For those of you looking to keep in touch with your audiences through streaming at this challenging time, MUBI are offering you the opportunity to share a 90 day free MUBI subscription with your members or newsletter subscribers.
MUBI have always been a champion of cinemas, for example, through their existing MUBI GO offer which extends the cinema-going experience to all of its members. With many cinemas now temporarily closing their doors, they are offering this partnership as a way of cinemas keeping contact with their audiences.
They can build a bespoke offer landing page with your logo and a customised URL that you can share with your members or newsletter subscribers. This could be a way to stay connected with your audiences and potentially invite them to join in watch-alongs of specific titles, promote donations or friends of schemes and keep independent cinema watching alive during this challenging period.
If you think this offer can add value to your membership, contact MUBI to find out the next steps.
For more information, please contact Irene Musumeci ([email protected]) or Stefana Dragan ([email protected])
This page will continue to be updated with information and relevant links.
We want to share the following information, which you might need during coming weeks/months:
Hub Updates:
Government Guidance and Funds:
BFI:
Partner Funds and Advice:
We will update you as soon as we have any new information and we are on hand to help if we can do anything to support you. Our utmost concern is that you are all well and that we can work together to keep cinemas, festivals and events running in the long term.
As the lead organisation for film, we will support our many industry colleagues during this fast moving and rapidly evolving situation, and we are in discussion with key partners, stakeholders and Government to urgently assess the scale of the short and longer term impact on business.
We are focused on ensuring the resilience of the industry and on tackling the huge range of short to mid-term financial, cultural and societal challenges – not least to the exhibition and freelance sectors who are likely to be hit hardest most immediately by the crisis.
The BFI is in constant communication with colleagues in Government and with other funders across the sector, to ensure we all fully understand the ramifications of the most critical issues, and help shape measures to address them.
We have an already established Screen Sector Taskforce which will be convening to coordinate our conversation with Government and discuss the potential mitigations. We also urge practitioners across the industry and cultural sector to contact us with their key concerns and have set up an email address as a centralised point for all enquires [email protected] to feed into our impact response recommendations.
As a funder, we will be as supportive and flexible as possible across existing funding arrangements, including the ability of those organisations and projects to meet contractual requirements.
As a production financier, we are obviously supporting our filmmakers with advice on a case by case basis. They are all different projects, each case is different and complex with completely different variables, so there isn’t one size fits all guidance, and we are advising them through these very particular challenges as best we can.
The BFI is working hard to support everyone across the sector during this extremely challenging time and we will update you with more news and information when we can.
Ben Roberts, Chief Executive, BFI
“Yr etifeddiaeth ffrwythlon honno o’r ganrif ddiwethaf” - dyna sut y cyfeiriodd Dave Berry, yr hanesydd ffilm y mae cymaint o golled ar ei ôl, at ddiwylliant ffilm Cymru. Mae’r dreftadaeth honno bellach yn cael ei dathlu mewn ffordd gwbl newydd – gyda chyfres o ddangosiadau ffilm ledled Cymru, i hyrwyddo cyhoeddiad ‘ap’ newydd blaengar, ar gael i’w lawrlwytho am ddim, Fframio’n Gorffennol / Picturing Our Past, a fydd yn adrodd stori ffilm a theledu Cymru drwy blethu geiriau a chlipiau ffilm o fewn un cynhyrchiad di-dâl.
Bydd y dangosiadau, a drefnir gan Archif Sgrin a Sain Llyfrgell Genedlaethol Cymru, dan nawdd Film Hub Wales as part of the BFI Film Audience Network (FAN), yn paru ffilm o’r gorffennol gyda ffilm fwy cyfoes. Ar 27 Chwefror yn Sinema’r Phoenix, Ton Pentre, dangosir y ffilm ddogfen Today We Live (1937), gyda’i siotiau enwog o lowyr yn casglu glo mân ar domen, ochr yn ochr â Dark Horse (2015) – y ffilm ddogfen gynnes, arobryn am y ceffyl rasio enwog a brynwyd a hyfforddwyd gan syndicet o Gefn Fforest. Yna ar 5 Mawrth yn Yr Egin, Caerfyrddin bydd cyfle i weld Atgyfodi – ffilm newydd, bwerus y cyfansoddwr John Rea ynghyd â Tryweryn - the Story of a Valley (1965), a wnaed gan blant Ysgol Friars, Bangor.
Ar 23 Mawrth bydd Sinema’r Coliseum, Aberhonddu yn dangos Rhosyn a Rhith/Coming Up Roses (1987) – comedi apelgar sydd yn ddathliad hyfryd o fyd y sinema, yn portreadu’r Rex yn Aberdâr yn benodol – ynghyd â Cinema Memories – ffilm fer o atogfion melys trigolion Cwm Afan o fynychu a gweithio yn y sinema ‘slawer dydd. Bydd seren y brif ffilm – Dafydd Hywel – yn ymuno â’r gynulleidfa am sesiwn cwestiwn-ac-ateb ar y diwedd, ac hefyd yn dilyn y dangosiad dilynol yn Theatr Twm o’r Nant, Dinbych ar 3 Ebrill, ble caiff y gynulleidfa hefyd gyfle i fwynhau’r ffilm ddogfen hwyliog, Dial-a-Ride. Bydd y daith yn gorffen ar 29 Mai gyda dangosiad o’r gomedi chwerw-felys Gymreig newydd Denmark, yn Sinema Sadwrn, Llansadwrn.
Bydd yr ap Fframio’n Gorffennol /Picturing Our Past, a gyhoeddir gyda nawdd gan Gyngor Llyfrau Cymru, yn diweddaru llyfr arloesol Dave Berry, Wales and Cinema, gyda thechnoleg ddigidol yn galluogi’r awduron, Colin Thomas a Iola Baines, i gynnwys clipiau o ffilmiau allweddol o orffennol sinematig Cymru.
Meddai Iola Baines, Curadur Delweddau Symudol yn Archif Sgrin a Sain Llyfrgell Genedlaethol Cymru:
Nod yr ap hwn yw cyflwyno treftadaeth gyfoethog sinema Cymru i gynulleidfaoedd a dilynwyr newydd – ac rydym yn falch o fedru cynnwys enghrheifftiau trawiadol o ffilm i ddod â’r hanes yma’n fyw, ar ffurf clipiau o ddelweddau symudol o bob degawd. Rydym yn gobeithio bydd yr esiamplau difyr yma yn ysbrydoli pobl i durio’n ddyfnach i’r hanes rhyfeddol hwn, gan ddarganfod y bobl a’r straeon y tu ôl i’r ffilmiau – ac o bosib i fynd ati i ychwanegu at yr hanes drwy greu a ffilmio eu straeon eu hunain!
Meddai Colin Thomas (cynhyrchydd/gyfarwyddwr cyfresi hanes fel The Dragon Has Two Tongues, ac enillydd sawl gwobr megis y Prix Europa a thair gwobr BAFTA Cymru am y Rhaglen Ddogfen Orau):
Mae’n gyffrous gallu anrhydeddu’r tradoddiad gwneud-ffilmiau Cymreig yr ydw i wedi ymdrechu i gyfrannu ato, ac i alluogi cenhedlaeth newydd i ddarganfod mor gyfoethog yw’r tradoddiad hwnnw.
Meddai Pedr ap Llwyd, Prif Weithredwr a Llyfrgellydd Llyfrgell Genedlaethol Cymru:
Mae'r e-lyfr newydd yma yn ffordd gyffrous a blaengar o gyflwyno casgliadau clyweledol cyfoethog y Llyfrgell Genedlaethol, gan gynnig llwybr ffres a chyfoes i ddefnyddwyr o bob math fedru cyrraedd at y dreftadaeth apelgar hon. At hyn, mae'r daith ffilm sydd yn hyrwyddo'r e-lyfr yn ffordd ardderchog o fynd â'n ffilmiau i'r 'priffyrdd a'r caeau', gan estyn allan at gynulleidfaoedd ym mhob cwr o Gymru sydd o bosib erioed wedi gweld ffilmiau archifol ar y sgrin fawr, nag wedi gwneud y cyswllt rhwng yr hen a'r newydd yng nghyd destun y sinema Gymreig.
Hana Lewis, Film Hub Wales’s Strategic Manager adds:
Picturing our Past fuses new screen technologies with Welsh heritage, taking an innovative approach to audience development for films with Welsh connections. This is a fantastic new resource and we’re delighted to support The National Library of Wales Screen and Sound Archive as they bring these important stories to cinemas across Wales.
Bydd lansiad swyddogol i’r ap ym mis Mai, gyda digwyddiad arbennig yng Nghaerdydd.
To raise the profile of the existing youth ticketing schemes at FAN member venues we’ve developed a new partnership with the Art Fund’s Student Art Pass which aims to give independent cinemas in the UK some additional profile.
COLLABORATIVE OPPORTUNITY
If you have a ticket offer of £5 or less for 16-25 year olds (or if your general ticket offer is £5 or less) they’d like to profile your cinema and offer to their student membership. The partnership will run for a year from the 25ed February and will continue if successful. All we need to add your cinema to their offer is details about your venue, your ticket prices and a lovely image! Venues will be added on a rolling basis over the year but the more we have on board by the 25ed February the better.
Mae Canolfan Ffilm Cymru, dan arweiniad Chapter fel rhan o Rwydwaith Cynulleidfa Ffilm BFI, wedi cyhoeddi dau brosiect arloesol a fydd yn cefnogi adrodd straeon ar draws Cymru, y DU ac yn rhyngwladol.
Gyda chefnogaeth Cymru Greadigol Gyda chefnogaeth Creative Wales ac wedi’i datblygu mewn ymgynghoriad gyda chyrff sgrin Cymreig, caiff rôl newydd gyffrous ei chreu ar gyfer Swyddog Adeiladu Gwnaethpwyd yng Nghymru. Gan adeiladu ar waith Canolfan Ffilm Cymru hyd yn hyn, fe fydd deiliad y swydd yn edrych ar ffyrdd o gyflwyno ffilmau Cymreig i gynulleidfaoedd cyhoeddus gan sicrhau bod straeon, doniau a lleoliadau rhanbarthol ar y blaen. Mae manylion am y swydd ar gael ar wefan.
Hefyd ar y gweill mae darn o ymchwil i botensial Gwnaethwyd yng Nghymru fel brand sydd yn adnabyddus. Gyda chyllid gan Clwstwr, fe fydd y prosiect yn edrych ar botensial diwylliannol ac economaidd posibl brand cenedlaethol ar gyfer ffilmiau gyda chysylltiadau Cymreig.
At Abertoir Corp’s 2019 edition of the festival, to celebrate the 40th anniversary of Alien and their sci-fi theme, Abertoir attempted something literally out of this world…Abertoir, IN SPACE!
Teaming up with one of the writers of Alien, Ron Shusett, they recorded a very special introduction to the screening of the iconic film.
Before the festival, Ron’s video was loaded onto a computer attached to a special balloon capable of travelling to the edges of space. There, a mounted camera recorded Ron’s introduction playing back against the backdrop of our planet. The resulting footage was screened before the 40th anniversary screening of Alien on the closing day of the festival.
As a special thanks, Abertoir included Film Hub Wales, BFI Fan, the Institute of Physics, Aberystwyth University, Aberystwyth Arts Centre and Ffilm Cymru in the launch!
The SXSW Film Festival celebrates raw innovation and emerging talent from both behind and in front of the camera and this year it features two Made in Wales films in it’s programme.
Rockfield: The Studio on the Farm, a feature-length music documentary is about two Welsh brothers that launched the legendary Rockfield studios and brought rock and roll royalty such as Black Sabbath, Oasis, Coldplay, Stone Roses, Robert Plant and Simple Mind to their studio in the Monmouthshire countryside. It is produced by ie ie Productions’ Catryn Ramasut and also features Wales’ own James Dean Bradfield and Nicky Wire (Manic Street Preachers)
Joining Rockfield at SXSW is another film, Rare Beasts that featured in our latest Welsh Film Preview Days at Gwyn Hall in Neath & Galeri in Caernarfon and is the directorial debut of Billie Piper, who also plays Mandy, a modern woman in a crisis. Raising a son in the midst of a female revolution, mining the pain of her parents’ separation and professionally writing about a love that no longer exists, she falls upon a troubled man, Pete, who’s searching for a sense of worth, belonging and ‘restored’ male identity. Rare Beasts is produced by Vaughan Sivell (Western Edge Pictures) who is from Pembrokeshire.
Both films have received funding from Ffilm Cymru Wales.
FIRST LOOK IMAGE REVEALED
London, October 31, 2019 — Cornerstone Films has closed worldwide sales, including a multi-territory deal with Sony Pictures Worldwide Acquisitions (SPWA), for BAFTA award-winning director Euros Lyn’s Dream Horse. The film stars Toni Collette and Damian Lewis together with Owen Teale, Joanna Page, Karl Johnson, with Nicholas Farrell and Siân Phillips. It is is currently in post production in Wales. Cornerstone Films has also closed deals with Welt Kino (Germany), Impuls (Switzerland), Hakuhodo DY music & pictures Inc. (Japan) and Terry Steiner (Airlines). As previously announced, Bleecker Street and Topic Studios have jointly acquired the U.S. rights and Warner Bros is distributing in the UK. The SPWA deal includes rest of world, excluding Canada, Italy and France.
Jan Vokes, a cleaner and bartender, recruits her initially reluctant husband Brian and local accountant Howard Davies to help her bring together a syndicate of local people to breed a foal – which they name Dream Alliance. On the racetrack, he proves himself to be more than a match for the multi-million pound racehorses he comes up against – a true working-class champion, taking on the establishment at their own game. But much more than this, Dream begins to alter the lives of everyone in the syndicate, not least Jan’s. He is everything to her: friend, confidant and an escape from a life of always putting other people’s needs first.
Dream Horse is a classic story of triumph against adversity, and a tale of how a woman strives to make her dream a reality in a place where hope is thin on the ground. The true story behind the film was previously told in the documentary Dark Horse, produced by Judith Dawson and directed by Louise Osmond, also backed by Film4 and Ffilm Cymru. It won the World Cinema Audience Award at
Sundance before being released by Picturehouse in the UK and Sony Pictures Classics in the U.S.
The RAW production was written by BAFTA award-winning writer Neil McKay and developed with Film4. It is produced by Katherine Butler and Tracy O’Riordan. Executive producers are Piers Vellacott and Joely Fether for RAW, Daniel Battsek and Ollie Madden for Film4, Peter Touche and Stephen Dailey for Ingenious Media, and Pauline Burt for Ffilm Cymru Wales.Film4, Ingenious Media, Ffilm Cymru Wales provided funding for the film, which is also supported by the Welsh Government. They are joined by Warner Bros UK, which will release the film in the UK. Cornerstone Films handled
international sales, and is selling Canada, Italy and France.
For over a year The National Library of Wales (NLW) has been developing a scheme to offer bilingual resources from the Library’s graphic and audiovisual collections for reminiscence.
As part of the scheme, they are offering independent cinemas and film societies a programme of archival films that will appeal to older people, those living with dementia and their families; they will also offer a wider audience a medium to generate discussions about their community, e.g. how culture and traditions change over the years.
Ers dros flwyddyn mae Llyfrgell Genedlaethol Cymru (LlGC) wedi bod yn datblygu cynllun i gynnig adnoddau dwyieithog o gasgliadau gweledol a graffigol LlGC ar gyfer hel atgofion ac i hwyluso therapi’r cof.
Fel rhan o’r cynllun rydym yn cynnig rhaglen o ffilmiau archifol (sy’n addas ar gyfer pobl hŷn, rhai sy’n byw gyda dementia a’u teuluoedd) i sinemau annibynnol a chlybiau ffilm; bydd y ffilmiau hefyd yn cynnig cyfrwng i gynulleidfa ehangach i gychwyn sgyrsiau am y gymuned, e.e. sut mae diwylliant a thraddodiadau wedi newid dros y blynyddoedd.
The Equipment Hire Scheme is designed to help members who need to hire kit for pop up screenings.
Cinema For All has three sets of equipment one of which is hosted by Film Hub Wales, which are available to hire at low prices.
To help new groups get started the equipment pack is comprised of:
For more information about the scheme, click yma.
If you’d like to book, fill out the booking form yma.
This is an online space for Film Hub Wales members to connect with each other.
Hold conversations, announce events, provide information and ask questions. The more members and partnerships we build, the greater impact we can make for audiences and our exhibition sector in Wales.