | 30 October – 29 November 2020 and
Film Africa (London): www.filmafrica.org | 30 October – 8 November 2020

For news about the other TANO network festivals, please visit:

WE ARE TANO is supported by the BFI Audience Fund.

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Festival UK* 2022 announces that applications are open for a unique and pioneering, £3 million funded R&D opportunity.

Festival UK* 2022 today announces that applications are open for a unique and pioneering, £3 million funded R&D opportunity. The search is on for the greatest minds and brightest talents drawn from the worlds of Science, Technology, Engineering, Arts and Mathematics, and from across England, Northern Ireland, Scotland and Wales, to form Creative Teams capable of developing major public engagement projects to showcase the UK’s creativity and innovation on a global scale.

Culture Secretary Oliver Dowden said:

Today marks the start of an exciting and demanding competition to find the brightest and best innovators in the UK as we begin the countdown to Festival UK 2022.We’re looking for the finest creative minds to help show the world what is possible when England, Scotland, Wales and Northern Ireland come together and champion all that is great about our United Kingdom. The winning applicants will receive £3 million to turn their ideas into spectacular, unforgettable realities. This investment will support jobs and create new work across these sectors in all four corners of the UK as we help our cultural and creative industries recover from the coronavirus pandemic.

Fiona Hyslop, Cabinet Secretary for Economy, Fair Work and Culture said:

This is a new and exciting opportunity for innovative minds from Scotland’s renowned Arts and Technology sectors. These challenging and uncertain times have had a profound effect on the culture sector and creative industries, and so I welcome this announcement as a boost to provide opportunities for work for artists, practitioners and organisations across the culture sector and beyond. The festival is an excellent way to highlight the power of culture and creativity to transform lives, to improve health and wellbeing, to contribute to the growing economy, and to bring our diverse communities together. I look forward to seeing the projects that are developed both in Scotland and across the other UK nations as part of the festival.

Welsh Government Deputy Minister for Culture, Sport and Tourism, Lord Elis-Thomas said: 

I’m hugely excited by another opportunity to raise Wales’ international profile as a small, creative nation, brimming with talented and friendly people, on the world stage. Coronavirus has placed massive and unprecedented challenges on the very fabric of Welsh life, equally so for our friends across the UK, and we applaud the resilience and creativity on display so far. This festival presents a golden opportunity for our burgeoning creative minds to thrive post-pandemic and once more showcase our talent to the world.

This investment comes at a time of particular need and marks the beginning of a process of development for inspirational projects that have mass appeal. As we look towards a near-future that will mark the transition into recovery, we look forward to a time when people will feel able to celebrate pride in communities and the places they call home.

Martin Green, Chief Creative Officer for Festival UK* 2022, said:

I am thrilled to be leading this project. Festival UK* 2022 will be a series of ten large-scale, thought -provoking, wonder-inducing projects. They will bring people together in unique and astounding ways and showcase our innovation and creativity across the globe. To create work that is ground-breaking and compelling we are investing in idea creation through this R&D phase. It’s a fantastic opportunity to work with colleagues from different creative fields. A chance to discover new collaborators and celebrate under-represented talents. The aim is a national celebration of all our creativity. An unprecedented demonstration of the crucial, magical role that creativity can play to make life better.

At the end of the application process up to 30 teams, each receiving up to £100,000, will be selected to participate in the R&D programme to originate compelling, ambitious and extraordinary ideas for projects that have the potential to reach millions of people. Ideas are not a requirement of application process but Creative Teams must be able to demonstrate they have the skills and collaborators needed to meet a set of criteria against which they will be assessed.

£120million of new investment has been allocated to the festival by the UK Government (including £22.8m to Scotland, Wales and Northern Ireland devolved administrations), which will ultimately allow for the commissioning of up to 10 major projects in the final public programme for 2022. The festival will create opportunities for jobs within sectors significantly impacted by COVID-19.

Four of the ten commissions will each be led by England, Northern Ireland, Scotland and Wales, who will directly appoint up to two Creative Teams drawn from within their nations to take part in the R&D process.

Six commissions will be driven by Creative Teams from across the UK and beyond.

All ten commissions will be global in reach. Creative Teams will demonstrate the vital and inspirational role that creativity can play in our changing world; how unforgettable experiences can make life better.

Festival UK* 2022 will present the outcomes of the R&D work, a nationwide expression of innovative possibilities, as a public resource designed to inspire the next generation of UK creatives.

The ten commissions will be launched under a new festival name at the end of 2021 and take place throughout 2022.

R&D Timeline

9 September Registration & Applications Open
16 October 3pm Deadline for submissions
16 November – 31 January R&D Programme
1 – 26 February R&D Presentations and Shortlisting

Full details of the R&D Opportunity, Application Process and Guidelines can be found here.

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Kotatsu Festival 10th Anniversary Celebration

Kotatsu Festival 10th Anniversary Celebration

Held virtually on October 24th & 25th in Partnership with The Japan Foundation London.

The Kotatsu Japanese Animation Festival started in 2010 in Cardiff, and has been held every year as a showcase for Japanese animation and culture. Celebrating its 10th anniversary however comes in the midst of a global pandemic and so the decision was taken to hold the festival fully online. One of the goals since the festival’s inception has been to act as a gateway into the diverse world of Japanese animation. To achieve this, they showcase emerging talent and important but overshadowed animators who work in a wide variety of styles, from 2D to stop-motion. The 2020 festival will be the biggest celebration of this talent yet. 

On October 24th and 25th, viewers will be able to participate in the full line-up of screenings and events, all of which will be free to access via their YouTube channel and through various Zoom sessions. In total, they will be screening 37 films, including 28 works from students studying at 5 different Japanese universities, and 9 works from 5 award-winning animators, including Oscar nominated Koji Yamamura and Shin Hosokawa. Furthermore, these works will be introduced by the creators themselves as the festival aims to continue in its mission to connect animators with audiences. 

A very exciting series of Zoom workshops will also be hosted by veteran animators who are bringing their very latest works to the festival. The workshops will cover a range of fun activities such as one dedicated to the art of creating the Kotatsu Festival mascot design by Chie Arai, while world famous Fusako Yusaki talks about her career in claymation animation with a Q&A Session. There is also a talk with animator/director Miho Yata and musician Takeshi Yoda. 

People will be able to participate in the full line-up of the screenings and events, all of which will be free, via our YouTube channel and through Zoom sessions. 

This will also be the first time that Kotatsu collaborates with F-Rated, an organisation dedicated to supporting women in film by working with cinemas and film festivals to give moviegoers a way to identify films and events that fairly represent women on screen and behind the camera. We have secured an F-Rating for our ongoing campaign to show the works of female film makers and also for this event where more than half of the films were directed by women. 

Here is the full line-up of events: 

Kotatsu Japanese Animation Festival 10th Anniversary Timetable 

(All times are UK/GMT – Japan +7 hours ahead) 

24th October 

11:00 YouTube Screening – Films by Koji Yamamura, Shin Hosokawa, Miho Yata, Chie Arai, Makiko Sukikara 

13:00 Zoom Event – Miho Yata / Takeshi Yoda – Director & Musician Q&A 

18:00 YouTube Screening – Student Work (Part 1) 

25th October 

12:00 Zoom Event – Chie Arai Animation Workshop 

14:00 Zoom Event – Fusako Yusaki Director Q&A and Clay Animation Workshop 

16:00 YouTube Screening – Student Work (Part 2) 

18:00 YouTube Screening – Films by Koji Yamamura, Shin Hosokawa, Miho Yata, Chie Arai, Makiko Sukikara 

We will reveal the full line-up of the titles and events on the festival’s website soon.

The Animators and Musician 

Yamamura Koji (山村 浩二

After graduating from Tokyo Zokei University in 1987, he founded Yamamura Animation, Inc. in 1993 and has worked steadily, refining his style while making films for children. His most famous work is the short “Mount Head” (2002) which was nominated for an Oscar for Best Animated Short. Other titles include “Franz Kafka’s A Country Doctor” (2007) and “Muybridge’s Strings” (2011). His films have been awarded more than 90 prizes including the grand prizes of major international animation festivals such as Annecy, Ottawa and Hiroshima. He has also received the Medal with Purple Ribbon from the Japanese government in 2019. He is member of the Academy of Motion Picture Arts and Sciences and a professor of Tokyo University of the Arts. 

Yusaki Fusako (湯崎 夫沙子

Yusaki is an award-winning claymation pioneer who emerged in the 1960s after moving to Milan and establishing her own independent studio, Studio Yusaki. Her works consist of commercials, films, and children’s television programmes which were made for public broadcasters such as RAI and NHK. Yusaki’s famous works include claymation advertisements for the liqueur Fernet-Branca, and “Peo the Blue Dog”, a popular TV character in Switzerland. Yusaki will lead a claymation workshop and do a Q&A with Kotatsu. 

Yata Miho (やた みほ

Born 1974, Yata studied Children’s Literature and Children’s Culture at university. While studying, she was inspired by “Wallace and Gromit” and started to have an interest on stop motion animation. In 1999 she started knit-animation and creating picture books. Since then, she has become famous for “Wool Fairies Knit and Wool”(NHK・NEP)and the picture books “Sakasa mo Sakasa” (Demadosha Co.,Ltd.) “What is This Yan?”(CHILD HONSHA Co.,Ltd.). She is currently a member of the Japan Animation Association and she is teaching at Shirayuri University Department of Children’s Culture. 

Hosokawa Shin (細川 晋

A graduate of Tama Art University’s Master’s Program Design Course, he now works as a writer, director, animator and is an assistant professor at Tokyo Polytechnic University. His latest work, “Dino!”, a stop motion animation, has been programmed by Kotatsu. Arai Chie (荒井 知恵

A graduate from the Department of Fine Arts, Northern Arizona University, after working at an animation studio, Arai has been a freelancer since 2002. Her techniques include hand-drawn animation and illustration and she creates books and animation videos including “Dreams” (2008), which has been programmed by Kotatsu. Since 2006, she has been orchestrating “Flip Book Manga Cafe Exhibition”, a collective of writers and artists who love to make wonderfully varied flip books. Their exhibitions have been held in many places. As well as creating her own art, she guides others and works as an associate professor at Bunka Gakuen University Department of Art and Design. 

Sukikara Makiko (鋤柄真希子

Born in 1982, Sukikara studied at the Film School Zlin in the Czech Republic. Since 2010, she has been animating and has created works by multiplane camera, many of which have been screened at international festivals. She creates stories with animals as the main characters with titles like “While the Crow Weeps” (2013) and “Deep Sea’s Rainbow” (2019). The latter has been programmed for Kotatsu’s forthcoming stream. 

Yoda Takeshi (ヨダタケシ

Yoda is a composer who plays an electronic instrument known as a theremin, a device that makes sound without the musician touching it. He is active across genres and creates music for video works as well as for live events. He will be in a Q&A with Miho Yata during a Kotatsu Zoom session. 

The Kotatsu Japanese Animation Festival relies on sponsors and donors to help us deliver screenings. If you would like to show your support, you can do so with a voluntary contribution at the festival’s Patreon page. Alternatively you can support the festival without paying extra money by signing up to Easyfundrasing and choosing to support Kotatsu. When you shop via Easyfundrasing website, a percentage of your purchase will be automatically donated to the festival. If you are shy, you can choose a setting that allows you to be an anonymous supporter. 

Download the press release here

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IMS Open Now
It’s My Shout: New Voices from Wales – Documentary CALL OUT

It’s My Shout and BBC Cymru Wales are on the lookout for 4 unique and unheard stories from across the country that relate to the rich and diverse culture in Wales. They want New Voices from Wales. Could it be yours?

The 4 successful candidates will be mentored and have their stories produced into 1 of our 4 documentaries, that will be broadcast on BBC Cymru Wales and iPlayer.

Age and experience isn’t a barrier and they are keen to hear voices that are often not heard in the mainstream media. It’s Your Voice. Your Story. Your Way!

If you have an interesting story and would like to apply for this opportunity, visit: www.itsmyshout.co.uk/docs

Current Deadline : Friday 2nd October (Extension may be considered)

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