June 2025
We’ve not even got to the community screens yet; there are many more of these to mention (and we’ll come back to that in our next blog) but today we’re expressly talking theatrical.
So, where to begin. Let’s start by explaining that it’s our job at Film Hub Wales to support Welsh cinemas to bring the best UK independent and international films to Welsh communities year-round. We fund, train and advise film exhibitors, offering support where needed. We know a film won’t be seen just because it’s good enough and that’s where cinemas come in. Their job is to think about the audience. Who would enjoy this film, how can they be reached and what impact could the film have on local people.
Welsh cinemas are known for being at the heart of their communities, their eclectic buildings and rich histories. They generally offer much more than movies alone.
Take the Magic Lantern Cinema in Tywyn, Mid-West Wales, for instance. Having first screened a silent news reel in 1900 as the town’s Assembly Room, the building has evolved into a much-loved, unique, full-time cinema with house band, secret garden, and cocktail bar. Not only that – they also lead events in the rural community such as opening on Christmas day for local people living alone and create employment opportunities for young people in the town (we’re told their team love it so much, they often don’t want to leave!).
On to the North West of Wales, if you find yourself in Blaenau Ffestiniog, you have to pay a visit to CellB. Based in a converted police station, with two screens and a stunning backdrop of slate mountains, this place is bursting with charisma. Led by Gwallgofiaid, a not-for-profit social enterprise that provides creative training for young people, the site has a hostel, regular gigs and a wood fired pizza oven..
Over in the North East of Wales, we have to mention the impressive renovations at Theatr Clwyd, known as the largest touring theatre provider in Wales. You’ll want to hang out and take in the panoramic views of the town from their new glass-front building, visit their restaurant run by acclaimed chef Bryn Williams and of course, watch a film in their purpose-built cinema opening from July 2025.
We could keep going with this all day… If you’re in South Wales a cinema you can’t miss is The Savoy Theatre in Monmouth.
The oldest working theatre site in Wales, this beautiful grade 2 listed building looks like the cinema that dreams are made of.. Or if you find yourself in Cardiff, there’s Chapter Arts Centre, which has a huge year-round programme of indie film as well as experimental performances, exhibitions and café bar.
Over in West of Wales, there’s Theatr Gwaun in Fishguard. It’s an independent community theatre, supported by a passionate team of volunteers, with cinema, bar and café with a vast selection of events, with the beautiful Pembrokeshire coast just a stone’s throw away.
You could basically map out a journey around Wales, with a cinema on each stop. Sound good? To help with this we’ve put together a full list and a map to help you see where each cinema is. We’ll be highlighting them on our socials, as well as where you can find your nearest festival, film club or community screen.
If you run a cinema and you’re not listed below, this may be because you’re listed as a community screen but if would like to be added (or you would like to be removed from this list), please get in touch with us. We’d love to hear from you. Welsh cinemas can also become a member of Film Hub Wales for free and apply for audience development funding as well as accessing training, networking and advice.
After 10 hugely successful years, the final curtain will soon fall on much loved community cinema Monico Movies.
In 2015, a group of local movie enthusiasts were invited by filmmakers Viv and Harley Jones to discuss the idea of opening a community cinema, screening a variety of films. Rhiwbina Community Cinema – a not for profit, volunteer led cinema – was born. It was named Monico Movies as a tribute to the much missed local cinema ‘The Monico’ which opened in Rhiwbina in 1936 and closed in 2003.
Monico Movies started from scratch with no equipment. However, screening films was initially made possible through the loan of equipment from Film Hub Wales and, after the first year as a community cinema group, funding was secured from the Big Lottery to buy a projector and screen.
Monico Movies hosted its first screening, The Grand Budapest Hotel, in October 2015 at Canolfan Beulah. Since then, shows have been held on the 2nd Saturday of each month for ten years. More than 200 films have been screened, attracting a loyal audience, with up to 80 people attending
each month. Five local shops – Serenade, Victoria Fearn Gallery, Ginger Whites, Deri Stores and the Honey Pot – have also supported Monico Movies, by selling tickets. This continued support by the audience and ticket outlets has ensured the community cinema’s ongoing success.
In volunteering to plan and host an annual film programme, the dedicated crew have contributed time and skills, including web and poster design, social media publicity, film research, administration and projection. The volunteer group curated a varied programme across a range of different film genres. These included world cinema, independent films, old favourites, forgotten classics and new releases. One memorable highlight was screening Buster Keaton’s silent movie, The General, with live piano accompaniment. Monico Movies has also been proud to showcase local film makers.
Monico Movies revived the tradition of a regular, local cinema experience for the community in Rhiwbina. Having achieved the milestone of 10 years, the group members have decided the time is right to retire – to hang up the film reels, put away the usherette’s tray and dim the lights one last time.
The final Monico Movies show will take place at 7.30pm on Saturday 12th July 2025, when the Welsh made film ‘Mr Burton’, about the early life of actor Richard Burton, will be screened and the audience of Monico Movies will celebrate their love of cinema one last time.
Contact: Harley Jones
Did you know that Wales is home to 40 festivals of all shapes and sizes? Many of these are dedicated to film, or have regular film offers. Whether you’re an emerging filmmaker looking for a place to launch your next short, or you’re an avid cinema goer seeking out the best new films, our Welsh festivals have you covered.
At Film Hub Wales, we work with film festivals, helping them to bring the best UK independent and international films to Welsh communities year-round. Festivals play a crucial role in film chain. They showcase new talent, often helping them to secure sales agents and distribution deals – reaching new audiences at home and across the world. They’re also known for special events, unique and bold film choices that audiences might not see elsewhere and a place for industry and the public to come together.
So what festivals are waiting to be discovered on your doorstep in Wales? Well, there are at least 40 (that we know of) and this doesn’t include the many more touring events that pop-up in cinemas during the year and wider arts festivals that occasionally screen films. 34 of these are specifically Welsh events and 6 are UK or international events that tour to Wales.
Many of the festivals have unique themes (20 that we count) such as the SeeMôr Film Festival which explores all things coast and sea in Anglesey, there’s Cardiff Animation Festival and Kotatsu Japanese Animation festival, or for the thrill seekers there’s Abertoir International Horror Festival – which is about to celebrate its 20th year in 2025.
Various festivals offer dedicated support for new talent such as Carmarthen Bay Film Festival, Cardiff Mini Film Festival and Focus Wales. For young audiences there’s Wicked Wales and The Children’s International Film Festival of Wales. Phew, we can keep going? For the best new local and global films there’s Wales One World, for a taste of Africa there’s the Watch-Africa Film Festival, Hijinx Unity Festival celebrates disabled, learning disabled and/or autistic artists and our largest film festival in Wales, Iris Prize LGBTQ+ Film Festival is home to the largest short film prize in the world. We’re spoilt for choice, right?
As well as a great place to discover new films, if you’re starting out in the film industry and looking for volunteering opportunities, festivals are a brilliant place to learn new skills and make contacts.
Around 50% of the festivals currently take place in the South East of Wales, with the other 50% in North, East and West of the country. Many offer online events alongside their in-person programmes, as we know getting there can be a challenge.
To help with this we’ve put together a full list and a map to help you see exactly where and when each festival takes place. We’ll also be highlighting upcoming festivals monthly on our socials, in case you need a reminder, as well as where you can find your nearest cinema, film club or community screen.
If you run a film festival and you’re not listed below and would like to be added (or you would like to be removed from this list), please get in touch with us. Film Festivals in Wales can also become a member of Film Hub Wales for free and apply for audience development funding as well as accessing training, networking and advice.
The ICO (Independent Cinema Office) runs national Screening Days events, a staple in the independent cinema calendar giving exhibitors the chance to watch the best upcoming film releases from across the globe and discuss them with industry peers. The Screening Days took place in both Nottingham and London in Autumn and Spring where hub members from Abergavenny Film Society, Chapter Cardiff, and Pontardawe Film Club went along to not only see upcoming releases to help develop their programmes but also for invaluable networking and discussions.
Here’s what our members told us about their experience:
These informal discussions are so helpful in sharing best practice and picking up hints and suggestions on marketing appropriate to the films. Meeting with the Film Promoters in person is always appreciated as it makes the booking of the films straight forward.
The ICO Screenings Days provide members with the opportunities to explore new UK independent and foreign language film releases as well as being able to discuss programming of various films directly with the representatives of distribution companies. David Charles Price attended on behalf of the Abergavenny Film Society to explore new UK independent and foreign language film releases. Dave came away with a plan for the next season’s programme, new contacts and potential new partnership with Borderlines Festival where they plan on sponsoring a film. Angie Dickinson attended on behalf of Pontardawe Film Club and found this opportunity significant in the programming for the venue, ultimately amending their original suggestions based off of the outcomes of attending the Screening Day as well as new marketing ideas thanks to meeting Promoters in-person.
It was not only useful to hear about strategies but also essential to demonstrate solidarity and compassion for each other as colleagues in our sector as we move forward and help each other.
Claire Vaughan from Chapter Cardiff attended the Screening finding the in-person films vital to having greater programming knowledge. Having secured bursary funding, Claire was also able to attend the ICO Audience Development day and arrange meeting with other venues in the area who have a similar offering to Chapter, visiting Derby QUAD, HOME Manchester and Phoenix Leicester. The visits and audience development day provided Claire with more in-depth knowledge on young audiences, an understanding of other venues’ strategy on resilience, leading to further meetings, as well as information on audience’s Eco credentials which she was able to feed back to the team and the UKCA policy.
Dave, Claire and Angie were able to attend the ICO Screening Days with the support of Film Hub Wales via our Bursary scheme. If you want to attend a meeting, course or event that would benefit your organisation and develop audiences but the costs are prohibitive, you can submit an application for support here.
Diffwys Criafol is the pen-name of a Cardiff based writer with a deep interest in social class. The themes around her work centre around this subject usually in relation to her own life experience. Find her on Linktree / Instagram
Translated into Welsh by Mair Lannen
“[Welsh culture is] a post-colonial culture, conscious all the time of its own real strengths and potentials, longing to only be itself, to become its own world but with much, too much on its back to be able, consistently, to face its real future” – Daniel Williams on Raymond Williams work in the introduction of ‘Who Speaks for Wales’ 2008
This is a film reckoning not only with the story of one family, but with the dizzying speed of change that has occurred in Wales over the 20th century. Haunted by the past, bewildered by the present and looking to the future with a careful hope.
“Do not go Gentle” was released in 2001 but was set in the period running up to the 1997 UK general election – the climax of the film coinciding with the election results night when “New” Labour won after 16 years of Tory rule. However, this is not just a historic-political film, or a film about the problems of aging in an increasingly individualistic neoliberal society. It goes much deeper. Its portrayal of the family dynamic, speaks to the fundamentals of our psychology as a colonised people. Torn between assimilation into joining and participating in a system of impersonal brutality versus the counter struggle to this – the impulse to hold on to our culture, language, class and place.
For me, the characters are an allegory of the class tensions and directions in the context of Welsh speaking Wales – known in Welsh as ‘Y Fro Gymraeg’. William Davies, the Father, appears to have Alzheimer’s disease and needs to be looked after – but who is going to take responsibility for his care? William Davies, a former quarryman and Elder (Blaenor) in the Chapel is a classic depiction of the traditional Welsh working class man of the 20th Century.
The ensuing conflict between his children on the subject of William’s care becomes a personification of the class tension arising from fluctuating class mobility in families. The eldest son – John Meredydd – who is upwardly socially mobile, Maureen – a single mother, meanwhile, is relegated downwards. Alun Cledwyn, the third sibling is at a crossroads, struggling to hold on to the middle class life he has built while contending with his chronic illness of alcoholism.
John Meredydd, who has physically and mentally distanced himself from the family to make his fortune, now looks down upon his (working class) family with disdain. Maureen is expected to do the unpaid caring labour, raising her three children alone and juggling two jobs. Alun Cledwyn is torn between ‘Y Fro Gymraeg’ and the world, his middle-class aspirations in contradiction to his connection to home, his ‘etifeddiaeth’. The amalgamation of land, community, language, family and Welshness itself – at one point in the film described as a noose around his neck. These are the contradictions of Welshness distilled to its clearest form.
This film also skillfully depicts the human consequences of the privatisation of care. We bear witness to how such state policies rob individuals and their families of their dignity in the last months of life.
The title of this film in Welsh is “Oed yr Addewid” which literally means “The Promised Age”. In Welsh language culture (but originating from the Bible) this saying means that we are “only promised to live to 70” – everything after that is just a bonus apparently! The opening of the film is Willam’s 70th birthday. It feels significant to me that since this film was first released, these precious few years of retirement before our “promised time” is now spent working. Since the Millenium, the one sided class war against us has gone into overdrive. We can no longer expect to look forward to a few years of rest and family time in retirement while we still have their health. Now, many people (my own father being one of them) are working physically demanding jobs well into their 70’s while contending with a range of health conditions.
The depictions of class throughout the film are beautifully thoughtful and nuanced. This is a rare cultural artifact that I feel succeeds in honoring the complexity of class in the Welsh speaking context. This is especially interesting today after what feels like an age of endless austerity since the 2008 crash that has plunged 22% of adults and a third of children into poverty in Wales, with much of this concentrated in the Welsh speaking heartlands.
This is a film that has retained its relevance to our contemporary lives. The simultaneous crises co-occurring within one family, their relationships to one another, and its bravery in dealing with subjects that many of us would frankly rather not face. Death, insanity, class, identity, the loss of meaning. The intensity and existential angst of Welsh speaking communities. Addiction, gender roles and how we treat our elderly are all themes raised in this film. There are plenty of challenging subjects, however, for me, it felt cathartic to watch.
The film is imbued with a sense of determined hope, the dark humour and sharp working class wit in the dialogue helps carry the heavy themes. This was genuinely one the best films I have watched in a long time in any language. Its release is timely – we need to face the issues raised in this film on individual and collective levels now more than ever.
A new scan of Oed Yr Addewid is coming to cinemas in 2025 from The National Library of Wales Screen and Sound Archive in partnership with Film Hub Wales.
This article was commissioned by Film Hub Wales as part of our Made in Wales strategy, which celebrates films with Welsh connections, thanks to funding from Creative Wales and the National Lottery via the BFI.
It was first published in Buzz Magazine.
A new scan of Oed Yr Addewid (Do Not Go Gentle), a BAFTA winning, politically relevant Welsh language film from 2000 will be re-released in cinemas from March 2025.
From Welsh Director Emlyn Williams, Oed yr Addewid is set in 1997, as Britain reaches a political crossroads following 18 years of Conservative Government rule. The film stars Welsh acting giants, Stewart Jones, Arwel Gruffydd, Gwenno Elis Hodgkins and Gwyn Vaughan. The story follows William Davies, a widower, socialist and retired quarryman, who feels angry and bitter towards a government that has more or less forgotten him in his old age, so he puts a desperate and absurd plan into action. Twenty-five years since its release, the film’s themes of social care, aging and the British state will resonate with audiences today.
Actor Arwel Gruffydd, who plays Alun in the film, reacted to news of the re-release:
“I am very pleased that the Screen and Sound Archive of The National Library of Wales and Film Hub Wales have worked together to create a new digital print of Oed yr Addewid. It was an immense privilege to play a central role in this film 25 years ago, and I have very fond memories of that period, not least of working so closely with the inimitable, late, great Stewart Jones.”
The Screen and Sound Archive of the National Library of Wales and Film Hub Wales, part of the BFI Film Audience Network, have worked together to bring the Welsh classic back to the big screen, which launched at the Llynfi Valley Film Festival at Maesteg Town Hall in March.
The original 35mm film has been re-scanned to 2K quality by R3store Studios, then digitally restored by Gorilla Post Production and prepared for cinema screenings. With the support of Matchbox Cine, English and Welsh descriptive subtitles will also be added for the first time, making the film accessible to a wider audience.
Nia Edwards-Behi, Audiovisual Cataloguer at the Screen and Sound Archive of The National Library of Wales explains:
“We considered a number of films from the archive for this project. We chose Oed yr Addewid because it’s an appealing film that’s also still pertinent in terms of its themes and story. It’s a fine example of an artistic response to the politics of its day, and being able to re-visit that response is so valuable. We’re so fortunate to have an archive full of works like it, and really hope that we’ll see more resources to ensure access to them.”
Hana Lewis, Head of Film Hub Wales adds:
“We work regularly with cinemas and festivals in Wales to increase access to films from the archive’s expansive collection and as part of our Made in Wales project, which celebrates films with Welsh connections. These stories are essential to Welsh on-screen culture, they offer insight into our history and communities, something we are arguably need more of when it comes to films about modern Wales. Unfortunately, there are many barriers that prevent these films being seen regularly, despite audience demand – whether that’s due to lapsed rights, resources to distribute these works effectively, or funds to digitise them and preserve quality. This is why this project is so important. The cost is prohibitive, so as a sector we need to ensure that access to these films is not lost and audiences have a chance to enjoy them for years to come.”
The film is available to cinemas to book for screenings in from late March onwards, with screening dates across Wales to be confirmed.
The project is supported by Film Hub Wales, which is part of the BFI Film Audience Network (FAN) made possible thanks to National Lottery funding, to ensure the greatest choice of cinema is available to everyone across the UK. Funds in Wales are administered by FHW via Chapter as the Film Hub Lead Organisation.
More than £30M is raised each week for good causes across the UK by the National Lottery.
BFI FAN offers a range of events to help members reach new audiences, develop their business model, be more accessible, make their activity more environmentally sustainable and much more.
Find the latest opportunities below.
Upcoming Events…
BFI FAN Green Hour – 17th June: 12:00 – 13:00
Want to deepen the impact of your programming? To move beyond general narratives of climate action towards the issues that really impact your communities? Join this online session on Igniting Local Climate Action. . Free for Hub members.
Revisiting Your Cinema Business Model – 4th June – 16th July: 10:00 – 11:00
Open Webinars 2025. Learn key cinema business principles and fundraising skills in new webinars from BFI FAN. These expert-led webinars cover core topics, including financial reporting, fundraising, and sustainable capital developments. Open to BFI FAN members across the UK.
Our annual event for film exhibitors across Wales.
Held in March each year, the event offers an opportunity to catch up with exhibition colleagues and find inspiration in one another’s projects, through bitesize interactive sessions. The event is also an opportunity for Fiilm Hub Wales to update on funds that will be available to Members* for the forthcoming year.
*This event is exclusively for Members of BFI FAN. If you’re not a member, you can join here.
Upcoming Events…
No upcoming events.
We’re delighted to partner with Media Cymru and Ffilm Cymru Wales for the first time, to support two Welsh trainees to participate in the Film Distributors’ Association’s (FDA) 9 month paid London based trainee scheme, gaining hands on experience in film distribution and international sales.
Exhibition and distribution are essential parts of the film chain. Understanding who the audience is and how to reach them. The scheme will support the aims our Made in Wales project, which celebrates films with Welsh connections.
Find the full course details from the FDA and Media Cymru below:
Our regular get together for exhibitors to talk about the latest films with Welsh connections, meet distributors, filmmakers and find out about Made in Wales assets.
Read more about our Made in Wales strategy here.
Upcoming Events…
No upcoming events.
From the extravagant lifestyle of an eccentric Anglesey Marquess to adventures in the lush landscapes of Laos, eclectic stories with Welsh connections await audiences on the big screen in 2025.
Journey across Wales and beyond this year with local and global stories coming to cinemas, all of which have Welsh connections from locations, to cast and behind the scenes talent. Releasing in spring, Powys-born Joshua Trigg’s debut feature Satu – Year of the Rabbit will transport audiences to Laos as they follow two children on a stunning coming-of-age quest to find their families, friendship and the beauty of everyday life. Set to premiere at Sundance Film Festival 2025 is ie ie Productions’ newest feature film Brides, in which two teenage girls search for freedom, friendship, and belonging when they run away from their lives in the UK with a dangerous plan of travelling to Syria.
Producer Alice Lusher explains how Brides was filmed in Wales as part of an international collaboration:
It was an absolute privilege for us at ie ie productions to work alongside producers Nicky Bentham (Neon Films – UK) and Marica Stocchi (Rosamont – Italy) on Director Nadia Fall and Writer Suhayla El-Bushra’s debut feature BRIDES. A truly international collaboration exploring universal themes of identity and belonging – filmed in Wales, Turkey and Sicily. Production supported local crews and businesses in each country, and it’s been a real pleasure to see their incredible work and talent shine through this beautiful and important film. We can’t wait to share it with the world.
Thrill seeking viewers are in luck as a string of action-packed, psychological dramas and horror films are also set to release. The eagerly awaited Havoc from Welsh director of The Raid Gareth Evans, which was filmed in Cardiff sees Tom Hardy and Forest Whitaker fight their way through a criminal underworld, unravelling corruption and conspiracy along the way. Following this is the mysterious The Man in My Basement starring Willem Dafoe, which is based on Walter Mosley’s novel of the same name. It was filmed in Carmarthenshire, with Welsh producer John Giwa-Amu attached. There are also high hopes for The Scurry, from Welsh director Craig Roberts and Cliff Edge Pictures, which follows the surreal story of two pest controllers who encounter an avalanche of deranged squirrels, wreaking revenge and mayhem on the staff and visitors at an eco-country park.
John Giwa-Amu comments on The Man in My Basement and it’s links to Wales:
It‘s been a great honour for Good Gate to bring such an iconic piece of American culture to film in Wales. We can’t wait for audiences to see this dark and unique thriller come to life.
There are also plenty of films brimming with Welsh heritage. Film Hub Wales is partnering with the National Library of Wales Screen and Sound Archive to re-release a new scan of the 2002 BAFTA-winner Oed yr Addewid. This poignant look at political disillusionment, social care and aging is all the more relevant 25 years after its initial release. A ninety-minute shorts package will also be available from the Archive’s year-long Cymru Anabl (‘Disabled Wales’) project which focused on improving the accessibility of their film and video collections, as well as improving the representation of disabled and Deaf filmmakers in them.
For biography fans, the stories of two iconic Welsh figures hit screens in 2025. Mad as Birds’ new feature film Madfabulous depicts the life of the eccentric Henry Cyril Paget, the 5th Marquess of Anglesey and stars Welsh actor Callum Scott Howells (It’s A Sin) alongside Rupert Everett and Siobhán McSweeney. From Welsh production company Severn Screen, and director Marc Evans, Mr Burton follows the origin story of actor Richard Burton, and stars Welsh talent Aneurin Barnard and Aimee-Ffion Edwards, alongside Toby Jones and Lesley Manville. This is just a snapshot of the films set for release in 2025, with many more to come.
Toki Allison, Made in Wales Project Manager explains how Film Hub Wales’ Made in Wales project supports releases such as these:
Made in Wales aims to fill a gap in the film ecosystem, by creating a bridge between filmmakers and distributors, exploring how that film reaches audiences. Working with Welsh cinemas and festivals, we aim to raise awareness of films with Welsh connections, ensuring that audiences get a chance to see these stories as part of a shared experience in a cinema setting. There’s some special storytelling going on in and around Wales and a unique perspective that deserves to be seen and invested in. Wales is many things and we’re intent on expanding that narrative.
Joedi Langley, Interim Head of Creative Wales, added:
It’s an exciting year for film, with many anticipated titles on the way. Creative Wales is proud to have supported several of these productions, both independently and via the Ffilm Cymru Wales Feature Fund – which in itself has contributed to several recent releases like ‘Chuck Chuck Baby’, ‘The Almond and the Seahorse’ and ‘Timestalker’. The Made in Wales project shines a spotlight on the breadth of filmmaking talent we have here in Wales and gives new features an important platform by raising their profile among audiences and celebrates each one’s Welsh connections and is a project we’re very proud to support. Here’s to a successful year in film for Wales in 2025.
Film Hub Wales’ Made in Wales (MIW) project celebrates films with Welsh connections. It offers a host of year-round activities in partnership with Welsh exhibitors, including a film catalogue, which hosts information on over 1000 shorts and feature films. Audiences can keep up to date with news of upcoming Welsh releases and the latest interviews by following Made in Wales on Instagram, Facebook, TikTok, the Made in Wales podcast, YouTube and Letterboxd.
MIW is made possible thanks to funding from Creative Wales and the BFI Film Audience Network (FAN), awarding funds from the National Lottery. BFI FAN offers support to exhibitors across the whole of the UK, to boost cultural programming and engage diverse audiences. In Wales, activity is led by Film Hub Wales, managed by Chapter.
– ENDS –
In between this, we have managed to see some films – we’ve been posting regularly on our f/b group about films available on TV / streaming. For us it’s been great to catch up with films that we’ve previously shown but not had time to watch – like A Monster Calls – wonderful film but Sara’s daughter had to give her a cuddle afterwards!
