“As a programmer, it is always exciting to hear about Welsh filmmakers with a film ready for screening. Initially this was the reason to investigate Destination Unknown as the film’s producer and main creative force, Llion Roberts, is based locally. 

Pretty soon it became clear that this was no ordinary film, and Llion was no ordinary film maker. You could say that Destination Unknown is a labour of love as Llion’s background is more rooted in satellite technology and equipment hire services than traditional film production. However, that would give you the wrong impression of what the finished film actually is. It took Llion 15 years to make this film and I have no hesitation in calling him a film artist on the strength of this production.

Another strong reason to screen the film was the unique ability cinema has in successfully transmitting certain stories and histories to the audience.  At times, this film is overwhelmingly harrowing and something that a normal television screening could never contain. Some human stories need to be communicated communally in a shared space; in a space of togetherness and stories from the Holocaust are such stories. In fact, I would actively encourage other cinemas in Wales to book this film for this precise reason – its natural home is in the cinema.”

In September 2017 Rabab Ghazoul, the director ofGentle/Radical organised technical training for BAME women via the ICO Technical Skills for Digital Exhibition, led by Faye Chamberlain of Chapter Arts Centre.

Eiko Meredith: 

“This was my second time attending and I really enjoyed it. Kotatsu festival is bit different from the community cinema, still there are lots of things I learned from the event and meeting new people. Always great to see people who love films, so passionate about hosting the screenings! I have to start watching more films!!

All speakers are great, I really found Toby and Neil from Moviola were great. They explained really well about lots of things such rights, how to track films which we tend to have a problem with.

It is very interesting to hear how hard it is to host a successful screening for children, family. As a mother of two, I would like to point out if people are used to coming to a community centre, I am sure these film screenings can be more successful:

• Does your community centre host playgroup for children?
• Can you do some other family events to make people come to the venue?
• What about second child get little bit of discount for the ticket? Or stamp card, say every time you go to the screening and collect one stamp, if you get 10 stamps one free screening?
• What about the kettle and hot water for the bottle for the baby?
• Can you offer nice breast feeding area for women to feed during the film so nobody is staring at you?
• Any cushions or soft mat for some tired children and baby to lie down and watch?

Just little bit extra, it doesn’t have to be expensive and can bring more people to the screening, and they might come back again in the future.

“This is the second time I have attended the Rural Community Cinema Conference in the wonderful setting of Hay on Wye in Richard Booth’s envy-inducing Bookshop Cinema.  The event provides a great opportunity to network with other venues and societies – always fascinating to hear their stories of what films have worked for them and share the important issues, such as how much to charge for a glass of wine!

At this year’s conference it was especially interesting to hear about the Into Film project and to meet the Young Programmers – really inspiring in terms of how it will help us move towards encouraging more young people to be involved with the Dragon Theatre, as audience and event promoters.

During the event I spoke a few words to the conference about the Cinegi Arts & Film project, explaining how we had piloted a few events and were looking forward to running more in the future. Some other groups had shown Cinegi titles and others were about to, so it was good to share experiences.”

“The one-day event, organised by Film Hub Scotland, featured introductions by Nicola Kettlewood (venue representative) and Carolyn Mills from Film Hub Scotland, which was a motivating start to the day. This was followed by the first case study – Discovery Film Festival, with a talk from Mike Tait and Discovery Young ambassadors. The second case study was Cutting East Film Festival. These were two interesting case studies. I got useful information from Mike Tait explaining the 12 month plan for his ambassadors and it was good to hear from the enthusiastic ambassadors themselves. We then had a presentation from YP Initiatives Hannah Higginson from Watershed, which dealt more with the statistics of the venue.

Matt Beere from Chapter got us all up and working with an interactive workshop, which went down well. It was also Useful opportunity to chat to other team members as well. Douglas Greenwood from Edinburgh FF and Jonathan Caicedo-Galindo from Cutting East FF gave a talk on ‘Progression for Young Film Makers’. Finally Dan Thomas, co-ordinator for the YP Network gave an honest and useful view of the challenges setting up Young Programmers Groups and sustaining them.”

Young people (aged 16 – 24) were invited to Flatpack, to expand their film horizons, develop their networks and pick up practical skills from seasoned YouTubers and film professionals.

Participants explored and discovered a diverse range of events through Flatpack Film Festival and produced their own festival vlog as part of a unique two day workshop on Sat 23rd and Sun 24th April 2016 in Birmingham. Here they are talking about their experiences in their own vlogs!

“We were enthusiastically welcomed by the festival organisers who seemed genuinely pleased to welcome their first visitors from Wales. In the weeks before, when the visit had been confirmed, Dan Thomas (Wicked programmer) was invited to become a member of their international jury, along with jury members from Palestine and Norway. This role gave the visit and our festival a higher profile and enabled Dan to spend time with festival organisers and other international visitors. The visit helped to develop the relationship and build trust between our two festivals, which will be important when looking at future projects together.”

Back in the Summer, Film Hub Wales commissioned me to do some research into youth film festivals. You may, or may not know, that we have a number of them here in Wales (Zoom, Pics, Ffilmic to name but three) and there are many more around the UK. Although Youth Festival provision is something that’s grown over the last 10 years here, festivals such as Cinemagic in Belfast have been running considerably longer.

Over in Europe however they’ve been running youth film festivals for decades. Zlin in the Czech Republic for example will be in its 56^th year in 2016. There are a plethora of festivals across Europe (it’s taking some time to map them all!) and they all vary in scope, size and ambition. In terms of USP they can be split into two distinct categories. Some festivals screen features from all over the world made specifically for young people. Others celebrate the films made by young people, and there are a lot of them.

I wasn’t just there for the festival however. A committed and passionate group of festival managers from all over Europe have formed a network to not only promote the work they do, but more importantly to promote and advocate the work of young filmmakers. The Youth Cinema Network (YCN) comes together across the year to share their festivals and ideas, and generally support each other in their collective aims and objectives.

I spent two days with the YCN in Hannover interviewing some of the members about their festivals and the sorts of challenges and barriers they face. What struck me was that they are the same challenges and barriers no matter where in Europe they were from – Croatia, Slovenia, Norway – all were incredibly tireless in what they do yet are battling constantly against the lack of funding and support. They also struggle to attract the typical cinema and festival audience which suggests there is a perception around films made by young people that perhaps they are not of sufficient quality to go and watch. It couldn’t be more different.

But the show must go on and they do what they do on limited resources because they recognise the value and the opportunities these types of festivals give to young people. Most of the festival directors have other jobs to make a living.  Sanja, who runs Four Rivers Festival in Croatia, sells yoghurt and her colleague Lea works in a shoe store. They have to take vacations to develop and run their programme. Yet without Four Rivers where would the numerous great films made by 14-20 year olds, the diverse workshops, the round tables, field-trips, and music concerts for youth actually happen in Croatia? It’s about giving young people a voice and a chance to work in an industry they clearly enjoy. Many of the festivals cited examples of young people they’ve worked with who’ve gone on to make features.

At the YCN meeting I attended we discussed some pretty terrific ideas about how to raise the profile of the work of young filmmakers around the world. We need to smash through the negative perception that says films made by young people aren’t worth our time. We go to youth choir concerts and we watch Young Musician of the Year competitions, so why not celebrate young filmmakers?

It’s been a great year for Welsh cinema, Welsh filmmakers and retrospective seasons – here’s a roundup of some of the best films and events of 2015! 

​21st October 2015

Today my day involved writing a press release for Disney Pixar’s Animated film Inside Out (U). The Riverfront will be showing this film at their cinema next week for half-term from Monday 26th – Thursday 29th October.

The Riverfront usually screens a film a week from Monday – Wednesday but due to half-term it was really important to produce a lot of marketing for Inside Out as it is a cheap day out for all the family, only costing £1.50 a ticket – you can’t go wrong there!

I began by writing a press release that will hopefully be featured in The Argus – A South Wales Newspaper. This newspaper is where The Riverfront advertise all of their upcoming events e.g. theatre, cinema etc. To ensure my press release would give the film justice I began to research reviews written about Inside Out, this involved the website Rotten Tomatoes which I highly recommend when trying to find an in depth review of a film as it provides statistics, trailers, ratings and reviews varying from top critics (such as The Guardian) to everyday users. I also began to look reviews from The Telegraph to Variety to Rolling Stones. I gather key words and information from them all and begin to form my own press release. I enjoy this as it gives me the opportunity to research thoroughly into a film – since beginning my work experience here my knowledge of films has improved.

Another perk of the job this week was that I got two free meals for the Nando’s opening opposite the Riverfront in The Friars Walk shopping centre!

“A hop to London on a bus, a skip onto the Eurostar and a jump off the platform into the beautiful, multicultural city of Brussels and I was making my way to a European-wide conference on Children’s Cinema.”

The 2015 Berlinale proved to be everything I had ever dreamt it could be and more!

For the past 25 years people have responded with varying degrees of surprise when I admit that I’ve never been to the Berlin Film Festival. Sundance, Cannes, Edinburgh, Cork have all featured in my film past, each offering different experiences as I visited as a programmer, film producer, media executive or ordinary punter! Some were designated festivals for watching new films while others were places to do business and close deals, almost divorced from any screenings.

Berlin for a number of reasons was never on my list. What a mistake that was!

I was able to rectify this omission and spend 3 days at the 2015 Berlinale thanks to the support of Film Hub Wales. The dates were carefully selected to co-inside with the annual Queer Programmers Meeting co-ordinated by the Teddy Jury. This proved to be the largest gathering of queer programmers and festivals I had ever attended.

With the potential to be completely overwhelmed by the whole experience I kept reminding myself of my objectives for attending:

• Meeting people – new contacts, sponsors, partners for collaborations!
• Seeing films and meeting film makers to expand and enrich the Iris programme, especially now that we have increased the number of feature film screenings from 8 to 20!
• Promoting the Iris Prize to encourage submissions and increase the international audience for the annual Cardiff festival.

I’m pleased to confirm I achieved all my objectives and more by attending the Queer Programmers Meeting, hanging out at the Market Place, attending meetings which I had organized before leaving Cardiff, leaving space in my schedule for unexpected meetings and watching films (not as much as I would have liked).

What was unexpected during my packed 3 days in Berlin was finding the time to “think” – considering how busy and frantic the Berlinale can be – but I found the moments between meetings an opportunity to focus the mind.